SHAMANISM AND THE ANCIENT GREEK MYSTERIES:
THE WESTERN IMAGININGS OF THE “PRIMITIVE OTHER”
A thesis submitted
To Kent State University in partial
Fulfillment of the requirements for the
Degree of Master of Arts
by
Troy Markus Linebaugh
December, 2017
© Copyright
All rights reserved
Except for previously published materials
ii
Thesis written by
Troy Markus Linebaugh
B.A., Saint Vincent College, 2011
M.A., Slippery Rock University, 2013
M.A., Kent State University, 2017
Approved by
Richard Feinberg, Ph.D., Advisor
Mary Ann Raghanti, Ph.D., Chair, Department of Anthropology
James L. Blank, Ph.D., Dean, College of Arts and Sciences
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TABLE OF CONTENTS
TABLE OF CONTENTS………………………………………………………………………...iii
LIST OF FIGURES………………………………………………………………………………v
PREFACE………………………………………………………………………………………vi
ACKNOWLEDGEMENTS…………………………………………………………………...viii
CHAPTER
I. Introduction: the Problem of Shamanism in Ethnology, Archaeology, and
Historiography………………………………………………………………………...1
a. Primitivism and Shamanism………………………………………………………3
b. The Problem with Ethnographic Analogue and the Archaeology of Religion……9
c. Entheogens and Altered States of Consciousness in the Narrative……………....14
d. From the Problems of Paleo-Shamanism to its Application in Historiography….19
e. Shamanism as Practically Barbarian Religion………………………………...…23
II. Gods, Beasts, and the Polis: Redux………………………………………………….28
a. The Barbarian Other……………………………………………………………..29
b. “Eaters of Flesh, Drinkers of Milk:” Nomads in Relationship to the Polis……...35
c. Barbarians as Naturally Slaves in the Polis……………………………………...41
d. Stereotypes and Other Hellenic Misinterpretations of Pontic-Caspian
Cultures…………………………………………………………………………..44
e. The Oikoumene: from the Polis to the Eschatiai………………………………...50
f. Concluding Remarks for Chapter 2…………………………………………...…64
III. Pontic Barbarian Religions and the Invention of the Mysteries……………………..66
a. Animism, Totemism, and Northern Eurasian Ontologies………………………..70
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b. “Northern Shamanism” and Pontic Barbarian Religions………………………...78
c. The Mystery Cults: Survivals of the Greeks’ Shamanic Past or Invented
Tradition?...............................................................................................................94
d. Orphism…………………………………………………………………………..96
e. Cult of Dionysus…………………………………………………………………98
f. The Cult of Artemis, Mother Goddess………………………………………….101
g. The Eleusinian Mysteries……………………………………………………….105
h. Cults of Apollo, the Oracle at Delphi, and the Hyperboreans………………….109
i. Ancient Greek Philosophy as Mystery Religion………………………………..122
j. Concluding Remarks on Chapter 3……………………………………………..125
IV. The Indigenous Barbarian and His Religion………………………………………..127
a. The Ontological Space of the Other…………………………………………….129
b. The Invention of Shamanism…………………………………………………...134
c. The New Age and the Politics of Culture………………………………………142
d. The Indigenous Other…………………………………………………………..157
e. Conclusion……………………………………………………………………...171
APPENDICES
A. Maps and Figures……………………………………………………………………….174
B. Glossary………………………………………………………………………………...177
C. List of Classical Literary References with Associated Abbreviations………………….181
REFERENCES…………………………………………………………………………………183
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LIST OF FIGURES
Figure 1. Northern Pontic………………………………………………………………………174
Figure 2. Herodotus’s geography (reconstruction)……………………………………………..174
Figure 3. Scythian world and associated funerary sites………………………………………...175
Figure 4. Ethnological map of modern Siberian cultures………………………………………175
Figure 5. Hellenic sacred sites and cult centers……………………………………………...176
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Preface
When I first began my investigation of shamanism, I discovered it in the context of
ancient and medieval Eurasian nomadic cultures from the time of the Indo-European migrations
to the expansion of the Mongol Empirea very large stretch of time. At the start, I admit I
accepted the concept at face value and did little to deconstruct it, as shamanism was more
peripheral to my historical research at the time. As I first understood it, shamanism was simply
an ancient and primitive religion, and it appeared to me that it was widespread, not only
throughout northern Eurasia, but globally. However, as I turned the attention of my research
from historical to ethnological, I found this supposedly global phenomenon problematic. I could
not identify any unifying set of practices or beliefs between the countless traditions found
throughout time and space which scholars and New Age mystics alike have called shamanism.
Even among the northern Eurasian groups the concept is applied with difficulty. Nevertheless, I
proceeded as if there was in fact a historic (or perhaps prehistoric) root religion which one might
call shamanic. My quest brought me to the Lakota Sioux of Pine Ridge, SD, being that the
Native Americans have been a popular, if not cliché, choice for enthusiasts and scholars alike of
so-called primordial spirituality. This prevalent sentiment in itself reveals much about the
problem of shamanism.
I find it embarrassing now to think of the naïve mindset I had been lulled into up to this
time. While at Pine Ridge, I had a number of interactions with a spiritualist woman who claimed
to be possessed by the spirit of the White Buffalo Calf Woman, the mythic purveyor of the
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Sacred Pipe and the Seven Sacred Rites. She also described herself in Western terms as a witch.
While she and her husband took me in for a few days (many people gave me lodging while I
explored out there), she expressed that she did not like me nor did she appreciate my interest in
her traditions. She called me a New Ager and accused me of cultural imperialism. That
accusation represented a watershed moment in my research and a major paradigm shift in my
perspective on shamanism. After long reflecting on my experiences at Pine Ridge, especially that
one, I realized that, although I did not consider myself a New Ager, I had approached shamanism
from the same epistemological perspective as the New Age Movement. Moreover, I suspected
that many other anthropologists who research shamanism have fallen into this same
epistemological trap. Beyond the concept of shamanism’s heuristic function, something
embedded in our psyches, perhaps a product of our culture, constructs our idea of the primitive,
including primitive religion, and is bound with the concept of the indigenous other. Thus, this
thesis is a criticism of the anthropological concept of shamanism and the epistemology through
which scholars and mystics alike have arrived at the purported source of pre-Western wisdom
and “archaic ecstasy.”
In some ways Marshall Sahlins’s Culture and Practical Reason has informed my
criticism, especially in terms of the relationship of culture-structure and ecology. As
globalization has created the ecological “marble block” for the sculpting process in Western
consciousness, it has allowed the ancient construction of primitive otherness to persist in a new
age. As this thesis will lay out, this process began in the ancient world, best illustrated through
Hellenic culture, where the Ancient Greeks’ economic and mystical endeavors in the Pontic-
Caspian region simultaneously reinforced and were informed by their own culture-structure of
the polis and its associated ideologies.
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Acknowledgments
I would first and foremost like to dedicate this work to and offer the utmost gratitude to
my host on my 2014 South Dakota Trip, and now brother, Weldon Two-Bulls, of the Pine Ridge
Lakota Sioux. I also thank Frankie Running (Rosebud Lakota, Kent, OH) and Marrott Taylor
(Curve Lake Anishinabe, Peterborough, ON) for their input and discussions in 2014. Many
thanks also to my brother and fellow searcher-of-truth, Christopher Wilhide, through two theses
and through years of chaos. Much gratitude to my office mates and colleagues at Kent State,
Dexter Zirkle and Matthew Hudnall, for countless hours of deep discussions (relevant to our
respective theses or not). Many thanks to my committee members, Evgenia Fotiou and Alice
Kehoe, for fruitful discussions, insight, and direction. Moreover, I hold the deepest gratitude for
my advisor, Richard Feinberg, for tolerating my frequent disappearances into the ether and
reappearances in the academic polis as if I saw myself as a modern Aristeas, Abaris, or
Salmoxis, and for his immeasurable patience and wisdom exhibited in dealing with me
throughout my time at Kent. Finally, to all my relatives, Aho!
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If you gaze long into an abyss,
the abyss also gazes into you.
- Friedrich Nietzsch
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Chapter 1
Introduction: The Problem of Shamanism in Ethnology, Archaeology, and Historiography
In both academic and popular lexicon, shamanism is simultaneously one of the most
recognizable yet least understood terms. The educated classes of the Western world have long
known about the shamans of Central Eurasia, as the term itself comes from the Siberian Tungus
saman (Laufer 1917), and the term is often taken to be synonymous with “witchdoctor,”
“sorcerer,” “wizard,” “healer,” and other such Western lexical relics from the Age of Exploration
and the waves of colonialism which followed. Almost uniformly Western observers, educated or
not, understood the religious traditions of the native populations they encountered from Australia
to the Americas in terms of indigenous otherness. The application of the term “indigenous” is
problematic when used as an essential category of otherness in the Western perspective. Thus,
this type of word-usage has received little criticism for its lack of a clear definition outside of the
most basic (i.e., being native to a particular place) (Cunningham and Stanley 2003; French
2011). Although a full exploration of the concept of indigenous is beyond the scope of this
thesis, as a Western concept it is bound to the problem of shamanism. Like indigenous,
shamanism lacks a clear definition despite scholars’ attempts to conjure one (Eliade 1964; Jolly
2005; DuBois 2009; Sidky 2010). All attempts to define either “indigenous” or “shamanism”
have heretofore ignored the role of otherness in their conception. Shamanism and indigenous,
thus, inextricably inhabited the same space in the Western mind. It is the religion of the exotic,
indigenous other, the natives, the savages, the barbarians, the primitives, and so on and so forth.
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Therefore, it is imagined as the religion of our own primitive past, or so it might appear in the
classical Western construction of otherness. In a way, this accounts in part for the pervasive
application of the more widely recognized term “shamanism,” despite its intellectual migration
out of its original Northern Eurasian context, in discussions of global indigenous religions today.
This thesis will illustrate how shamanism reflects more about the structure of the human
mind than it does about the ethnographic subjects of the ethnography of religion, especially in
imagining the past and in interpreting present cultures within the framework of said imagined
past. As the scholarly genealogy of the concept of shamanism has already been thoroughly
exhausted (see Atkinson 1992; Boekhoven 2011; Whisker 2013; and Fotiou 2016), this thesis
will instead approach the issue from a different anthropological angle which A. M. Khazanov
calls paleoanthropology, or the application of historical criticism to valuable ancient
ethnographic sources (Khazanov 1984 in Wright 1998:25). As the so-called civilized literary and
artistic centers of humankind have been observing and interpreting the so-called savage societies
outside their walls for millennia, careful scholarship will find that some of the same
anthropological questions that appeared in ancient discussions about the primitive other persist
today, albeit in different contexts. Shamanism is nothing more than a product of that long
discussion.
The rest of this introductory chapter will discuss some of the contemporary problems
with the concept of shamanism in ethnology, archaeology, and historiography. This should
prepare the reader for the discussion of the relationship of shamanism today and some of the
dominant religious and mythological traditions of Ancient Greece, both of which emerge from
the “civilized” mind imagining the “primitive other.”
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Primitivism and Shamanism
In the wake of globalization and postmodernism, anthropology has become divided on
the definition and the accurate usage of the words “shaman,” “shamanism,” and “shamanic.” On
one side of this division, followers of Mircea Eliade’s school of thought since the mid-twentieth
century have understood shamanism as a kind of primordial religion, a tradition of mythology,
ritual, and ontology purportedly ancestral to all religions in existence today. In this school of
thought, scholars of religion seek cross-cultural parallels in terms of mythic archetypes, spiritual
connections to the natural world and netherworld, and, most popularly, altered states of
consciousness, especially through ritual intoxication or ecstasy (Eliade 1964; Liberty 1970;
Harner 1980; Noll 1985; Wasson et al. 1986; Porterfield 1987; McClenon 1997; DuBois 2009).
In spite of such mythologizing of human history, shamanism is not the remnant tradition of a
bygone age before Western imperialism but rather the product of the invention of tradition and
the politics of social space as a result of inter-societal relationships of power. As this thesis will
demonstrate, it is an invented tradition, to borrow from the terminology of historian E. J.
Hobsbawm, because its inventors (i.e., scholars such as Eliade) have concocted “shamanism” out
of the traditions of a plethora of mostly unrelated cultures upon the premises that those traditions
are 1) indigenous, or 2) primordial or very ancient. Often the two are conflated to refer to an
ancient understanding of human nature more commonly known as the noble savage. Shamanism
imagines, from the perspective of modern, global civilization, the indigenous minorities of the
world as an homogenous, Romanticized, exotic other who possesses innate wisdom about the
natural-spiritual world, which civilization abandoned when it left the wilderness for the polis.
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Nevertheless, the study of shamanism has long played a fundamental role in an
anthropological discussion on human nature which originated in the Enlightenment theories of
Rousseau, Locke, Hobbes, and others (Lowenthal 1985: 232-3; Trigger 2006: 110-116). This
rather dated debate persisted to the present through numerous paradigm shifts. Yet it often
travelled beneath the current of discussion as an almost unspoken, sublime element which posits
the human condition, past and present, in an ethical dimension. We can summarily describe this
debate as divided over whether the primitive state of man, however imagined, was good or bad.
Rousseau asserted that it was good. Hobbes argued the opposite. Historiographical parallels can
be found throughout the major currents of anthropological discourse. Boas, although critical of
Rousseau’s naïve notion of primitive virtue and himself not a romantic, clearly saw in the
world’s indigenous cultures the origin of all human culture in the sense of cultural roots. In 1889
he claimed the “history of the sciences, the history of inventions, and above all the history of
religions point to the study of their germinal forms among primitive peoples” (1989:67-8,
emphasis mine). Primitive religion and primitive society, as Westerners have constructed them,
represent the romantic germ of human culture in such a paradigm. For those observers during the
Age of Imperialism, and for many observers today, primitive equates to prelapsarian. In
some ways, Boasian ethnology sought to unearth that ideal in its methodology, and so
anthropology’s course was set for the shores of the peripheral, foggy, perhaps even Hyperborean
territories of the indigenous other for the next century of ethnographic research.
The admirable nobility of primitive societies was also an integral part of early Marxist
social theory and gave rise to the concept of primitive communalism. Marx was fascinated with
pre-capitalist, pre-feudal economies, and so the “primitive simplicity” of such societies, although
he did not idealize them as pure communism (Marx 1969:271). Marx and Engels early on
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forwarded their criticisms of the economies of “tribal ownership” in German Ideology for its
shortcomings of patriarchy and slavery in the division of labor. However, the work of Lewis
Henry Morgan, namely Ancient Society (1877) and Houses and House-Life of the American
Aborigines (1881), the latter in which Morgan makes extensive use of the phrase “communism in
living” to describe aboriginal society, such as the social order of the Iroquois nations, had a
lasting impact on the theories of Marx and Engels. Ethnological observation seemingly offered
Marx and Engels the proof they needed to support their model of human history. However,
Marxist anthropology, well into the twentieth century, stumbled over the seemingly paradoxical
observations ethnographers made on primitive religion in egalitarian societies (Barsh 1988). The
Mbuti, for example, whose economy and religion both revolved around reliance upon the entity
of the Forest, presented a stumbling block for Marxists exploring the “primitive communalism”
of these natives which had to be reconciled to the integration of their ideology into their mode of
subsistence (Barsh 1988:194-95). On one hand, Marxists from Marx and Engels onwards sought
out primitive egalitarian societies to support their economic model, but the aspect of religion, the
reflection of social relations, contradicted their idealization of the other.
Anthropology, especially towards the latter part of the twentieth century, follows
Rousseau’s ideal of the native, even if that ideal is embedded subconsciously as sublime
empathy for the other. The conservative reaction to this school of thought, namely among
sociobiologists such as Napoleon Chagnon, held Hobbes’s premise that primitive society is
nasty, brutish, and short (see Chagnon’s comments in 2013:7-10). Both perspectives on the
human condition operate in a larger paradigm of cultural evolution, as both camps imagine (or
inadvertently imply) that indigenous peoples represent the most ancient past of all human
ancestors. The implications of that premise traverse the Rousseau/Hobbes dichotomy, and
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archaeological, historical, and ethnographic information has filtered through the paradigm of this
archaic debate since the period of the Enlightenment.
The reality of our human past might never come fully to the light, yet humans continually
look to the past to make sense of the present and for self-actualization. In academia, this is most
manifest in archaeology, linguistics, history, and anthropology as a whole. The social and
cultural conditions of the present undeniably affect the narrative(s) of human history. From the
perspective of Hobbes, whose England had emerged from the Cromwell years into the era of
royal restoration, chaos, turmoil, and tribulation typified the lawless state of man, and law
naturally comes with social order. Thus the state of primitive man prior to social order is one of
chaos, in the mind of Hobbes. Rousseau, alternately, from the perspective of living under the
thumb of an oppressive French monarchy, viewed the primitive state before and outside of the
social order of civilization as the truly good state of humanity. The historical conditions of each
of these individuals’ worlds naturally shaped their diametrically opposed views on mankind.
Moreover, these views accompanied the spread of European colonialism and imperialism
worldwide well into the twentieth century.
I do not plan to defend one stance or the other. Actually, I argue that noble and brutish
savages alike are more the result of values which the observer subconsciously (or perhaps
consciously on occasion) embeds in his or her reflections on ethnographic subjects. More recent
anthropology has had some successes in rising above this dilemma, but the problem remains in
the anthropology of religion, especially the diverse traditions associated with so-called
indigenous cultures. That is not to say every scholar of indigenous religions is necessarily in
agreement with Eliade. Rather, it is something deeply embedded in the Western perspective and
perhaps even deeper in the human psyche, which has systematically created the space of
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otherness in which the slots of “indigenous” and “shamanism” have been imagined.
Consequently, the social theorizations of Hobbes and Rousseau helped propel the debate on the
nature of the primitive into the birth of professional anthropology, as we discussed above.
As the bulk of this discourse will delineate, this debate goes back much further than the
Enlightenment, to Ancient Greece, with parallels and antecedents throughout the civilizations of
the Ancient Near and Far East. The pessimism of Hobbes can be found in much of Plato’s work,
whereas Hesiod artfully describes a much more idyllic quality in the natural man, much like
Rousseau. A careful reader of Aristotle might notice he synthesizes both opposed qualities into
his theory of life beyond the political sphere of the city-state. In any of the above cases, the
savage other exists in an imagined region of space and/or time which is beyond the city-state, or
polis (pl., poleis). Free of the social boundaries of Greek laws and customs, or nomos, the
primitive other was imagined in terms of godliness or beastliness. Likewise, the noble savage of
Enlightenment thought is an archetype of otherness which is removed from the social boundaries
by both imagined space and time. From Enkidu in the Epic of Gilgamesh to Rudyard Kipling’s
Mowgli, primitive otherness as noble savage appears in a naturally pure state of naïveté,
untainted by the rise of the sedentary powers of human civilization. Primitive man thus
represents the ethical paradigms of the present but also creates a space for characterizing past
and present peoples in terms of imagined otherness. In other words, the noble savage represents
humanity’s origins imagined as good and, moreover, that primitive cultures today signify living
examples of those origins. It is Eliade’s “Yearning for Paradise” that he argues is at the root of
the study of the primitive. Rousseau would applaud him.
Ultimately, such theories founded in a Romantic search for origins fall short of offering
anything of real academic value. Shamanism plays an integral part in the current discussion in
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anthropology about early human culture and the evolution of religions. The study of shamanism
is, however, bogged down with the Romantic notions discussed above. Shamanism in this sense
becomes overgeneralized and superficial. Moreover, the constructed form of shamanism offered
through the works of figures like Eliade, Harner, Wasson, and others became popularized with
the cultural revolutions of the 1960s and 1970s and attracted Westerners interested in
psychedelic drug-use and alternative systems of thought. This unintended effect of the
ethnography of altered states of consciousness perhaps has left some stigma on its study but has
also given it some popularity. On the other side of the intellectual chasm, more recent scholars
such as Alice Kehoe reject the application of the term, shamanism,” outside of the study of the
region of its original context, that is, Central Eurasia (and more specifically, Siberia) (Atkinson
1992; Amitai-Preiss 1999; Kehoe 2000; Schnurbein 2003; Sidky 2010; Whisker 2013).
Somewhat recently, Pieter Jolly (2005) has attempted a reconstruction of the term,
shamanism, which acknowledges its original indigenous usage but also tries to identify
underlying principles which could be useful in examination of cultures which have been
described in academia as “shamanic.” He proposes that shamanism refers to religious traditions
which “possess religious functionaries who draw on the powers in the natural world, including
the powers of animals, and who mediate, usually in an altered state of consciousness, between
the world of the living and that of the spirits including the spirits of the dead” (pp.127-128).
Jolly’s peers are unsatisfied with the cross-cultural usefulness of this definition. Klein, Guzman,
and Stanfield-Mazzi comment on Jolly’s position as having improved the scholarly classification
of shamanism but that it evades the problems concerning its application in cultures beyond the
Northern Eurasian context. Even so, shamanism persists in academic discourse. Outside of
Northern Eurasia, ethnographic material on so-called shamanic traditions is most prominent in
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the contemporary writings on indigenous traditions of the Americas (Benedict 1923; Siebert
1937; Johnson 1943; Harner 1962; Spencer et al. 1965; La Barre 1970b; Ellis 1993), whereas
Africa (Katz 1982; Lewis-Williams 2001), Southeast Asia (DuBois 2009), Australia (Radcliffe-
Brown 1926; Elkin 1945; Lévi-Strauss 1963), and Melanesia-Polynesia (Layard 1930; Herdt
1977; Keesing 1982; Wallis 2002) receive far less attention. More often, ethnographic
information on various native religious traditions can be gleaned from works specific to certain
groups or communities but more generalized in subject matter. And often in these cases
shamanic terminology seldom appears where other concepts, such as sorcery and ancestor
worship, abound.
The Problem with Ethnographic Analogue and the Archaeology of Religion
Given that certain ethnologists seek a unifying root of present native religions (or all
religion), it makes sense they would look to the distant past as the primordial source of human
spirituality. Lewis Binford (1962) calls the explanation of the ritual or mythological significance
of an artifact in archaeological methodology ideo-technic; that is, what sort of ideology the
artifact might have conveyed in its original context. There is a problem, however, since we
cannot know for certain what the ideo-technic context of an artifact was if the archaeological
culture is disconnected from cultures of the present; that is, if no historically verifiable
connection exists between the assemblage and modern descendants or claimants. Furthermore,
the historical contingencies of human migration and culture change raise the question of who the
descendants of past cultures are, if any even exist. We can also add to this messy issue the fact
that contemporary groups might give new meaning to prehistoric sites and artifacts to which they
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claim some connection, whether Stonehenge or Kennewick Man. This becomes a heated topic in
the politics of culture and especially in the construction of indigenous identity. For example,
although no known descendants of Woodland Ohioan cultures exist today, Ohio mortuary sites
such as Libben fall under the jurisdiction of the Native American Graves Protection and
Repatriation Act of 1998 simply because, from a modern perspective, these cultures are
indigenous. Once bracketed as indigenous, ideo-technic artifacts tend to fall into the category of
shamanism in the archaeology of religion. Numerous archaeologists, with some exceptions to be
dealt with below, simply assume prehistoric religion equates to indigenous religion and thus
shamanism. Modern constructs of “indigenous” and “shamanism” thus erroneously become
lenses for the scholar looking into the distant human past.
Given that most of these types of explanation tend to be conjectural, scholars are tempted
to describe the ideo-technic value of artifacts and sites in historical or ethnological terms. They
typically do so through the use of a method known as ethnographic analogy, that is, the
application of traditions of the present to explain the traditions of the extinct past, whether or not
any actual relationship exists between the two (Trigger 2006:416-17). Archaeologists and
historians have thus attempted to identify the occurrence of shamanic traditions in past cultures
through the explanation of artifacts and sacred sites in terms of ideologies which parallel modern
indigenous traditions globally. Despite the difficulties of limited primary sources, archaeologists
essentially have, in terms of the politics of culture, the power to reconstruct traditions of
shamanism in extinct cultural remains with little academic hindrance to the idea that shamanism
is very ancient. This is not to say that the archaeological assemblages described as shamanic
were not religiously or ritually important to the people who originally made and used the
artifacts. Rather, we must ask, how are prehistoric religions shamanic?
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Rather than any empirically sound delineation of the prehistory of religions, what we find
under the guise of cross-cultural analysis is an insistence on indigenous religion as being very
old and typically associated with Altered States of Consciousness (ASC). It is a rickety and
unsound bridge that has been built between modern indigenous religions, prehistoric ideo-technic
artifacts, and an imagined and Romantic Paleolithic “shamanism.” This is especially true for the
archaeology of religion in North America. For example, Brown (1997) holds no reservations
about describing the entirety of Eastern Woodland religions, their ritual paraphernalia and
associated iconography, as shamanism. We do not know exactly what the relationships were
between the religions of the various Eastern Woodland groups historically, let alone
prehistorically so Brown’s attempt to lump them under one category is spurious. That is not to
say there are no relationships between traditions. Stothers and Abel (1993:68-70, 79), without
falling into the trap of using shamanic terminology, provide some compelling explanations for
the ideo-technic uses of some Late Archaic cultic grave goods, ursine and canine skull-masks
from the Williams Mortuary Complex on the Lower Maumee River. Likewise, Seeman
(2007:174-82) interprets the “successful predator motif” of similar animal and human jaw-
trophies and animal effigy pipes in ideo-technic, cultic terms without crossing over into the
fanciful world of shamanism. The strongest connections between past and present indigenous
North American religions have been found in the late-prehistoric and historical archaeology of
Anishinabe (i.e., Ojibwa or Chippewa) Midewiwin ceremonial materials.
The strength in the study of Midewiwin tradition is the attestable continuity between past
and present. However, even here scholars often make heavy use of shamanic terminology in the
description of Anishinabe spirituality. For instance, Whiteford (1991:75) assumes “as with many
other Native American peoples, the Anishinabe worldview has always been deeply religious and
12
mystical,” and frequently calls practitioners “shamans” with no method which explains why
Midewiwin is shamanism. Midewiwin as shamanism has also been loosely associated with other
North American prehistoric cultures: Fort Ancient (Cook 2012), Peterborough Petroglyphs
(Colson 2007), and Canadian Shield rock art in general (Whelan 1983). One exception, a study
of Misaukee Earthworks in Northern Lower Michigan (Howey and O’Shea 2006) draws an
historic-ethnographic association with Midewiwin mythology and the proposed context of the
site without using the shamanic terminology. Beyond the Anishinabe, Zedeño (2008:376) takes a
similar “shamanic” approach to the ceremonial medicine bundles of historical Northern Plains
groups such as the Blackfoot in the explanation of prehistoric ideo-technic bundle-assemblages
as indigenous “concepts and principles that guide relationships between human and non-human
agents.
A number of scholars have focused on the ideo-technic value of rock art and associated
mytho-religious contexts, specifically petroglyphs, in North America (Whelan 1983; Hedden
2002; Colson 2007; Lenik 2010) and worldwide (Price 2001; Wallis 2002; Lymer 2004; Þorr and
Bell 2012). Religious or not, rock-art refers to paintings, such as in the Lascaux Caves, France;
inscriptions or petroglyphs, such as at Peterborough, Ontario; megaliths like Stonehenge,
England; or combined rock-art, such as Kamyana Mohyla, Ukraine. Rock-art occurs globally and
throughout time, albeit in endlessly different contexts with meanings which are temporally and
culturally specific. Rock-art also offers the advantage of existing in the present instead of
vanishing with their makers, but also the added complexity of changing meaning with each
group to use a site over time. Many groups exist today who utilize rock-art as sacred sites,
whether or not they were the original people to do so (Lymer 2004). For example, and to return
to the topic of Midewiwin, Anishinabe spiritualists today utilize sacred petroglyph sites across
13
the Great Lakes region of North America in vision-seeking, rites of passage, and the transmission
of tradition from generation to generation, which I observed on my own visit to Peterborough.
As such, Whelan (1983) and Colson (2007) feel compelled to describe the religious use
of rock-art among the Anishinabe as an ancient tradition of North American shamanism. Both
scholars utilize a “homological” method of “comparing archaeological data with related historic
and ethnographic cultures,” which builds a strong case for a very old lineage of Anishinabe rock-
art tradition but which makes no methodical connection to a supposedly primordial religion or
Paleo-shamanism (Colson 2007:156-7). Like Colson, Whelan (1983:83) claims to make a
systematic attempt to interpret rock-art, but his Anishinabe shamans become mere “handlers of
supernatural power,” supposedly observable in the archaeological record. Likewise, Hedden
(2002) identifies prehistoric and early historic petroglyph figures in Machias Bay, Maine as
shamans but leaves in unclear what a shaman exactly is. Lenik (2010) tries to keep his rock-art
analysis within the mythological context of northeastern Indians, but he too liberally interprets
figures and motifs within the bracket of shamanism.
Robert J. Wallis (2002) makes a bold attempt to synthesize ethnographic analogy and the
archaeology of shamanism in his analysis of cave art on the Melanesian island of Malakula. On
this island, Wallis contends, there is a strong correlation between the indigenous tradition of
bwili shamanism and the ritual use of rock-art in the island’s cave systems. Seemingly a
labyrinth adorned with abstract paintings and petroglyphs, the caves represent, according to
Wallis, the ASC associated with shamanic traditions of rites of passage and vision-seeking, in
other words, the imagery of the shamanic “trance” (p.749). Wallis, no disciple of Eliade, admits
that the Western use of the term “shaman” is problematic, but he accepts that it has gained
enough intellectual currency to warrant its continued use (pp.740-41). Although he is wary of the
14
overgeneralization when applied cross-culturally, Wallis favors a “neuropsychological”
paradigm by which shamanism refers to socially sanctioned, ritually induced altered states of
consciousness, which occur cross-culturally in a variety of specific and unrelated contexts.
Cross-culturally, caves as mytho-ritual centers also seem to symbolize connections between the
chthonic underworld and mundane above-world, a topic we will delve into in chapter 3. For now,
let us draw our attention to ASC and the neuropsychological explanation of shamanism.
Entheogens and Altered States of Consciousness in the Narrative
Now we are arriving closer to the driving force behind the categorization of indigenous
traditions as shamanism. Since the popularization of mind-altering substances in the West during
the 1960s and the emergence of the New Age Movement, shamanism has come to embody an
epistemological alternative to traditional, modernist Western thought. As such, the ASC,
especially as achieved through the imbibing of entheogens, or culturally and ritually specific
mind-altering substances or hallucinogens, became a popular topic in the literature on indigenous
religions. Some, such as Harner, even prefer to use the phrase “shamanic states of
consciousness” to differentiate them from the ASC of non-religious experiences. For simplicity’s
sake we will use “ASCto describe the altered state in general, but in the context of ritual
intoxication which others have described as shamanic. For many followers of Eliade’s view that
shamanism is the “archaic technique of ecstasy,” the ASC is the common denominator of
shamanic traditions, something which Sidky (2010) finds problematic for its sloppy
generalizations. Michael Harner brought Amazonian ayahuasca to the attention of Western
readers, V. G. Wasson legitimatized entheogenic fungi as a primordial tradition in human
15
history, and a plethora of local, native intoxicants worldwide have been pouring into Western
consciousness for decades, usually quite devoid of any authentic ceremonial context (See also
Stewart 1980 on Peyote and Mescaline; and Pochettino et al. 1999 on Andean cebil snuff).
Although traditions of ASC do not have to include mind-altering substances as ritually
prescribed, and despite the fact that many traditions achieve ASC through fasting, prayer,
suffering, and discipline, the ones with the mind-altering substance are far more popular among
Western enthusiasts and acolytes. In any case, the vision is important in many indigenous
religions and in many religious traditions generally (Noll 1985).
That being said, archaeologists of shamanism, such as Wallis (2002), following the
neuropsychological approach, look for material evidence of ASC in both ritual paraphernalia and
iconography symbolic of (or perhaps inducing) the supposed shamanic trance. Additional
ethnobotanical and ethnomycological evidence, either from ethnographic analogy or laboratory
analysis of archaeological materials, further contributes to the construction of prehistoric
shamanic ASC traditions in such a paradigm (LaBarre 1970; Pochettino et al 1999; Merlin 2003;
Russo et al. 2008). Wallis (2002:742, 753) argues that kava, a mild intoxicant part of some
traditions in Oceania in both ritual and social contexts, was an integral part of bwili shamanism
on Malakula in conjunction with the imagery of “trance metaphors and spirit helpers” of the cave
rock-art. In the North American context, Emerson (2003), a follower of Eliade, holds that a
number of Pre-Columbian pipes associated with the Cahokia culture reflect a “shamanic core” of
ASC, ritual accoutrements, spirit helpers, soul flight, and animal-gender transformations. Much
of Emerson’s discussion is conjectural and stems from an Eliadic imagination with little to no
empirical backing. Similarly, Pavesic (2000:325-7) asserts that an assemblage of Early Archaic
16
pipes from Old Ferry Dunes site, Western Idaho, suggests a “ritual or magico-religious usage” in
a shamanic context of healing, ASC, and life/death soul-travel.
Likewise, VanPool (2009) champions the shamanic interpretation of North American
archaeology in her study of the Pottery Mound and Casas Grandes sites of the American
Southwest. Following the theory of Liberty (1970), which posits that the dichotomy between
priest and shaman is superficial and on a continuum rather than structurally and mutually
exclusive categories, VanPool attempts to systematically define shamanism materially in terms
of cross-cultural regularities in “shamanic tools” and “experiences.” Accordingly, and much like
Wallis, VanPool claims the ASC is observable in the material record through the confluence of
iconographic trance-imagery and ritualistic, trance-inducing paraphernalia which ranges from
musical instruments to tobacco pipes (2009:183).
With all this focus on supposedly observable ASC in the archaeological record, we still
have yet to arrive at a clear and sound definition of shamanism. I have no doubt that some if not
each of these instances indicate some kind of ASC, but whether or not the inclusion of those
instances in the category of shamanism would be accurate is another question entirely. Tobacco,
especially the wilder strains of nicotiana rustica, is indeed an intoxicant (Janiger and Dobkin de
Rios 1976), and it is one with a variety of traditions in which it is ceremonially important
throughout the Americas and worldwide in the wake of globalization, for example, in
conjunction with Datura in Afghan Malang tradition (Sidky 1990:294). Drums, singing,
chanting, and other forms of music are used in religions around the world, not just the
“shamanic” ones. Rock-art may indeed signify vision-seeking in many traditions around the
world, but it also has many meanings alternative to achieving ASC. It is a tradition, not quite the
17
same as written history, nor oral history, but something revelatory, experientially and
contextually specific.
Nevertheless, many scholars of indigenous religions focus much of their attention on the
ASC. For some, the ASC is the essence of shamanism. Richard Noll, for instance, considers
shamanism a “cultural cultivation of mental imagery” which attempts to recreate “spontaneous
imaginative experiences” (1985:444). Problematically, he bases his understanding of shamanism
on the framework of Eliade as an original religion at the center of which is the vision: “The
magico-medico-religious complexes in traditional, non-literate societies collectively known as
shamanism provide the best-documented example of vision cultivation” (p.444). The ASC or
trance is certainly attestable historically and ethnographically throughout the religious traditions
of the Americas and worldwide, as is the use of ritual intoxicants in some contexts. Peyote,
mescal, and to some extent various species of mushrooms are among the more potent North
American entheogens with traditions which are quite old. Ayahuasca is possibly the most widely
recognized South American entheogen and is also quite popular for Western tourists and New
Agers in search of authentic ethno-religious experiences (Fotiou 2016). Other South American
entheogens like the coca plant have longstanding ceremonial traditions as well. Tobacco, which
was widespread throughout pre-contact North and South America, has a broad spectrum of
breeds which vary in strength, the strongest of which “literally knocked the Indians out” in
ceremonial contexts and can produce more vibrant effects than a standard nicotine hit (Janiger
and Dobkin de Rios 1976:296). Even alcohol, in early contact times, found a religious niche
which has been described as shamanic among Eastern North American groups despite modern
misconceptions about Indians and drinking (Trenk 2001), let alone its Eurasian contexts.
18
These are only a few gleanings of the countless examples of indigenous American uses of
ritual intoxicants, many of which are attestable historically, ethnographically, and
archaeologically. As stated above, ritual intoxicants only make up a small portion of ASC
traditions among American indigenous cultures, past and present. Mind-altering experiences are
interesting, and the added-flair of ASC embedded in any tradition bracketed as indigenous
provides a sense of exotic authentication for many non-academic Western readers. For lack of a
better phrase, drugs sell. Otherwise, Michael Harner would write about how the Lakota vision
quest is a three-four day ordeal involving sweat lodge and abstinence from food, water, and
human contact. Pain and isolation give the Lakota adolescent male his vision. Anything else is a
shortcut or is purely recreational. Instead, Harner describes how ayahuasca and similar
entheogens take you on wild trips, which naturally attracts attention from those interested in such
things whether spiritually or recreationally. Given, Harner is a highly respected scholar and an
advocate for Amazonian traditions of healing for Westerners. Nevertheless, his paradigm is
suspect.
This is not to say that legitimate ethnological research has not been done on ASC and
indigenous religions. Rather, the general interest in shamanism and the ASC stems from a
societal urge to seek epistemologically alternative paths of wisdom which society assumes is not
only prehistoric but primordial in human history. By “societal” I do not mean that every member
of society follows or even necessarily feels this urge, but rather it is in the air, in the ether, in the
sublime. It is also an ideology which is actually deeply rooted in the consciousness of
civilization, which we touched upon above and which this entire thesis will lay out. As an
ideology, it is, like many other origin myths found in the world, given to the populace of its
culture below from the ascents of the structure above. Furthermore, like those myths, much is
19
conjecture. But for what aim, and with what evidence? The archaeology of religion searches for
it because, perhaps without even really knowing it, we equate prehistoric religion with imagined,
preconceived notions of primitivism. As primitive religion, we then assume such prehistoric
traditions are related to existing modern ones which, as indigenous, are also primitive or the
closest thing to primitive that we have. Basically, we are led to believe that shamanism is
primitive and prehistoric. In a speculative bout, James McClenon goes so far as to suggest that
shamanism is not only primordial but actually catalyzed human evolution, physically and
culturally. For instance, on the origin of human fire-use, McClenon remarks, “H. erectus may
have spent millennia gazing into fires while chanting, singing, and engaging in mimetic rituals,
activities inducing therapeutic ASC” (1997:349). Imaginative and entertaining, McClenon’s
model, of which this is only one episode, is pure conjecture.
From the Problems of Paleo-Shamanism to its Application in Historiography
Alice Kehoe (1996) takes issue with this application of “shamanism” to the
archaeological record, because it proceeds upon Eliade’s idea of a primordial shamanism. To
Kehoe, the assumption that a primordial religious tradition once existed, from which all
“shamanisms” descend, denies modern indigenous religions their own agency and context. This
has seemingly created a rift between archaeological and ethnographic discourse. Some
Paleolithic peoples may have practiced something which resembles some aspects of modern
indigenous religions, but we cannot assume that indigenous religions are any older than the rest
of the religious traditions of the world or that they have not changed, died out, or emerged in
their own historical contexts.
20
The problem of shamanism has similarly cropped up in the historiography of Islamic
civilization, most prominently in the relationship between mystic Islam, namely Sufism, and the
conversion of the barbarian nomads of the north and east, namely Turks and Mongols
(Trimingham 1971:54, see also pp.130-31 on Sufi syncretism with Indonesian and African
religions; Amitai-Preiss 1999; Geoffroy 2010:21, 105). Again, the issue is one of applying the
term beyond its means. Noll (1985:451) notes a Sufi practice of contacting spirit-guides during
mystic vision-seeking experiences. Geoffroy (2010) maintains that shamanism and Sufism share
some inherent quality, probably unrelated to the tendency of some Sufis to smoke hashish. Like
Eliade, Geoffroy yearns for an identifiable tradition at the root of all religions, and unsurprisingly
he focuses on the altered state of consciousness. Conversely, Amitai-Preiss (1999) thoroughly
investigated the matter and concluded that there was no conceivable relationship between
Medieval Central Asian shamanism and the conversion of groups like the Mongols to Islam.
Sidky’s ethnography of Afghan Malang, essentially Muslim ascetics and healers in rural
modern Afghanistan, identifies these traditions as part of a modern amalgamation of Islam and
pre-Islamic Central Asian religion, or shamanism (1990). Modern occurrences of this
phenomenon in Central Asia also have been associated with the syncretism of indigenous
petroglyph sacred sites and Islamic ziyarat sites, or supposed grave sites of Islamic saints (Sidky
1990; Lymer 2004). For instance, Lymer notes that two Kazakhstan petroglyph sites in
particular, Tamgaly and Terekty Aulie, associated with Bronze Age archaeological cultures, have
been given Islamic meaning in modern contexts of Kazakh ancestor veneration but which have
pre-Islamic contexts associated with millennia of Eurasian Steppe pastoralist religious traditions.
Himself an Afghan, Sidky argues that shamanism is integral to Afghan Islam for its
traditions of healing and spirit-communication as well as ritual ecstasy. The pre-Islamic Central
21
Asian shamans, in Sidky’s model, essentially became the mystics and holy men of Islamic
Afghanistan associated with Sufism. The key difference Sidky notes, however, between Sufis
and shamans is that the shaman aims to “gain control of particular spirits rather than to obtain
mystical union with the divine,” as the Sufi orders do (1990:278-9). Malang do not follow any
specific guidelines aside from what their teachers pass on to them in their apprenticeship-
initiation and the Qur’an. Within the context of Islam, these Afghan Malang utilize the ASC
through both socially prescribed prayer-fasting and the use of tobacco and Datura as entheogens;
they engage with malicious jinnd entities in visions and in healing ceremonies; and overall they
cultivate a mastery over the spirit world. According to Sidky (2010:231), “mastery over spirit
helpers” is the single characteristic that separates shamanism from non-shamanic spiritualists
whom scholars have lumped together under the same term. It seems like a fairly basic
distinction, but also one that excludes the vast majority of indigenous traditions which
Westerners often include as shamanic.
In a way, Sidky brings shamanism back to its own roots as a Central-Northern Eurasian
phenomenon. However, although he is openly critical of Eliade’s paradigm of primordial
shamanism, Sidky does not engage long with the Eliade’s implication that indigenous peoples
worldwide are somehow attached to an imaginary Paleolithic religious tradition. Shamanism in
its context of the Eurasian steppe, taiga, and possibly arctic regions is embedded in a deep
history and prehistory of the socio-economic interplay of nomadic and sedentary civilizations.
Similar circumstances may have occurred in other parts of the world at various times, but we
might not be able to apply a term from one cultural-historical context globally based only on
Eliade’s understanding of shamanism. Sidky is correct in providing a specific criterion for
describing religious traditions which emanate from Central Eurasia.
22
The shamanism problem worked its way into classical history in addition to archaeology.
At least as early as Karl Meuli’s 1935 essay, “Scythica,” shamanism became an accepted term
with which to describe the ancient religions of the barbarians of the northern Pontic-Caspian
Steppe. A racial element guided the argument at the time, equating Scythians with the Hun-
Asiatic “Mongoloid” physical and cultural type as per the theories at the time which certain
German nationalists glorified and used to served their own political ends. Given that many of
these so-called barbarians were part of the larger cultural complex of Central Eurasia, it is less of
a stretch to describe their traditions in terms of shamanism. Even V. Gordon Childe (1926) notes
the relationship between the Scythian religious traditions in archaeology and those of the later
historical Mongols. Perhaps more accurately than the use of shamanism in American
archaeology, a number of archaeological and historical studies of Central Eurasia from Bulgaria
to the Altai region highlight an extensive cultural horizon of traditions which exhibit qualities
similar and related to Siberian shamanism, and they have been described in such terms (Mančar
1952; Loehr 1955; Fol & Marazov 1977; Heissig 1980; Mundkur et al. 1984; Mallory & Mair
2000; Russo et al. 2008). However, we should be just as careful about categorizing the
archaeological ideo-technic assemblages of the Pontic-Caspian Steppe within the shamanic slot.
Consequently, and falling in line with Eliade’s paradigm, a large number of Greek
classicists since the mid-twentieth century adopted shamanism as a means of explaining the
development of Archaic and Classical Greek religious traditions (Carpenter 1946; Dodds 1951;
West 1982, 1998; Ruck 1986; Littleton 1986; Lateiner 1990; Ustinova 2009) with little
opposition (Bolton 1962; Bremmer 1983). This historiographical trend is rife with the same
Romanticist problems which plague Eliade’s camp, and indeed Eliade himself contributes
directly to this trend (see Eliade 1972). In the simplest terms, the consensus today is that Ancient
23
Greek religion originated in the hypothetical shamanic traditions of Bronze Age Proto-Indo-
European culture on the Pontic-Caspian Steppe, and thus one can identify shamanic “survivals”
in Hellenic mythology and ritual with parallels in the contemporaneous culture groups to the
north of the Greek heartland. Unfortunately, like Eliade, this system of thought relies upon a neo-
Romanticist “noble savage” premise and ignores the more complex cultural processes which
occurred on Greece’s northern frontier from the Archaic period onward, as well as the elements
of Mediterranean and Mesopotamian religions. The issue of what has been called “Greek
Shamanism” will constitute the bulk of this thesis with the goal of arriving at a more accurate
definition of shamanism in a modern, global sense.
Shamanism as Practically Barbarian Religion
Arriving at a sound definition of shamanism was well beyond the scope of my first M.A.
thesis (Linebaugh 2013), as my focus was on the construction of the Greek/barbarian dichotomy
in Late Archaic-Classical Greek culture. Nevertheless, I encountered a serious issue of cultural
and religious interaction on the ancient Pontic frontier in which scholars read modern ideas about
shamanism into the mix. What I found was a complicated system of otherization in which Greek
colonial undertakings in the Pontic region generated an ideology of the otherness of the
indigenous peoples of the Pontic region. Differences in lifeways and traditions between the polis-
centered Greeks and the nomadic and semi-nomadic Pontic groups inspired the characterization
of northerners in various fantastical ways ranging from bestial to virtuous. These
characterizations came to form the Greek idea of the barbarian, which I will summarize in the
following chapter. This thesis will focus on the influence of Pontic religious traditions in the
24
invention, or perhaps re-invention, of Hellenic religious traditions, specifically the mystery cults.
It is this historical-cultural process that will demonstrate how the construction of shamanism
occurs today, for the forces at work in the Hellenic world were those of ideology, power, and
exploitation just as they are today albeit on a global scale.
Yet the idea of shamanism persists, and its existence has transcended its former position
as a mere category of scholarly inquiry to become a legitimate cultural force among educated
Westerners and non-Westerners alike. As shamanism has been applied to culture groups
globally, past and present, based upon a nebulous collection of parallels in terms of practice and
belief, scholars have hitherto ignored the larger processes of hegemony and agency in tradition.
Thus, I pose two crucial questions: 1) who are the groups whose traditions are described as
shamanic; and 2) who applies the academic construct of shamanism to said subjects? The
answers to these questions tell all there really is to know about shamanism. In this global age,
shamanism functions as a constructed model of tradition, which a privileged, educated segment
of society inserts into discussions of the local traditions of culture groups who are on the
periphery of the global polis. Such culture groups have been described in the past as “savage,”
and more commonly today “indigenous,” and they are often understood as other from the
perspective of the West. In a sense, the age-old noble savage premise has been guiding the study
of shamanism, especially in the Eliade camp. The result of this type of science of religion is the
construction of an idealized primordial root-religion of Hyperborean purity, supposedly
preceding the observable social and environmental disasters of Western “progress.”
Is it any wonder then that spiritual movements like the New Age and Neo-Paganism,
which Romanticize the remote human past, have embraced the shamanism Eliade, Harner,
Wasson and others made popular? In an era of seemingly global calamity, shamanism is sold as
25
the purest religion and most in touch with Mother Earth, it is a response to Eliade’s “Yearning
for Paradise, a return to Eden. Nevertheless, consider the source. Is the motive of the science of
religion and the construction of shamanism the creation of a new academic “mystery” tradition
believed to be the original religion of the human race? If so, then it seems that a Tylorian model
of cultural evolution has reemerged combined with a Romantic cyclical view of returning to the
primitive. At the same time, marginalized indigenous groups are once more reduced to the
fossilized status of noble savages whose cultures and traditions are mere exploitable resources
for those of the privileged consumer classes, and a new global polis/barbarian ideology is
reinforced.
The problem, therefore, is still one of definition. Unlike religions like Christianity and
Islam, whose multitudinous variant traditions still self-identify as being part of the larger
tradition, shamanism more accurately refers to religious traditions of independent lineages but
which outsiders might perceive to be similar. As shamanism originally referred to specific
Siberian traditions, how has it become a global religious identity among unrelated groups?
Scholars have failed to agree on a basic definition of shamanism; yet, some underlying principle
continues to lead other scholars to describe indigenous traditions as shamanic. Even those critical
of the cross-cultural use of the term, “shamanism,” acknowledge, that there are similarities
between these traditions, but they assert that culturally specific terms should be used to describe
the variations of each tradition. Their focus is on the differences between traditions, and some,
especially Alice Kehoe, refuse to entertain the idea of a “primordial shamanism.” This poses a
problem to archaeology and history of religion, the premise of which essentializes shamanism as
a hypothetical root tradition: 1) we cannot know with any certainty what the religious traditions
were, including mythologies and rituals, for extinct cultures for whom we lack historical
26
contextualization; 2) the application of modern shamanism in interpreting extinct cultures has the
possible error of forcing modern and possibly irrelevant traditions on the past, which of course
proceeds upon the evolutionary fallacy that modern “shamanic” cultures are living relics of the
past. This becomes increasingly problematic for the study of cultures which, prior to the last five
centuries, left few or no records and whose traditions likely changed with the ebb and flow of
history and cultural diffusion. Shamanism, thus, cannot properly refer to primitive religion.
Rather, the question should turn to one of socio-economic relationships within the contemporary
context of globalism.
What is shamanism then? It was and still is the religion of the “barbarians” in the sense
that it is a construct which represents the traditions of the other in a global society. It has become
symbolic of primitive man in global consciousness, but as an invented, or reinvented, tradition.
In the colonial past of the West, it has been described at times as rude, savage, bestial, and
superstitious; more commonly today it is understood as a source of wisdom untainted by the
errors of history. Either way, shamanism is ultimately “other” from the hegemonic perspective of
academia and the emergent religions reliant upon the ethnographic information which comes
from academia. It is not really the anthropologist’s fault, however, as we have little power over
the literature once it hits the minds of enthusiastic, yet idealistic readers. While literature on
shamanism, academic or otherwise, persists in pursuing the wisdom of the constructed noble
savage, some of it ignores the reality of marginalization and the multiplicity of traditions among
ethnographic subjects, many of which do not always match up with the constructed image of
nobility or primordial wisdom.
I hold that a similar process occurred in the culture of Ancient Greece. The following
chapters will demonstrate: 1) the complex historical-cultural context of the Hellenic-Pontic
27
frontier, the Greek worldview of that frontier space, and the ideology of Greek/barbarian which
emerged from that context; 2) Hellenic perspectives on indigenous Pontic religions and the
emergence of Hellenic mystery religions as invented traditions; 3) How processes similar to or
nearly the same as those which occurred in the microcosm of the ancient world occur today in
the construction of shamanism as an academic and popular global tradition.
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Chapter 2
Gods, Beasts, and the Polis: Redux
The previous chapter introduced the historiographical and anthropological problem of
shamanism in which the larger issue of the construction of otherness is integral. These problems
have affected the archaeology of religion, the ethnography of so-called indigenous cultures, and
the classical history of the Ancient Greek world and surrounding cultures. This chapter serves to
summarize and refine my 2013 work on one of the most persistent Classical ideas about human
nature, one which manifested in Ancient Greek culture and likewise was adopted by the Romans.
Ancient Greeks understood the world in terms of Greek or “Hellenes” (Έλληνες) and barbarian
(βάρβαρος). Moreover, as the barbarian problem persisted in the Enlightenment and beyond, it is
just as relevant to current discussions of otherness in anthropology.
The barbarian emerged in the Hellenic consciousness as a symbolic characterization of
primitive man, both lawless and virtuous, and also as a template for describing, in terms of
otherness, real groups the Greeks encountered in their cultural sphere of contacts. Greeks viewed
indigenous groups on their frontiers as reminders of their own mythic past, and consequently the
narrative of Hellenic ancestry incorporated barbarian culture into the construction of their own
traditions, including the mystery religions. All the more, the barbarian emerged as the antithetical
other to Greek-self and the primordial shadow in the Hellenic understanding of cultural
evolution. The approach to this chapter stems from classicist and philological literature. Yet, the
meat of the question is fundamentally anthropological in the sense that it provides us an excellent
29
historical example of the construction of otherness. Thus, my method is ethnological rather than
philological, and could provide insight into both classical and anthropological discussions.
I utilize a diverse body of sources on the barbarians which include Ancient Greek art,
such as vase-paintings and statues, and literature, such as poetry, drama, mythology, philosophy,
and history. Perhaps more than any other source, the Histories of Herodotus, provides the largest
wealth of ancient ethnographic material on barbarian cultures. In the use of Herodotus we must
keep in mind the historical and cultural context of his work, but no scholar should ignore him
altogether. Some scholars have even referred to him as a kind of ancient anthropologist, as social
theory was among the scientific discussions of thinkers in Ancient Greece (Thomas 2000;
Sturrman 2008; Skinner 2012). His narratives, which weave cultural information into his larger
story of the Persian Wars, sometimes in brief statements, sometimes in lengthy, detailed surveys,
describe the cultural diversity of the ancient frontier of the Greek world rather than the static
barbarian who often appears in the dramas, vase-paintings, and political rhetoric of Herodotus’s
contemporaries. Thus I will often refer to passages from his work throughout this discussion.
The Barbarian Other
“Barbarian” denotes otherness, similar to other such descriptors in the English language,
like “savage,” which fell out of use during the twentieth century, and its successors “aboriginal”
and “indigenous.” The word implies that a group is outside the cultural boundaries of another
group, simply us/them. This is a cross-cultural universal from which culture itself emerges. One
might even say it is human nature to divide one’s own group from other groups, as this is the root
of patterns of kinship. This is not to say that some groups do not adopt the terms of other as self,
30
as in the case of self-identifying Native Hawaiians, Native Americans, Aboriginal Australians,
and other groups. Thus, as the issue of creating otherness is tied up in the politics of culture, it is
also yet a universally human behavior. Richard Feinberg notes “When people from differing
communities come into contact, they inevitably develop images of one another, and they convey
those images to other members of their own communities” (1994:25). It is the specific context of
each us/them dichotomy, however, which denotes the nature of the relationship between the two.
The “them” category is always other from the first person point of view, although this does not
necessarily mean that one group has the advantage of power over another. Claude Lévi-Strauss
(1966) argues that among totemic clan groups in Australia, for example the Arabanna and
Aranda, otherness is based more on kin-group affiliation, systems of marital exchange, and the
ideology of ancestor spirits rather than the exercise of power over other groups. Lévi-Strauss
finds, therefore, that totemism, like the caste system of Hindi culture, is fundamentally
constructed as a way to understand self/other, Us-identity versus them-identity. Although the
details of each social structure are different (indeed, Lévi-Strauss carefully notes the difference
between totemism as “primitive” and the caste system as the “reverse of primitive,” p.129),
totemic clan and Hindu caste each operate, for Lévi-Strauss, in structurally similar fashion to
divide the world into convenient categories within the mind of the individual. The contextual
language changes from culture to culture; the structure, however, remains the same throughout
humanity.
Lévi-Strauss struck something big. Us/them is a basic structure of the human mind, and
everything else (i.e., culture) is constructed around it according to the context in which the self
finds itself. Martin Heidegger, philosopher of the existentialist-phenomenology school, made a
similar claim in 1927 regarding the actualization of the self as something other-than-other,
31
something “being-here” or dasein. Rather than make any sort of claim about social structure at
large, however, Heidegger’s focus was the Self-as-being, and everything else was other. Despite
this difference, Lévi-Strauss took a similar route towards his deconstruction of totemism down to
its roots as social relationships in culturally specific, “primitive” or sauvage languages. Thus the
Us/them structure typifies the workings of the human mind, but it is thereafter actualized in the
context of the relationship which could take any number of superficial forms cross-culturally.
Everything from rules of marriage (e.g., who can marry whom) to the exchange of goods and
intergroup politics revolves around how groups differentiate one another. The dichotomy affects
and is affected by the intergroup relationship. In some cases, especially in the context of complex
socio-economic networks and systems of power, Us/them can assume an entirely lop-sided form
in which the space of “them” is constructed in a way which reflects more about the ideology of
the “Us” group than the nature of the “them” group(s). In the case of the barbarian, the Greeks
and the Romans who followed them constructed this category of otherness as being outside the
culturally constructed definitions of civilization, that is, the polis, or Greek city-state, or the
Roman Empire, for the latter. The polis and the Hellenic cultural identity which polis-life
embodied formed the ideological basis of the dichotomy of Us/them in the Ancient Greek mind.
The structure of this ideology through which the Greeks understood themselves posited otherness
as that which was not Greek. Although superficially this appears as a simple binary opposition of
Us/them, Greek/barbarian, the structure is far more intricate and encompasses the complex
historical process of colonialism in the Archaic Pontic context.
The word barbarian has its linguistic origin in Greek civilization during the Archaic
Era (ca. eighth-early-fifth centuries BC). The earliest known written form of the word appears in
Homer in reference to the Carians, inhabitants of western Anatolia who did not speak Greek but
32
were in prolonged contact with the Ionian Greek settlers in Asia. In the Iliad, Homer calls these
Carians βαρβαρόφωνοι, that is, barbarophonoi or “bar-bar-speakers” (Homer Iliad 2.867). This
early form of barbaroi indicates otherness in a very basic sense, that these non-Greeks seemingly
spoke nonsense, at least in the eyes of Homer and his audience, and the Carian barbarophonoi
spoke nonsense comically in the epic. It is also quite possible, however, that the Hellenic use of
the prefix “βαρβαρ-” in reference to foreigners predates Homer, whose literature comes from the
eighth century BC, and that Homer had been but the first (or one of the first) to record its use. In
any case, βαρβαρόφωνοι represents the earliest known Greek linguistic occurrence of our
barbarians.” By the time Herodotus was writing his Histories, the word βάρβαρoς, or barbaros,
had been commonplace in the Greek language for at least three centuries. Moreover, it came to
represent an imagined space of otherness associated with non-Greeks abroad and particularly to
the north, though not necessarily limited to the north.
Much like the Greek Ionian colonial activity in Anatolia in the eleventh century BC (See
Demand 2006:177 on the influence of Eastern cultures on the so-called “Ionian Enlightenment”),
the Greek colonial endeavors throughout the Mediterranean and Black Seas from the seventh
century BC into the Roman Imperial period brought the Greeks into contact with various groups
whom they found profoundly other (see Appendix A, Figure 1). More than the Mediterranean
Greek colonies such as those in Italy and Sicily, the colonies throughout the Black Sea region,
known then as the Pontic, exposed the Greeks to northern steppe cultures whose nomadic modes
of subsistence contrasted markedly with the agrarian-based polis-economies of the Greeks. It
was these Pontic cultures who inspired the archetypes of barbarism in Greek media, a point
which Shaw (1982-83) makes. Siep Stuurman (2008) surmises that Greek-Pontic colonialism
even led to the rise of “anthropology” among Greek thinkers such as Herodotus due to the
33
simple, pragmatic fact that the Greeks observed cultural patterns entirely alien to their own and,
hence, tried to make some sense of those foreign cultures. Likewise, Joseph Skinner (2012)
marks Greek colonialism as the catalyst for ancient ethnographic media which included not only
the classic ethnographies of Herodotus, himself an Ionian Greek, but also the wealth of
alternative expressions of foreign culture from Greek perspectives such as literary and visual art.
In any case, the subsequent relationship that developed between the Hellenic colonial
system and the native Pontic cultures generated an ideology of otherness which was far more
complicated than a simple structuralist binary explanation. Modern scholars have traditionally
interpreted the Greek/barbarian paradigm in Lévi-Straussian terms in which the Ancient Greeks
supposedly understood their self-identity through the definition of what they were not (Hunt
1998; Browning 2002). For instance, Nancy Demand posits that the Greeks organized their
known world into “opposed categories” (e.g., male/female, citizen/non-citizen, human/animal,
free/slave, Greek/barbarian) which constituted Hellenic self-identity through ontological
contradistinctions with barbarian other-identities (2006:238). Similarly, Christopher Tulpin
acknowledges that “one way to define what Greeks were like is through a contrast with barbarian
characteristics” (in Tsetskhladze 1999:49). In the structuralist sense, the Greek/barbarian pair
denotes both a positive self-identifier of Greek-ness and a negative other-identifier of barbarian-
ness.
This brings our inquiry to the question of what exactly separates the Greek from the
barbarian. Although the binary structuralist model appears convenient enough for any historical
emic ontological distinctions, it lacks the adequate depth for such an ideological plunge, and the
historical-cultural context of the emergence of the barbarian as the characterization of otherness
in a colonial relationship offers a much deeper pool. From the Greek perspective, the barbarian
34
represented that which was entirely external to or beyond the polis. The social structure of the
polis, moreover, embodied the Greek/barbarian dichotomy through the creation of discreet
categorical social space for the interaction of polis citizens and foreign outsiders. The fourth-
century BC philosopher Aristotle boldly claimed that man is a creature of the polis and that
anything outside the polis was either a god or a beast (Politics 1.1253a). It was in the imagined
space beyond the polis, even to the edges of the known world, in which the Greeks placed their
likewise imagined barbarians.
In the Hellenic worldview, the polis was the peak of civilization. It was the concrete
embodiment of the abstract concept of nomos, which could be described as the laws and customs
of the polis, and which could typify the Greek conception of “culture.” Those outside the polis,
conversely, were anomoi, without laws and customs or at least the “proper” context for using
laws and customs. Although this is a strange concept for modern readers to grasp, nomos was, in
Aristotelian terms, human self-sufficiency. People outside the polis, in this system of thought,
lacked the means to live naturally and sufficiently as humans and, hence, found sufficiency in
living as either beasts or gods. This polis/beast/god trichotomy essentially sums up how the
Greeks envisioned the known world. Otherness was outside of the polis in the lives of human
societies which either lacked the inherent virtue necessary to live within Hellenic nomoi, or else
possessed such surpassing virtue that the gods favored them. Beasts could only be contained
within the polis in the form of slaves, and gods through ritual mystery. These social slots are
otherwise beyond Hellenic comprehension except when accessed in their socially-prescribed
polis-settings. François Hartog thus describes the frontier between Greeks of the polis realm and
the barbarians outside and beyond as “other” space, socially inaccessible or incomprehensible to
the Greeks (1988: 61-2).
35
“Eaters of Flesh, Drinkers of Milk:” Nomads in Relationship to the Polis
Opposite of the Hyperborean-Golden Age-noble savage, Ancient Greeks typically
portrayed native Pontic barbarians as bestial and extreme in contrast with the supposed value of
moderation in polis-culture. Further below we will discuss a few instances of this perspective,
such as the animal-like Neuroi or the drunkenness of Celts and many others. Frequently in
ancient media, barbarians appear stupid, high-spirited, slavish, violent, and given to wanton
drunkenness and sexual licentiousness. At other times the archetypal nomad-barbarian occurs as
a mythic, non-human foe who exhibits simultaneously the virtues and vices of primitive
ignorance, as in the case of the cyclops Polyphemus in the Odyssey (Shaw 1982-83). Although
the cyclops, as a monster rather than a human, does not necessarily belong to a group of
barbarians, as a mythic archetype he represents the bestial dimension of life outside of the polis
in the Hellenic worldview. He drinks too much, he is cruel rather than hospitable, and his lifeway
and habitation are crude compared to the relative comfort of the audience. At the same time, he
drinks too much because he lacks the refined knowledge of grape cultivation, fermentation, and
sociable drinking in symposia. His virtues instead are in the simplicity of animal husbandry,
specifically shepherding from which he receives his sustenance of meat and milk.
As both non-human and as symbolic of pastoral nomadism, Polyphemus illustrates the
extreme barbaric other of the Hellenic worldview, a space usually reserved at the furthest extent
of the inhabited world, the eschatiai, alongside half-human, half-animal entities, monsters, and
36
deities. However, at the same time Polyphemus represents the relative simplicity of the primitive
past, a life of simple pastoral subsistence which typified the economies of the steppe but which
the polis relegated to their peripheries. Thus we find a paradox in the Greek/barbarian ideology
in which Scythians and other nomadic barbarians appear simultaneously as both peaceful milk-
drinkers and warlike cannibals.
How does the category of barbarism operate upon such apparently contradictory
premises? The answer to this riddle lies in the kinds of colonial exploitation which took place on
the Pontic frontiereconomic and cultural. Out of the colonial context of Hellenic Black Sea
enterprises and explorations, the figure of the barbarian emerged, at once the invented
amalgamation and exaggeration of Greek views of native Pontic cultures, but also as
representative of the source of Greek material gain in the region. The Hellenic colonial system in
the Pontic resembles similar historical systems of cultural interaction on the Eurasian Steppe
between nomadic and sedentary populations (Bartold 1958; Saunders 1971; Lattimore 1979;
Khazanov 1984; Di Cosmo 1994; Wright 1998; Liu 2001; Kradin 2002, 2006; Skaff 2004;
Frachetti 2012). The studies listed indicate that pastoral nomadism on the Eurasian Steppe
developed in symbiosis with the agrarian, sedentary cultures to the south of the steppe. In such
theories, nomadic economies become inextricably bound to the larger economic systems of the
sedentary cultures with which they interact. Consequently, nomadic economies develop a
demand for goods which they themselves cannot produce and come to rely upon trade from
urban centers, either directly or through a series of hands. Though traditionally portrayed as
“predatory” in the acquisition of exotic products of civilization, in reality, Eurasian nomads
occupied a marginal space under the economic thumb of the “high” civilizations that traded with
them. When the Persian King Darius tried to draw the Scythians into his war, the nomads
37
frustrated the Persians with their perpetual evasions and maneuvering which seemed no different
from their ordinary seasonal migrations. The Scythian ruler, Idanthyrsos, taunted Darius
according to Herodotus:
Never yet did I fly because I was afraid, either before this time from any other man, or
now from you; nor have I done anything different now from that which I used to do in
time of peace: and as to the cause why I do not fight with you at once, this also I will
declare. We have neither cities nor land sown with crops, about which we should fear lest
they be captured or laid waste, and so join battle more speedily with you; but if it be
necessary by all means to come to this speedily, know that we have sepulchers in which
our fathers are buried; therefore come now, find out these and attempt to destroy them,
and you shall know then whether we fight with you for the sepulchers or whether we
shall not fight (Hdt. 4.127).
Here we see that the only territory the Scythians permanently claimed was of ritual importance to
them as their traditional burial grounds.
Historical occurrences of conflict between Eurasian Steppe nomads and urban
civilizations (e.g., Sarmatian/Roman, Xiongnu/Han-Chinese, Turk/T’ang-Chinese, Turk/Arab,
Mongol/Jin-Chinese, Mongol/Arab, etc.) reflected more of the volatile nature of the symbiosis
than any kind of inherently predatory quality within pastoral nomadic societies. In an
examination of the T’ang-Turk frontier of Medieval China, Jonathan Karam Skaff describes how
fluid such seemingly sedentary/nomad frontiers tend to be historically:
The China-Inner Asia borderlands from the early 600s to the early 630s exhibited a great
deal of interchange and experimentation. The frontier truly appears to have been a
permeable zone of ecological transition that permitted people to move in both directions
along the borderlands in terms of their physical locations and their political allegiances
(Skaff 2004:133).
The sedentary/nomad symbiosis revolved around a power relationship of high-handed socio-
economic hegemony on the part of the urban civilizations and dependency and warlike
opportunism on the part of the nomads. The frontier between the two ecological extremes
facilitated dynamic cultural exchange and political posturing for the twain.
38
Like the Greek/barbarian paradigm itself, the relationship between nomadic and urban
economies does not fall neatly into a dialectical binary of master/slave, yet this dialectic often
typifies the sedentary view of that relationship. Rather, the relationship is more organic: power
tends towards urban-economic hegemony but at times is seized upon by opportunistic nomads,
whether “kings,” khans, or chieftains who might benefit richly from cooperating in trade with
polis-dwellers, or the formation of tribal alliances who might exploit contingent weaknesses in
their urban neighbors and turn the tables of hegemony in the formation of large kingdoms and
empires, however transient. In other words, khans do not emerge in vacuums but in the context
of preexisting economic dependencies with urban societies. Likewise, urban societies which act
as the hegemonic colonizer in the relationship with nomadic groups typically have more success
in trade with nomads than with conquest or wholesale enslavement. Failure to meet the economic
demands of the natives, in this context, often leads to the “predatory” behaviors of banditry on
smaller scales and nomadic conquests on larger scales. Thus the symbiosis of nomadic and urban
societies is historically delicate and even volatile.
How does the Greek-Pontic frontier fit into this paradigm? The period of Greek-Pontic
colonialism which began roughly in the seventh century BC, with a few earlier colonies on the
southern coast of the Black Sea in the eighth century, established a system through which the
Greeks imported raw goods, like wood and animal hides, and indigenous slaves to the
Mediterranean and exported agricultural and manufactured urban commodities to the Pontic
nomads (See Appendix A, Figure 1). Explorers, merchants, mercenaries, and otherwise
wandering Hellenes had likely already known about and traveled throughout the Pontic region
for centuries before and inspired stories such as Jason and the Argonauts. The colonization
which followed established the Greeks’ role as mediator of northern goods and ideas to the
39
Mediterranean. This process of trade occurred through the emergence of Greek colonies along
the Pontic coast, Olbia being the most prominent urban center of Hellenic colonialism in the
region (Treister 2004; Braund & Kryzhitskiy 2007).
The relationship that developed between the Greeks at Olbia (i.e. Olbiopolitans) and the
nearby Scythians, for example, indicates a symbiosis that falls into the scheme taken up by
various scholars, such as Khazanov. For instance, Gavrilyuk (2007:140) specifically applies
Khazanov’s theories to the Scythians, as does Leypunskaya (2007:122). Leypunskaya describes
this relationship as having started with Greek trading explorations inland with small quantities of
exchange occurring until the end of the sixth century BC, when trade between these Greeks and
Scythians rose dramatically. This trade increased until about 470 BC when the Olbian chora
shrunk considerably due to various pressures. These Scythians responded by reforming their
system of acquiring the goods they themselves could not producethey expanded their
geographic region of material acquisition. In other words, they tapped into other Greek markets
besides Olbia and perhaps provoked greater competition with neighboring tribes.
The parallel with other historical instances of civilization/nomad interactions across
Eurasia is not surprising. Di Cosmo noted how the Xiongnu created a “steppe empire” as “a
more effective means to extract from China the resources they could not produce (1994:1093).
Di Cosmo puts forth that aggressive nomadic empires, such as the Xiongnu, emerge as a reaction
to the collapse of trade between sedentary and nomadic groups, especially when the nomadic
groups become dependent on the sedentary societies for certain goods. In the case of Scythia
and Olbia, the collapse of trade between the two groups led to the rise of a greater Scythian
kingdom, creating “protectorates.” In Gavrilyuk’s theory (2007:142-3), the Scythians of the
sixth to fifth centuries BC created economic and political hegemony over the wooded-steppe and
40
steppe zones through military conquests in order to dominate trade with the Greeks. This leads
us to question whether or not we can define “Scythia” as an example of the “steppe empire”
pattern of Di Cosmo. Herodotus’s account of the Scythians’ unstable relationship with the other
Pontic tribes in the war against Darius might hint at just such a complex system of alliances and
inter-tribal competition (Hdt. 4.102, 118-120). Hence it is not out of the question to consider the
relationship between Greeks and Scythians in terms of a nomadic empire or kingdom akin to
similar historical phenomena on the Eurasian Steppe before and after the Scythian zenith.
Braund’s position on the “existence of a Scythian kingdom” near Olbia supports this
historical pattern (2005:42-3). Braund finds that the development of a Scythian kingdom in the
north Pontic region “meant that Greek colonists could more easily reach agreements and develop
relationships to mutual advantage.” Furthermore, Braund holds that the growth of this
relationship between Greeks and Scythians very likely caused the development of the Scythian
kingdom. He attributes this symbiosis to the exchange of agricultural goods for the raw materials
and slaves of Olbia’s pastoral neighbors. As the Scythians could not produce agricultural goods
like grain, olive oil, and alcohol (and many other types of goods) themselves, they could acquire
them through the Greek economies, such as Olbia, and other nearby sedentary groups. Given that
Greco-Scythian trade also thrived beyond the hub of Olbia, similar processes probably occurred
throughout the north Pontic. The result would have been the rise of powerful tribes to kingdom
status, perhaps even in competition with one another. Herodotus (4.118-25) illustrates the
delicate inter-tribal relationships that occurred between Scythians and their neighbors during the
Persian Wars (See Appendix A, Figure 2). The collapse of Olbian trade exacerbated inter-tribal
tensions and competition, and it altered the nomad/civilization symbiosis between Greeks and
barbarians.
41
Such alterations, Braund continues, occurred on the Pontic Steppe throughout the Greek
and Roman eras, especially in Olbia:
For the whole position of Olbia, both the civic core and Greater Olbia, depended on a
symbiosis with neighboring peoples and cities. At the same time, however, it would be
naïve to imagine that relationships with all neighbors ran smoothly, not least because
Olbia could expect to be drawn into conflicts between different groupings in the region
(2007:60).
Braund lists periods of expansion and abandonment in rural Olbia in times of crisis as proof for
the breakdown of relations between Scythians and Olbiopolitans based upon the archaeology of
the outlying Olbian farmlands. He claims that after the expansion in the sixth century BC, a large
number of rural sites were abandoned; the sites were rebuilt between 430-400, but they were
again abandoned between 300-250. Though the archaeological sites showed no signs of physical
destruction, Braund supposes that the farmers simply fled before marauders arrived. If Braund’s
hypothesis is correct, this indicates that the breakdown of the symbiosis was observable enough
to the farmers that they knew to flee ahead of time and subsequently organized an exodus.
Barbarians as Naturally Slaves in the Polis
As a result of polis/nomad relations, the Greek-Pontic colonial system allowed for
socially stratified nomadic societies to emerge, with evidence found in the abundance of “royal”
burials which show unbalanced wealth distribution among groups such as the Scythians. Thus
Pontic barbarian rulers who benefit from their economic relationship with the colonists often
exchanged less fortunate, subjugated barbarians with the colonists in exchange for Mediterranean
goods. For instance, Herodotus notes that Thracians often sold some of their children into slavery
(5.6). However, on the Greek side of the relationship, the indigenous Pontic folk who found
42
themselves in the Mediterranean world as slaves in the household, or as institutionalized polis-
slaves like the Scythian police in Athens, also came to represent the constructed category of
other in very concrete terms. This is not to say that all slaves were barbarians. In fact, an
inscription dating from around 415 BC found in Athens details the types of slaves confiscated in
a specific case as well as the price each slave sold for in the auction (Inscriptiones Gracae I3
421, col. I). The list contained five Thracians, three of whom were women, two Syrians, three
Carians, two of whom were women, two Illyrians, one Scythian, one Greek from Colchis, one
Melittenian, and one Lydian woman. Although such extant data are rare, it appears that most
slaves were of barbarian origin, but Greek slaves were not unheard of. Rather, it is the ideology
of slavery which coalesces with the ideology of barbarism in the Hellenic worldview.
The ideological system which operated in Ancient Greece posited freedom as the nature
of Greekness and slavery the nature of barbarism. In the fifth century, Herodotus (6.9-11; 7.135)
associates despotism, or political tyranny, with the Persians. In this system of thought,
barbarians were naturally inclined to either be tyrants or ruled as slaves by tyrants, while Greeks
should naturally exist in a state of freedom. The Classical philosophers Aristotle (Politics 1255a
2-3) and Plato before him furthered theories about the connection between barbarism and
slavery. Plato, for instance, argues that Greeks should enslave barbarians rather than Greeks to
maintain a tenacious division between Greek and barbarian (Rep. 469b-c). As the Greeks
understood it, a Greek in the state of slavery is likewise in a state of barbarism unable to be, by
nature, free. In other words, a Greek slave was no better than a free barbarian. Slaves within the
Greek poleis provided concrete examples of the nature of barbarism which citizens could
understand in terms of Hellenic ideologies on slavery and barbarism. This concept dovetails with
the ideology of the polis as Greek nature. Beyond the nomos of the polis of the Greek worldview,
43
barbarians lived outside of the boundaries of human freedom, slaves to bestial appetites and to
tyrannical warlords. The stereotypes associated with this “beast” category of barbarism typified
how the Greeks viewed the native Pontic peoples on their frontier and from whom they received
most of their slaves. Beyond the frontier and into misty lands unknown, the barbarians become
more or less fantastical (e.g., the Hyperboreans) and categorized differently from the tangible
cultures who supplied slaves to the Mediterranean.
Despite the inherent contradictions within both the ideologies of barbarism and slavery,
they operated together as a convenient, multifaceted means of justification for the construction of
polis society. For example, around the fifth century we find in a number of cultural references,
primarily in the comedies of Aristophanes (Ecclesiazusae 143; Knights 665; Thesmophoriazusae
920-45; Acharnians 43-54), to an institution of Scythian slaves in institutional public service to
the polis. Various scholars have debated the chronology of the institution and demise of this so-
called Scythian police force in Athens, who had been conscripted by a wealthy Greek politician
named Speusis (Minns 1911; Hall 1989; Braund 2006). However, Balbina Bäbler is the first
scholar to directly connect the issues of the Scythian police in Athens with stereotypes of
Scythians in ancient Athenian ethnographic sources (Bäbler 2005:114-22). In fact, we might
even call into question whether these barbarians were in fact slaves at all rather than free, and
that the ideological paradigm of the polis simply may have constricted the Greek view of
foreigners employed by the state into the language of slavery. From a modern perspective, we
might not consider these Scythians slaves but rather mercenaries employed in the service of
policing the polis. However, the issue that concerns us is the nature of these Scythians in the
minds of the Greeks. Because they were barbarians in service to the polis, they existed in the
Greek worldview as slaves. Within this ideological framework, barbarians cannot exist freely
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within the Greek polis except in a state of slavery. Aristophanes’s plays highlight the popular
stereotypes of the Scythian police as cruel, mindless servants of the justice system. Furthermore,
Aristophanes’s employment of Scythians as a comic plot device demonstrates a divergence in
notions of barbarism, especially between those who imported the Scythians and those who felt
their whips of justice in the agora. Thus the institution of slavery in the Hellenic world was
essentially the embodiment of the Greek/barbarian ideology. In pragmatic terms, slavery brought
actual foreigners into the everyday lives of polis-dwelling Greeks, and the social relationship
between free Greeks and barbarian slaves operated upon the ideology of categorical otherness.
The various forms of Greek media (i.e., drama, artwork, literature) both perpetuated barbarian
otherness and put the formal ideology to the test in the material world of the liminal space
between free and slave.
Stereotypes and Other Hellenic Misinterpretations of Pontic-Caspian Cultures
Consequently, the stereotypes of the bestial barbarian developed in conjunction with the
use of Pontic slaves in the Greek polis, and a template through which Greeks interpreted and
characterized Pontic and other barbarian cultures emerged. As we have discussed, the popular
Greek view of Scythians and Thracians, barbarians whom they were in direct contact with most
frequently, characterized Pontic cultures as high-spirited, ignorant drunkards. Plato (Rep. 4.435e)
refers to the inherent quality of the souls of barbarians in Athens, such as Thracians and
Scythians, as high-spirited (i.e., thymoeides). In characterizing northerners as such, Plato implies
a certain sense of irrationality and erratic nature in the souls of barbarians. In Plato’s mind, they
were excitable, easily fooled, and easily angered, given more to emotions and appetites than to
45
rationality. Plato of course was not alone in his sentiments. The idea of the ignorant or foolish
barbarian pervaded all dimensions of the ideology of barbarism from Hyperborean blissful
ignorance to Thracian stupidity. High-minded clichés emerged in which barbarians appeared
“primitive and rather simple-minded” (Hdt. 4.95). Herodotus even scoffs at the Pontic cultures’
tendencies towards lifeways of rapine instead of agriculture or civilized crafts (i.e., techne) (Hdt.
2.167).
Moreover, the Greeks viewed the barbarians as given to depravities such as sexual
promiscuity, extreme acts of cruelty, and, most commonly, drunkenness. Herodotus’s Books 4
and 5 are teeming with minor accounts of promiscuous Pontic barbarians, which of course could
indicate as much of the ethnocentric attitudes of the Greeks as well as foreign kinship and
marriage patterns among Pontic cultures which may have been confusing to most Greeks. The
Agathyrsians, for example, (4.104) “have promiscuous intercourse with their women, in order
that they may be brethren to one another and being nearly all related may not feel envy or malice
one against another.” Similarly, Herodotus provides the following ethnographic description of
the nomadic Massagetai of the Caspian region:
Each marries a wife, but they have their wives in common; for that practice which the
Hellenes say the Scythians have, is not in fact done by the Scythians but by the
Massagetai, that is to say, whenever a man of the Massagetai may desire a woman he
hangs up his quiver in front of her waggon and has sex with her freely (Hdt. 1.216).
This excerpt on the Massagetai could possibly represent a Greek misunderstanding of polyandry
in association with patterns of natolocal residence and unilineal descent, such as among the
Indian warrior-caste of the Nayar. Among the Nayar, women take multiple “temporary
husbands,” as men were frequently away on military duty. As a result,
These men had visiting rights with their ‘wives,’ and if one of the men on visiting found
another’s spear or shield outside the house, then he would go away and try again the next
night (Fox 1967:100-1).
46
Perhaps this comparison is overly imaginative, but the Nayar warriors might also share
something with the ancient steppe cultures given the Indo-Aryan origins in the same region as
the Massagetai. But let us not become too distracted with such conjecture.
The main point here is that Herodotus’s perspective on the Massagetai barbarians stems
from his own Hellenic biases, from a culture in which emphasis is placed on the male role in
social relationships rather than the female. Thus any cultural system in which women inhabit a
different role is exotic and destined to become misinterpreted by the Greeks. Hence men and
women have equal rights in Issedonian society (Hdt. 4.26), the Massagetai are ruled by a
powerful female warlord (Hdt. 1.205), and Sarmatian women hunt and make war alongside their
husbands (Hdt. 4.116). The Thracians too, in the Herodotean account, allow their daughters to
have wanton intercourse with anyone and also practice polygamy (Hdt. 5.5).
Tied in with this general characterization of barbarians as sexually liberated, Greek
attitudes towards women influenced this type of motif, often exemplified by the mythic Amazon
figure (Tarbell 1920; Graf 1984; DuBois 1991; Blok 1995; Blundell 1995; Smith 2003; Skinner
2012). Essentially, the Greeks viewed women, as they did slaves, as having natures similar to
barbarians. Like barbarians, women were naturally slaves in the polis (i.e., to their husbands).
Outside the polis, Greeks imagined women as powerful and promiscuous, something which
Greek men should fear. These notions became constructed into the archetypal Amazons, a
mythic race like the Hyperboreans. Unlike the Hyperboreans, the Amazons exuded tyrannical,
beastlike, and warlike freedom diametrically opposed to polis nomos, and consequently, the
Amazon figure acted as a template for any vaguely ethnographic characterization of northern
cultures like the Massagetai and the Sauromatae (i.e., Sarmatians) in which women had elevated
status. Moreover, the Amazon template served in the dramatic portrayals of legendary barbarian
47
women such as Atossa and Medea, and Amazonomachy (i.e., combat with Amazons) became a
popular motif in art and literature. Moreover, as we will discuss further next chapter, mystery
cults which involved Mother Goddess worship also reflected the Hellenic perspective of
primitive womanhood with analogues in barbarian religions.
Like the fearfully cruel and warlike Amazons of Greek mythology, historical and semi-
legendary accounts of Pontic cultures highlight instances of tyrannical cruelty meant to
demonstrate the beastlike nature of many of the barbarians. Accounts abound of the terrible
punishments and human sacrifices in barbarian cultures. Again, Herodotus provides a wealth of
such accounts. On one occasion, Herodotus details how a Thracian king “did a deed of
surpassing horror” when he plucked out the eyes of his sons for marching with Xerxes (Hdt.
8.116). The Tauroi, another group on the Black Sea coast, reputedly sacrificed shipwrecked
victims to the sea, but the story may have been more of a sailors warning than a careful
ethnographic observation (Hdt. 4.103). Nevertheless, Herodotus claims this group also earned its
keep through pillaging and plundering.
Another more common motif of barbaric cruelty in Herodotus and other sources is the
motif of barbaric cannibalism. The Scythians, who also practiced occasional human sacrifice,
were said to mix blood with their wine for spiritual strength before war and in oath-taking.
Psarras notes similar customs among the ancient Xiongnu on the eastern Eurasian Steppe
(Psarras 2003:129-32). James Redfield (2002:37-8) argues that this Scythian custom in
Herodotus, if true, could be considered a form of “modified cannibalism.” Another ethnographic
passage in Herodotus illustrates some of the ethnocentric extremes of the barbarian motif:
The Androphagoi have the most savage manners of all human beings, and they neither
acknowledge any rule of right nor observe any customary law. They are nomads and
wear clothing like that of the Scythians, but have a language of their own; and alone of all
these nations they are man-eaters (Hdt. 4.106).
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The Androphagoi (Hdt. 4.106), whose name literally means “man-eaters,” fictional or not, were
reputed to cannibalize outsiders, similar to modern stories about various Papua New Guinean
exocannibalistic groups such as the Kamano. Observations of endocannibalism among groups
like the Fore may also have contributed to the modern idea of cannibalistic natives (Lindenbaum
2013:22). Modern or ancient, how much is the speculative rumor of travelers and how much is
ethnographically sound will continue to be a point of contention among anthropologists.
Additionally, Herodotus (1.116; 4.26) describes customs of ritualistic endocannibalism among
the Massagetai and Issedonians. However, scholars have disputed whether or not Herodotus may
have confused their customs with ritual defleshing of deceased relatives given his
contextualization of the practice as a funerary rite (Bolton 1962; Mallory and Mair 2000).
One major difference in custom between Greek and barbarian which resulted in a
widespread stereotype of Pontic peoples came from cultural attitudes towards drinking habits,
mentioned briefly above. The Greeks, or at least the privileged and educated members of Greek
society, preferred to drink diluted wine in moderation, and they laughed at stereotypes of
drunken northerners, whom they typically regarded as gluttonous. For instance, Artistophanes’s
Acharnians mocks the great praise barbarians give over-eating and over-drinking: “For great
feeders and heavy drinkers are alone esteemed as men by the barbarians” (Aristoph. Ach. 65-99).
A fragmentary poem by Anacreon likewise contrasts Greek drinking with Scythian drinking
(quoted in Skinner 2012:69):
Come now, this time let’s drink
Not in this Scythian style
With din and uproar, but sip
To the sound of decent songs.
Herodotus describes a Scythian drinking custom where only honored warriors who have slain an
enemy can drink, and those who slew great numbers of enemies drink with two cups at the same
49
time (Hdt. 4.66). Herodotus also includes, perhaps as a lesson, the story of Cleomenes of Sparta
who went mad from drinking unmixed wine from his association with Scythians (6.84).
On the topics of both barbarian drunkenness and promiscuity, the poet Archilochus
compares a woman’s act of fellatio to the Thracian custom of sucking excessive quantities of
beer through straws (Arch. Fr. 42). Plato characterized barbarians, from Scythians, Persians, and
Carthaginians to Celts, Iberians, and Thracians as excessive drinkers in Laws (637d-e):
So let us deal more fully with the subject of drunkenness in general for it is a practice of
no slight importance, and it requires no mean legislator to understand it. I am now
referring not to the drinking or non-drinking of wine generally, but to drunkenness pure
and simple, and the question isought we to deal with it as the Scythians and Persians
do and the Carthaginians also, and Celts, Iberians and Thracians, who are all warlike
races, or as you Spartans do; for you, as you say, abstain from it altogether, whereas the
Scythians and Thracians, both men and women, take their wine neat and let it pour down
over their clothes, and regard this practice of theirs as a noble and splendid practice; and
the Persians indulge greatly in these and other luxurious habits which you reject, albeit in
a more orderly fashion than the others.
The Persians too, according to Herodotus (1.133), “much enjoy wine-drinking,” and they had
various customs and taboos regarding drinking including deliberating on serious matters first
drunk and once more sober. An identical passage of drunk/sober deliberations is found in
Tacitus’s observations among the Germanic tribes:
Drinking-bouts lasting all day and all night are not considered disgraceful. The quarrels
that inevitably arise over the cups are seldom settled by merely hard words, but more
often by killing and wounding. Nevertheless, they often make a feast an occasion for
discussing such affairs as the ending of feuds, the arrangement of marriage alliances, the
adoption of chiefs, and even questions of peace or war. At no other time, they think, is
the heart so open to sincere feelings or so quick to warm to noble sentiments. The
Germans are not cunning or sophisticated enough to refrain from blurting out their inmost
thoughts in the freedom of festive surroundings, so that every man’s soul is laid
completely bare. On the following day the subject is reconsidered, and thus due account
is taken of both occasions (Tac. Ger. 22).
The stereotype in Greek lore of the “wino” barbarian should be connected with the concept of
thymoeides, or “high-spiritedness,” as we discussed above. The Greek writers and artists
recognized indigenous customs of alcohol use and abuse which contrasted with Greek
50
moderation and sought to exploit those customs as evidence of “weaker” souls, natures given
more to appetites and emotions devoid of nomos. Such is the way the Ancient Greeks perceived
those barbarians at hand, whereas those more far-off drifted into the fantastic and often found
themselves the subjects of ethical discourse.
The Oikoumene: from the Polis to the Eschatiai
Leaving the ethnocentrism, or more specifically polis-centrism, of the Greeks aside, the
polis as a socio-economic entity wielded great cultural hegemony in the ancient world, especially
in Greek colonial endeavors in the Pontic region. In other words, the Greek/barbarian paradigm
concurrently emerged in the context of colonialism and perpetuated a sense of Greek superiority
over native populations whom the Greeks exploited both economically and culturally. As
humans were superior to beasts, so were Greeks to barbarians, excluding the godly Hyperborean-
types, in their minds. Thus, systems of slavery grew around the flow of native northerners along
with plenty of other raw northern goods, of which trafficked humans were but one raw good, into
the Mediterranean world. Slavery in the Mediterranean and Near East long drew upon
marginalized populations, especially nomadic groups, from peripheral frontier zones of the
northern steppe, the southern deserts, and the high mountains from at least the time of most
ancient Sumeria until the collapse of the Ottoman Empire in the twentieth century. As a specific
brand of Mediterranean slavery, the Hellenic institution of slavery developed around the idea that
barbarians could only integrate into the polis-system through the institution of slavery.
51
At the same time, the barbarian embodied Greek ideas about cultural evolution and the
Greeks’ own mythic past. In the barbarian lands, the beastlike and godlike barbarians symbolized
past stages of the Hellenes’ mythic narrative of ethnogenesis. The poet Hesiod summarizes the
mythological premises in Works and Days (lines 109-201). In sum, the human race passes
through a series of ages from primitive paradise in the Golden Age through the hardships and
toils of the Silver, Bronze, and Heroic Ages. Each period in the cycle tends towards an
eschatological cultural apex until the emergence of the Greek polis in the Iron Age, an age
plagued with its own strife yet itself striving for a cyclical return to Golden Age virtue. As the
Greeks understood their own past in these terms, so they also interpreted foreign cultures as
being in various stages of this historical progression much like the more modern evolutionary
theories of Morgan, Tylor, Frazer and others.
James S. Romm (1992) demonstrates that Hellenic ontology interlaced the mythological
with the geographical, political, and economic forces of the polis. As a result, the Greeks
envisioned a world divided into concentric circular zones which emanated outwards from Hellas
towards the river Okeanos (i.e., Ocean), which encircled the earth. Recalling Aristotle’s
discussion of gods, beasts, and the polis, the Ancient Greeks imagined that the regions beyond
their world grew more primitive the further away from the center one travelled. In this way,
Ancient Greeks imagined that people not immediately part of their cultural system were more
primitive, or were going through stages of cultural development which the Greeks believed they
themselves had already undergone. Thus, geography recapitulated an ancient version of cultural
evolution in the Greek mind. Herodotus reports that the Scythians claim they are the “youngest
of all nations” (Hdt. 4.5). By “youngest” Herodotus means they are in an early, primitive stage of
cultural evolution, although perhaps Herodotus rejects the poetic noble savage paradigm in favor
52
of empirical observation, historical criticism, and natural philosophy. Naturally, the values and
ideas of Hellenic culture shaped this envisioning of the inhabited, known world, and ancient
“primitivism” came into being (Lovejoy and Boas 1965).
The center, or “navel,” of the known world, a location steeped in cultic mystery tradition,
was Delphi (Plutarch De defectu orac. 1.1; Strabo 9.3.6). Outward from Delphi one found the
Greek world of agrarian city-states such as Athens, Sparta, Corinth and others, all of whom
visited the Oracle at Delphi as a shared Hellenic tradition. As one travelled further north, one
encountered Thessalians and Macedonians, equestrian Greek culture groups who at times
resembled more the barbarians to their north than the Greeks to their south but could have also
represented Greek perceptions of the Heroic Mycenaean Age. Beyond the Hellas and into the
northern lands of the barbarians, one encounters barbaric groups who were commonplace in
Greek lore and in everyday life for many polis-dwellers. These native Pontic groups included
Scythians, Thracians, Dacians, Cimmerians, Phrygians, and many other groups of Anatolia and
the Black Sea region. Moreover, their warlike customs and histories, especially their roles in the
Persian Wars, might indicate a placement in the mythic Bronze Age or perhaps a continuation of
the Heroic Age in the Hesiodic ontologythe mythic scheme, naturally, is one which does not
neatly match the reality.
The Greeks traded with these peoples, and many commonly appeared in the polis as
slaves. Thus these barbarians were an ordinary enough sight for the Greeks and, consequently, a
recognizable template with which poets, historians, dramatists, painters, sculptors, and other
artists characterized barbarism. In fact, the Scythian figure with trousers, a tall felt hat, bow and
quiver served as a template for Greek depictions of numerous other barbarians, including the
Persians. Greek heroes from earlier ages, whether Odysseus or Herakles, also appear as
53
somewhat “barbaric,” especially in their use of the bow, a skill Classical Greeks seldom used but
which they believed was primitive. In a way, the template applied to these Greek heroes reflects
the same Hellenic view of history and cultural evolution. If the Scythian template of barbarism
represented a past stage of Greek culture, it would make sense for the Greeks to portray the
heroes of their past in the terms of “present” primitive cultures.
While the material template (e.g., clothing, archery, etc.) may have been somewhat
accurate for many Pontic-Caspian steppe cultures and of Iranian Medes and Persians, the
Scythian template came to represent all of the groups lumped together as Persians during the
Persian Wars without any cultural differentiation (the sole exception being Herodotus’s
exhaustive efforts in describing in meticulous detail the culturally-specific uniforms of every
group of the Persian forces in his “Catalogue of Armies,” book 7 of Histories), and many groups
called “Scythians” could potentially have been non-Scythian groups amalgamated into the
identity from the Greek perspective. In other words, the motive in Greek media was to exhibit
the otherness of foreign cultures through a culturally recognizable template-characterization of
barbarism. Scholars have often revisited this problem of accurately identifying ambiguous
barbarian figures on pottery paintings given the Greeks’ arbitrary application of templates of
barbarism (Schauenburg 1975; Raeck 1981; Roller 1983; Pinney 1984; A. Smith 1999; Harrison
2002; T.J. Smith 2003; Ivanchik, Braund 2005; Skinner 2012; See Linebaugh 2013:70-82 for a
more detailed discussion of the specific pieces of art than my very brief synopsis presented here).
Nevertheless, the template emerged out of Greek interactions with societies on their northern
Pontic frontier and the resulting attempts to make sense of their observations of the other,
popularly and intellectually.
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Beyond that frontier zone, historical and ethnographic reality becomes mixed with
fantasy. In the Hellenic worldview, the closer one travels to the eschatiai, the ends of the earth,
the more fantastic and mythical the inhabitants of those lands become, and, moreover, the closer
the wayfarer comes to the beginning of human history. Here elements of beast-barbarians and
god-barbarians become more evident, and they inhabit, in the Greek mind, the mythic cultural
stages of the Golden and Silver Ages, the time of virtuous paradise and the time after the “fall”
from the gods’ grace. Barbarians on the fringes of the world also tend to appear with exaggerated
qualities. James Redfield explains that in Greek lore the Scythians are often surrounded by more
extreme versions of themselves (2002:37). Herodotus describes a number of groups beyond the
Scythians who drift more-or-less in the liminal space between fact and fiction. The Neuroi, for
example, were reputed to be shapeshifters or werewolves, and they fled from their land in the
north due to an invasion of serpents. Although Herodotus doubts the story’s factuality, once
more he maintains an ethnographer’s faithfulness to giving voice to the barbarian other in his
inclusion of their story (Hdt. 4.105). Beyond their lycanthropic behavior, which led to
Herodotus’s skepticism, the Historian describes these people as similar in custom to their
Scythian neighbors. Matthew Dickie considers the Neuroi an example of native illusionists or
charlatans (2003:73-4); however, one could interpret the account of the Neuroi in Herodotus as
evidence of Greek misunderstanding of native steppe totemic myths about primordial wolf and
snake conflicts. In any case, the trans-human/animal liminality of the Neuroi is representative of
the bestial or brutal characterization of barbarism noted by Aristotle. This motif of Pontic Steppe
barbarism appears in other forms in Ancient Greek media, such as the Centaur, more widely
recognized today than the Neuroi, whose natural position between man and horse mythicized the
nomad’s affinity for horsemanship (Tarbell 1920).
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Other groups which Herodotus mentions (4.22-4), on the fringe beyond the Scythians
include the Thyssagetai and Iyrcai, the descriptions of whom might possibly designate them as
hunter-gatherer groups, and the sacred Argippaians, whose customs and physical characteristics
set them apart from the Scythians, although Herodotus says they share the same manner of dress.
The Thyssegetae and Iyrcai, according to Herodotus, “live by hunting,” and he provides a
detailed summary of their specific hunting tactics using mastery over their heavily wooded taiga
landscape, mastery over their horses and dogs, and mastery over the skill of archery:
The hunter climbs up a tree and lies in wait there for his game (now trees are abundant in
all this country), and each has a horse at hand, which has been taught to lie down upon its
belly in order that it may make itself low, and also a dog: and when he sees the wild
animal from the tree, he first shoots the arrow and then mounts upon his horse and
pursues it, and the dog seizes hold of it (Hdt. 4.22).
Herodotus’s ethnography of the Argippaians describes them as bald, both men and women, with
flat noses and large chins. They lived in tents constructed around trees, foraged for wild cherries
called as-chy, which they mixed with milk and from which they made cakes. This obscure
“ethnographic” passage of Herodotus also describes the Argippaians as settlers of disputes
among their neighbors rather than as warriors like many of the nearby groups. As such, it appears
that legitimate ethnographic data has possibly mixed with notions of noble savage, eschatiai-
barbarism, not to say the Argippaians may not have had some kind of role as peace-keeping
council rulers in a mix of tribal conflicts and relationships similar to the function of the Iroquois
Confederacy in North America.
The customs Herodotus describes could identify the Argippaians with any number of
historical Eurasian Steppe nomads. However, the light in which he describes them makes the
Argippaians something between a brutish Scythian and a primitive Hyperborean. Herodotus is
sure of the validity of his sources though (4.24-5): “Now as far as these bald-headed men there is
abundantly clear information about the land and about the nations on this side of them;” and he
56
continues to describe how Scythians and Greeks often travel to the territory of these nomads
from the ports of the Pontic coast for trade with the natives. However, Herodotus claims nobody
knows very much about the lands to the north of the Argippaians due to impassable mountains,
possibly the Urals or the Altai (Bolton 1962; Wasson et al. 1986; Mallory and Mair 2000). He
does report that the locals claim that goat-footed men and men who sleep for six months of the
year dwell in the high country. Here Herodotus draws his line between believable and
unbelievable, ethnography and folktale (although he does this throughout the entire work).
Likewise, Herodotus describes the lands further to the east of the Scythians as inhabited
with groups similar to the Scythians but perhaps even more savage (e.g., Sauromatae,
Issedonians, Massagetae) (See Appendix A, Figure 2). Beyond these groups we traverse the
boundary into the fantastic once more. We find in the eastern eschatiai the Arimaspians, one-
eyed, horse-riding primitives entwined in an eternal cycle of combat with gold-guarding griffins.
These Arimaspians of the east, like the Hyperboreans of the north, represent the primordial ages
of man in Hesiodic ontology and an archetype of barbarism at the ends of the earth (Romm
1992:70). One could also argue that the Arimaspian represents the most extreme version of the
Scythian. Following Mallory and Mair (2000:42-3), the name “Arimaspian” might derive from
the Indo-Iranian arim (“friends of”) aspou (“horses”), a fitting description for equestrian nomads,
rather than Herodotus’s translation of arima (“one”) spou (“eye”) (Hdt. 4.27). Herodotus claims
this report of the Arimaspians as one-eyed horsemen comes from both the Scythians and the
Issedonians. Although the translation of their name is contestable, the one-eyed Arimaspian
became an extreme motif of barbarism in Greek art. We will discuss this further in the next
chapter, but the Arimaspian/Griffin motif also has its own cultural roots in the native
57
mythologies of the Eurasian Steppe. Greek traders and travelers certainly would have noticed
such a widespread image.
In the complex frontier zone between the polis and the mythic eschatiai the Greeks
observed, interacted with, and to an extent exploited tangible, historical native populations whom
they understood and characterized through the lens of barbarism. Romm (1992) has noted similar
concentric cultural-geographic arrangements in terms of southern barbarism with the Egyptians,
Ethiopians, Libyans, Arabians, and the mythic Pygmies. Given that the Greeks commonly
accepted the idea that the Hyperboreans lived beyond the source of the northern winds of Boreas
(hence their name), Herodotus entertains the notion of a southern equivalent to the Hyperboreans
called Hypernotians (Hdt. 4.36). Although an investigation of southern barbarism is beyond the
scope of this thesis, Romm does a fair job explaining the relevance of “blameless Ethiopians,”
warlike Arabians in combat with flying serpents, and Pygmies in perpetual warfare with wild
cranes as categories of barbarism in their own right. Although southern barbarism certainly
appears in Greek media with virtues and vices which mirror northern barbarism, the most
common template of the barbarian draws its inspiration from Greece’s northern frontier.
As mentioned above briefly, at the furthest extent of the northern eschatiai dwelt the
Hyperboreans who represented the primordial Golden Age of human history in the Greek
worldview, a type of Romanticism or primitivism which would survive in Western thought into
the present (Lovejoy and Boas 1969; Romm 1992). By all accounts the Hyperboreans embodied
happiness, justice, and primitive virtue. Indeed the Ancient Greeks deemed the Hyperboreans to
be the most virtuous and sacred of all humankind, closest to the gods but also to the primeval
chaos of Ocean. It is little surprise that these mythical people found an esteemed place in Greek
mythology and cultic religious traditions as the spirit-guides of the cult of Apollo and other
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traditions. Even Plato took some interest in the manifestation of their Golden Age ancestors as
the spirits of the wise (Cratylus 397e-398c). The following chapter will look more deeply into
this issue, but for now let us provide some background for these Hyperboreans, a mytho-
ethnography perhaps.
An exploration of the Hyperboreans could in fact produce enough discussion for an entire
monograph, and it has inspired a few scholars to accept such a task (Macurdy 1916, 1920;
Casson 1920). These mythic northerners usually remain a topic conjoined with the discussion of
either other, more historically attestable groups or within the larger context of the myths in which
they appear. For example, J. D. P. Bolton (1962), in a vast exegesis of the sources on the Greek
traveler Aristeas, surmised that the Arimaspians might refer to the proto-Turkic nomads of the
Altai and that the vegetarian, maritime Hyperboreans refer to the Chinese. J. P. Mallory and
Victor H. Mair (2000) in their search for the cultural identities of the mummified pastoralists of
the Tarim Basin, south of the Altai, arrive at a similar conclusion. If we consider the possibility
that the Argippaians, Issedonians, Massagetae, and other groups lived north and east of the
Caspian Sea, it is quite likely that Greek explorers and traders would have heard about the
customs of cultures beyond these groups. In hearing about these customs, and perhaps even
occasionally observing them or speaking with travelers from the more distant lands, the Greeks
would have formed their own ideas about the distant cultures based upon their already
developing mythic framework concerning the furthest extents of the oikoumene.
Timothy P. Bridgman (2005) offers the latest fully dedicated analysis of Hyperborean
source material, and he concludes that the Hyperborean archetype emerged out of Greek
interactions with Celtic European groups. While the Greeks certainly had interactions with the
tribes of Keltoi, Bridgman’s attempt to narrow the Hyperboreans down to one identifiable,
59
historical group is far-reaching to say the least. Nonetheless, one could certainly include the
Celts among the milieu of barbarians of the north in the Hellenic worldview, and Greek writers,
including Plato, at times did so, differentiating between specific cultural group-affiliations but
essentializing the whole lot within the barbarian template. For instance, on the drinking habits of
various barbarians discussed above, Plato lists the Celts among several others as all habitual
alcohol-abusers in Laws (637d-e). Similar discussions appear in Roman literature on the Celtic
and Germanic tribes to the north of the Roman Empire, most notably in Tacitus’s Germania (22-
23). Furthermore, the ethnographic descriptions of the Celts in Greek sources, like Plato, indicate
the Greeks viewed them much like they viewed Thracians, Dacians, and other northwestern
barbarians, usually with disdain but at times with admiration. During the third century BC, as if a
final barbarous thrust through Bridgman’s Celtic Hyperborean figure, the Celtic group known as
the Gauls sacked sacred Delphi, one of two major religious centers which mythically connected
the Hellenes with the peaceful, vegetarian Hyperboreans of the distant north.
Nevertheless, we cannot suggest that one culture was solely responsible for inspiring the
Greeks to concoct the mythic Hyperboreans as the inhabitants of the furthest rims of the world.
Rather, the Hyperboreans were the composite of Greek observations of the actual inhabitants of
Pontic-Caspian Steppe and hearsay concerning cultures much further north, west, and east. Many
of the sources are legend, folklore, myth, and outright lies or propaganda. As Romm (1993:47)
illustrates, the Greek sources on Hyperboreans and other barbarians, real or imagined, often
mixed Hellenic ethnocentrism with “reverse ethnocentrism,” paradeigmata, the object of which
is not to present accurate ethnography, good or bad, but to flip the ethnocentrism on the Greeks
themselves. Paradeigmata refers to the use of descriptions of the other, namely barbarian
cultures, as criticism of the ancient ethnographer’s own culture. The Roman historian Tacitus, for
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example, utilized ethnographic passages on the German barbarian tribes to criticize Roman
culture in contrasting German disregard for gold and silver:
The natives take less pleasure than most people do in possessing and handling these
metals; indeed, one can see in their houses silver vessels, which have been presented to
chieftains or ambassadors travelling abroad, put to the same everyday use as earthenware
(Tac. Ger. 5).
Tacitus likewise uses the dishonor of adultery among the German tribes as a criticism of Roman
immorality (Tac. Ger. 19), and he praises the overall virtue of the Chauci tribe as “the noblest
people of Germany” (Tac. Ger. 35). Hartog (1988) describes the same ethic in Herodotus, that
some of the passages, historical or not, were meant to highlight the paradoxes and hypocrisies of
Greek culture from within. The barbarian, at times, functioned as a mirror with which artists and
writers could hold up to their own Hellenic society as well-disguised criticism. The
Hyperboreans, not immune to the paradoxical motives of Greek writers and artists, became a
complex and enigmatic template for an already paradoxical category of otherness. As chapter 4
will explain, the modern New Age Movement utilizes narratives about and idealized images of
indigenous folk as a sort of paradeigmata with which one can criticize Western culture.
The primary mythological sources on the Hyperboreans paint an idyllic image of an Earth
(Gaia)-born tribe at the ever-expanding edges of the world. Hesiod (late eighth-early seventh
centuries BC) describes them as “well-horsed,” fed by streams of water, and possibly associated
with amber (Catalogues of Women Fragment 40a). The horses alone indicate an association with
steppe cultures, but amber, a precious raw good that the Greeks, Romans, and other
Mediterranean cultures imported from the north via the Black Sea, illustrates perfectly well the
cultural inspiration for Hesiod’s poetic expression (see Tac. Ger. 45, for an example of the
Roman perspective on the northern amber trade). Roughly contemporaneous with Hesiod,
Homer utilizes the Hyperborean figure in a dramatic expression of distant barbarism along with
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Egypt and Cyprus in which the Hyperboreans represent the very edge of the world inhabited by
humans (Homeric Hymn 7 to Dionysos 27 ff). The fifth century poet, Pindar, describes in more
detail the primitive nobility and virtue of those who dwell “behind cold Boreas.” His Olympian
Ode (3.12 ff) lays out Herakles’s quest to find the golden-antlered hind where he discovers the
Hyperborean paradise, and Pindar’s Pythian Ode, moreover, details the cultural traits of these
“hallowed” and mysterious people: sacrifice to and serve Apollo; Apollo delights in them;
promiscuity; given to poetry, dancing, and music; free from illness, old age, toil, and battle.
Pindar’s description of the Hyperboreans is fairly similar Hesiod’s description of the people of
the Golden Age, the most substantial exception being their service to the young god Apollo
rather than Kronos:
Once Perseus, the leader of his people, entered their [the Hyperboreans’] homes and
feasted among them, when he found them sacrificing glorious hecatombs of donkeys to
the god. In the festivities of those people and in their praises Apollo rejoices most, and he
laughs when he sees the erect arrogance of the beasts. The Muse is not absent from their
customs; all around swirl the dances of girls, the lyres loud chords and the cries of flutes.
They wreathe their hair with golden laurel branches and revel joyfully. No sickness or
ruinous old age is mixed into that sacred race; without toil or battles they live without
fear of strict Nemesis (Pindar Pythian Ode 10.30-44).
And compare to the poet Hesiod, on the people of the Golden Age:
The gods…fashioned a golden race of mortal men…and like the gods they lived with
happy hearts untouched by work or sorrow. Vile old age never appeared, but always
lively-limbed, far from all ills, they feasted happily. Death came to them as sleep, and all
good things were theirs; ungrudgingly, the fertile land gave up her fruits unasked. Happy
to be at peace, they lived with every want supplied, rich in flocks, dear to the blessed
gods. And then this race was hidden in the ground. But still they live as spirits of the
earth, holy and good, guardians who keep off harm, givers of wealth: this kingly right is
theirs (Hesiod Works and Days 110-124).
Beyond the difference in devotion to one deity or another, the differences between the
Pindarian and Hesiodic narratives include: 1) a specific ritual prescription of the Hyperboreans,
whereas none are provided for the Golden Age folk; 2) an emphasis on the Muses, spiritual
inspiration of poetry and music, among the Hyperboreans, whereas the people of the Golden Age
62
are simply described as having “feasted happily,” which does not entail they did not engage in
music and poetry; 3) the Golden Age people received their food from the abundance of the earth;
and 4) the spirits of the Golden Age become associated with the chthonic underworld as
guardians after their demise, whereas Pindar notes nothing of that sort of the Hyperboreans.
Nonetheless, the Hyperboreans are also associated with the chthonic earth in the Pythian
traditions, as spiritual entities whom the oracles frequently contacted, and in Hesiod’s
Catalogues of Women. Parallels between the two passages denote that both the Golden Age and
Hyperborean mythic cultures were 1) pastoralists; and 2) neither suffered sickness, old-age, or
war.
These mythic appearances of the Hyperborean-Golden Age noble savage were part of the
Greek imagination of space which was both geographically and chronologically remote, but it
was also sacred or powerful space. On one hand, the barbarian figure in Greek media (e.g.,
pottery-paintings, poetry, drama) inspired the exploration of the northern and eastern frontiers
through symbolic links to heroic and mythic journeys of the Greeks’ past, a stance which
François Hartog (2001) champions. In this ideological vein, barbarism is equated to the Greek
Golden Age and is placed at the edges of the earth, the eschatiai, most notably characterized by
the Hyperboreans. This ideology which I would call “Hyperboreanism” created a template of
barbarism through which native northerners, thought to be close to the gods and in harmony with
Gaia (i.e., Mother Earth or Nature) served as a source of northern wisdom for learned Greeks.
Thus Hyperboreans were associated symbolically with a number of Greek mystery traditions;
cults dedicated to Apollo. Pindar’s Pythian Ode, above, for example, illustrates the mystical
importance of the Hyperboreans in Ancient Greek religious life.
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The crafting of the noble savage archetype was the work of the artists and mystics of
ancient society, whereas the social theorists of the time preferred to put this template to the test
of empirical ethnographic observation. Like Plato’s Republic and Atlantis in his Laws, and like
the musings of much later European thinkers on the cusp of the Age of Exploration like Sir
Thomas More’s Utopia, the Hyperboreans existed practically as invented paradeigmata, as
imaginary subjects for ethical, social, and political discussions conveniently brushed off to the
blank edges of the map where few ethnographers could challenge the source and the majority of
the audience would remain blissfully ignorant as to whether the subject culture was real or not
(Romm 1992). Herodotus is critical of such imagined space, or at least he gives that impression.
Herodotus outright rejected the noble savage and rather allowed barbarian cultures to
demonstrate their diversity, their strengths and weaknesses, their multiform virtues and vices. He
was still an ancient “cultural evolutionist” to a degree, but he wanted proof that the
Hyperboreans existed before he would ever describe a foreign culture in Golden Age terms.
Another passage out of Tacitus, a description of the most northern people in Roman knowledge
known as the Fenni, demonstrates a similar “critical” examination of distant northern barbarians
which put the noble savage paradigm to the test. Although technically not Hyperborean, this
nomadic tribe, likely the Finns, Saami, or some other related or ancestral Finno-Ugric group,
Tacitus describes in tongue-in-cheek fashion which uses a template of primitive simplicity, based
on what appears to be a hunter-gatherer society, in order to poke fun at the complexities of
Roman life:
The Fenni are astonishingly savage and disgustingly poor. They have no proper weapons,
no horses, no homes. They eat wild herbs, dress in skins, and sleep on the ground. Their
only hope of getting better fare lies in their arrows, which, for lack of iron, they tip with
bone. The women support themselves by hunting, exactly like the men; they accompany
them everywhere and insist on taking their share of the game. The only way they have of
protecting their infants against wild beasts or bad weather is to hide them under a
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makeshift covering of interlaced branches…yet they count their lot happier than that of
others who groan over field labor, sweat over house-building, or hazard their own and
other men’s fortunes in the hope of profit and the fear of loss. Unafraid of anything that
man or god can do to them, they have reached a state that few human beings can attain:
for these men are so well content that they do not even need to pray for anything.
Tacitus then concludes this passage with a mention of the fanciful beyond the Fenni, meaning
that they mark the border between human and non-human worlds, that Tacitus’s survey has
reached its terminus and struck the eschatiai:
What comes after them is the stuff of fables: Hellusii and Oxiones with the faces and
features of men, the bodies and limbs of animals. On such unverifiable stories I shall
express no opinion (Tac. Ger. 46).
Concluding Remarks for Chapter 2
The resulting multivariant models of barbarism that emerged in Hellenic media generated
a general sense of the otherness of northern, Pontic cultures, but also an otherness which was
more fluid. Hellenes might simultaneously have viewed the indigenous nomads of their frontiers
as primordial in both the senses of animalistic vice and primitive righteousness. Moreover, the
Hellenic imagining of their geographic and cultural frontier was organized in these templates of
primitivism, a trend which Lovejoy and Boas (1965), James Romm (1992), and Harry Levin
(1969) note persisted in Medieval and Modern European exploration. Barbarian as a template for
the characterization of otherness utilized both real ethnographic material and a highly
ethnocentric polis-ideology in the construction of a frontier of both social space and economic
and cultural exploitation between Greek and barbarian, civilization and nomad. The effects of
colonization in the Pontic region catalyzed the growth of equestrian nomad “kingdoms” and a
thriving slave trade. Moreover, Ancient Greek colonialism established a circuit through which
privileged, educated Greeks could access native steppe religions and integrate elements of those
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traditions into the emergent Hellenic socio-religious structures known as mystery religions. This
final classical issue will be the subject of the next chapter, after which this discussion will turn to
more contemporary matters relevant to otherness and invented tradition manifest in shamanism.
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Chapter 3
Pontic Barbarian Religions and the Invention of the Mysteries
The previous chapter discussed 1) how the concept of eschatiai informed the Hellenic
worldview and activities in the Pontic from exploration to colonization, 2) how Greek activities
in the Pontic generated the gradual construction of the Greek/barbarian antithesis, and 3) how the
Hellenic ideology of the barbarian furthermore created two antithetical archetypesthe slavish,
animalistic barbarian based on ethnocentric stereotypes of the historical peoples of the Pontic
(e.g., Thracians, Scythians, etc.), and the noble savages of a more fantastic type who always
dwelt on the furthest peripheries of the Greek oikoumene, or known world (e.g., Hyperboreans,
Arimaspians, etc.).
This chapter will examine how the Greek/barbarian ideology, as a product of Greek-
Pontic colonialism, generated 1) a demand for “Hyperborean” wisdom in the Greek world
through the rise of Hellenic mystery religions; and 2) cultural appropriation of the exploitable
indigenous peoples of the Pontic in the construction of mystery traditions in the Greek heartland.
Essentially, the Greek mystery religions emerged in a state of Greek-Pontic colonialism and
cultural imperialism. Furthermore, this chapter should contribute to the debate on shamanism
within academia. As a number of scholars (Dodds 1951; La Barre 1970a-b; Eliade 1972; West
1982; Noll 1985; Littleton 1986; Ruck 1986; Lateiner 1990; and Ustinova 2009) interpret
various aspects of ancient Greek religious and mythological traditions through the lens of
shamanism, this discussion should revise the idea of “Greek shamanism,” a concoction of E. R.
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Dodds’s 1951 work, The Greeks and the Irrational. Moreover, it will reveal that just as the
mysteries were invented traditions of culturally hegemonic stature, to reconstruct them as a type
of shamanism roughly 2500 years later is also a product of cultural imperialism.
The inquiry returns once more to the question of what shamanism is. Although the idea of
“Greek shamanism” is exceedingly problematic, the description of Pontic religions from the
same period as “Northern shamanism” is more permissible. Like the archaeological problems
discussed in our first chapter, we should be careful not to inject modern ideas about globally
indigenous religions into the interpretation of the material record of the ancient steppe.
Nonetheless, steppe culture was historically fluid, in that technologies, languages, ideas, and
populations were exceptionally mobile and transient. Migrations east and west, back and forth
from one end of the steppe to the other were routine until the Modern Period. With the
domestication of the horse during the Bronze Age, nomadic culture effectively generated a
process of cultural exchange and change which cycled for millennia, and consequently tribal
alliances and empires grew and shrank in succession (Anthony 2007; Bartold 1958; Saunders
1971; Skaff 2004). Historically and archaeologically, Pontic traditions were part of the larger
cultural complex of Northern Central Eurasia, albeit the western end of that geographical
continuum of steppe and taiga-forests which runs from Eastern Europe to Mongolia. As a result
of the natural highway this region provided, relationships between the many peoples of the
Eurasian Steppe, prehistoric and historic, and its border lands were far-reaching (see Bruyako
and Ostroverkhov 2004:194-195). Thus it should not come as a surprise that many cultural
similarities can be found between, say, Pontic Scythians and Altaic groups from the same period.
It is no great leap to claim that this cultural continuum also incorporated the flow of
religious ideas and customs. Although describing the ancient religions of the steppe as
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“shamanism” risks misleading the reader, we should note that the Pontic religions shared a
relationship, via the steppe, with the Altaic-Siberian cultures from which historical shamanism
originated (See Appendix A, Figure 3). We cannot know how Scythian, Thracian, Massagetae, or
Issedonian spiritualists interacted with the spirit world except from a few gleanings from
sedentary observers and conjectural interpretations of associated material culture. Thus, the
cultures of the steppe in the first millennium BC may or may not fit Sidky’s category of
shamanism as mastery over spirit-entities. We simply cannot know, aside from the fact that these
cultures were an integral part of the burgeoning world in which shamanism in the modern
Northern Eurasian sense developed. Franz Hančar (1952:192) reports that between 700 and 100
BC the relationship between “Pontic Scytho-Sarmatian art and Siberia” is evident in terms of
motifs of shaman-animal affinity, animal-combat, and animal-predation. Although we will delve
into the specifics of the mythological and ritual significance of Pontic artifacts below, it will
suffice to mention that cross-cultural parallels run deep enough to describe them in the context of
Central Eurasian shamanism, even if for nothing more than heuristic reasons. Fol and Marazov
(1977) identify among the ancient Thracians mythological symbolism akin to Scythian and
Siberian traditions, especially in terms of shaman-animal affinity. The Thracians, who were
likely the most sedentary of the Pontic barbarians, utilized imagery that suggests they shared
some of their traditions with their contemporaries to the east (Loehr 1955; Rice 1961; Farkas
1981). Mundkur (1984:454) goes so far as to suggest, concerning Northern Eurasian nomadic art,
that:
their common ‘animal style’ traits stem from a uniformity in the Eurasian nomad’s
traditional way of life and relationship to the fauna of the steppe, boreal forest, and tundra
and are expressed through ornamental, utilitarian objects such as belt buckles, weapons,
mirror-frames, etc. The antecedents of this style apparently belonged to extremely early
groups of hunter-gatherers whose art merely reflected magicoreligious beliefs about
innumerable animal species of the vast Eurasian expanses.
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China’s historical relationships with the nomadic cultures of its northern frontier,
especially with the Xiongnu, parallel those of the ancient West. The accounts of the nebulous Hu
peoples, the Chinese equivalent of the “barbarians,” in literature such as the Hanshu and Shiji are
eerily reminiscent of Herodotus’s reports of the Pontic-Caspian barbarian cultures from roughly
the same time period. It only makes sense if readers eschew the Orientalist notion that the East
and West were separate civilizational centers which existed in vacuums. Instead, consider that
Europe and Eastern Asia were in fact connected for millennia through not only the trade routes
of the south but also the traditional migratory routes of the steppe. The nomads of the steppe
simultaneously interacted with the cultural cores at either end of the continuum and themselves
were connected with one another. Sophia-Karin Psarras (2003), using historical and
archaeological analysis, notes not only similarities between “Scytho-Siberian” and Xiongnu
culture but also considers them to be part of that cultural continuum of the Eurasian Steppe.
Xiongnu religion, according to the historical accounts and archaeological sites included horse
sacrifice, human sacrifice to a war god, worship of the sun, moon, sky, earth, and ancestors, and
like the Scythians the Xiongnu drank blood, here that of horses, mixed with wine and swigged
from enemy skulls to solidify solemn oaths (Psarras 2003:129-32). In terms of Xiongnu art, the
same Scythian motifs of animal-predation and animal-combat occur in grave goods associated
with Xiongnu sites in Mongolia and Northern China with influences in Han Chinese art.
Given the antiquity of the Pontic cultures in question, our primary ethnographic sources
are extremely limited, and Herodotus, furthermore, provides the bulk of observations and
hearsay on Pontic groups from the Hellenic period. Nonetheless, the modern reader can glean
from the writings of the “Father of History” a number of passages that are confirmed by the
archaeological record of the steppe. Modern scholars have made attempts to compare Herodotus,
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as well as the material record, with historical and modern ethnographic data (Childe 1970:38-9;
Meuli 1935; Hančar 1952; Heissig 1980), and numerous striking similarities surfaced between
the cultural patterns of the various Paleo-Asiatic, Ural-Altaic, Tungoso-Manchurian, and Turco-
Mongolian groups which are analogous to the descriptions of the Northern Eurasian barbarians
in Herodotus.
Animism, Totemism, and Northern Eurasian Ontologies
In order to fortify our perspective of the ancient Pontic cultures and their historical
analogues, we must first clarify the ontological principles which underlie historical Northern
Eurasian religious traditions. Morten Pedersen’s (2001) exposition of North Asian indigenous
ontologies provides exhaustive and insightful understandings of the multifarious religious and
philosophic modalities of the “shamanic” traditions of the vast region which stretches from the
steppes of the Mongolian Plateau in the south northward through the taiga and tundra of Siberia
(See Appendix A, Figure 4). Among a long list of indigenous groups, Pedersen notes a major
division, in terms of both social structure and ontology, between the cultures of Northern North
Asia (NNA) and Southern North Asia (SNA). He also notes that this division is not purely
dichotomous given that aspects of both ontological dispositions occur throughout the entire
region. Rather, the division indicates the dominant type of worldview exhibited by cultures in
each region without being mutually exclusive.
It likely sounds more dichotomous than Pedersen intended. Elements which typify NNA
traditions occur to a degree in the SNA traditions and vice versa. Although Pedersen understands
all of North Asian indigenous religion as generally shamanic in the truest, Siberian sense, he also
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acknowledges fundamental variations between cultural groups on a north-south cline. Whereas
the theoretical principles of animism bracket the more northern traditions, the southern traditions
exhibit more totemistic modalities. These theoretical divisions, furthermore, coincide with
variation in social complexity and community-group worldviews, but are by no means limited to
one or another culture group:
Despite the tendency of different scholars to highlight different aspects of the North
Asian societies, and taking into account their different theoretical standpoints, the
established wisdom concerning the differences between NNA and SNA boils down to a
basic distinction between horizontal and vertical relations…Put simply, whereas the
societies of NNA organize the world horizontally (through notions of charismatic
leadership, egalitarian ethos, bilateral descent, direct exchange, and orally based
shamanist religion, etc.), societies of SNA organize it vertically (through notions of
inherited leadership, a hierarchical ethos, patrilineal descent, indirect exchange, a script-
based Buddhist religion, etc.) (Pedersen 2001:419-420).
As such, Pedersen breaks down various North Asian ontologies into animist and totemist
worldviews. Animism and totemism are not necessarily religious traditions in their own right,
nor are they mutually exclusive categories. Rather, following Pedersen, they describe the
dominant worldview of the cultures in question, which incorporates the spiritual or religious
realm. They are “governing principles” through which the social context of self/other is acted out
(e.g., animist principles in hunting customs, totemist in rites of passages) (Pedersen 2001:419).
As distinct categories of religion, animism and totemism are no more based in reality than
shamanism, and they are often lumped together as variations of indigenous shamanic traditions
(see DuBois 2009). The early schools of cultural evolution, largely shaped by the theories of E.
B. Tylor, supposed that animism represented one of the oldest, if not the earliest, forms of
religion. For Tylor, the empirical categories he notes (i.e., animism, fetishism, polytheism,
monotheism, and science) which he perceived in his present era, represent stages of cultural
evolution. Animism, in Tylor’s sequence, represents the earliest stages of primitive religion, and
science is his pinnacle of human cultural achievement. Tylor built his categories of religion,
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although not necessarily Romanticist, upon the same Enlightenment understanding of the savage
other, perhaps with a slight Hobbesian bent, that the savage mind’s unscientific approach to
understanding seemingly mystical phenomena is at the root of all religion.
In any case, animism became synonymous with primitive religion in the evolutionary
model in that all religions or spiritualities are survivals of primitive animism’s “error.” In the
twentieth century animism naturally fell into the larger category of shamanism as the “living”
example of the most primordial and egalitarian form of indigenous, shamanic religion. The truth
is animism is as much a constructed product of Western thought as is shamanism. Yet, animism
as a category persisted unchallenged in scholarship through most of the twentieth century. It is
no secret that many peoples, indigenous or not, believe in spirits. The belief in spirits, however,
is integrated into larger ideological and social contexts that cross the categorical boundaries
which Tylor established. Should we throw out animism then? Recent scholarship would say no,
that we should instead take it seriously once more, not as a religion per se, but as a dimension of
cultural understandings of self/other, as an ontological principle for interpreting what exists in
the world surrounding a member of a specific culture group and how that person should interact
with said world (Viveiros de Castro 1998; Bird-David 1999; Pedersen 2001; Willerslev 2007,
2013). It is an identifiable element in the perspectives of various cultures rather than the single
defining fundament of any religious tradition. It is neither primitive nor part of an Enlightenment
theosophic paradigm.
Animism, which Pedersen describes as “Analogous identification” between persons both
human and nonhuman (2001:413) and “heterogeneous perceptions of a potential interior spiritual
quality in things” (p.414), typically occurs “where societal relations as a whole are horizontal in
character” (p.416). In a libertine type of shamanism, as among the Yukaghir for example, where
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any being has the potential to mediate between the spiritual and material realms, animist sociality
between persons occurs in an egalitarian fashion. Humans communicate with the spirits of
ancestors, plants, and animals and vice versa in a “boundless whole” of society, according to
Pedersen’s Swiss-Cheese-Universe Theory (2001:416). In such a universe, the “whole” of the
universe is all of the same unified substance, the “cheese,” and the “holes” in the “cheese” are
different social positions to be occupied by animate beings ranging from geographic features and
weather phenomenon to plants, animals, and humans. Moreover, the socialization or shifting
between the existing categories is horizontal, meaning it is egalitarian and perhaps anarchic.
Spirits and humans interact on a frequent and chaotic basis in this ontological model, but
simultaneously they are all part of the whole. In contrast with the evolutionary model of religions
(e.g., animismtotemismpolytheism—monotheism), Pedersen’s model of animism tends
towards a socially variant model. We can infer that animistic traditions should be viewed in the
context of their relationship with the hegemonic world system. Should animism occupy the same
socio-economic position as shamanism, then shamanism as a term could apply to animist
traditions in a Northern Eurasian context. Moreover, it has the potential to provide some insight,
however slight, into the ancient cultures of the same Northern Eurasian region.
Like animism in the evolutionary perspective, totemism has at times been treated as an
independent phenomenon, an identifiable religious tradition or stage of religious evolution, often
synonymous with Tylor’s fetishism. Others looked to a more practical reason for the appearance
of totemic traditions. Malinowski and Radcliffe-Brown, albeit in different ways, argued that
totemism occurred as social means of regulating natural resources through the classification of
social groups within naturally occurring categories. According to Malinowski, totemism is a
utilitarian manifestation of primitive man’s interest in his environment, of figuring out through
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the social institutions of totemic myths and taboos what is and is not good to eat for one’s self.
Radcliffe-Brown, on the other hand, describes totemism as the social ordering of natural
resources for the good of the larger group structure, the establishment of social and ecological
equilibrium. Totemism, in Radcliffe-Brown’s system, is a practical solution to the problem of the
“relation of man and nature in ritual and myth” (1929:399). Totemism, in such a theory, provides
the indigenous mental framework of who has access to what resources, how, and perhaps why.
Namu Jila, in a more recent examination of the myths of various ancient Central Asian
steppe nomads as they have been preserved in the written records of their sedentary neighbors,
notes a common motif of a wolf/crow totemic pair as supernatural guardians of human hero-
characters and as totemic ancestors. In a fashion reminiscent of the structural-functionalist
perspective, Jila remarks that:
In the severe fight for survival within nature, the wolf and the crow are two inseparable
“comrades” who skillfully cooperate with consideration for one another. The crow
always crows “caw, caw, caw” when it flies, thus providing the wolf, who runs on the
ground, with the information necessary for knowing the whereabouts of potential prey. In
return, the wolf, after having eaten its fill, leaves the rest to the crow (2006:168).
As the groups from whom these myths come identify with the wolf and crow as totemic
ancestors, a belief system which continues today among the Mongols, the mythic symbiosis of
wolf and crow represent a type of clan-based ecology. The establishment of social identification
with specific totemic categories and related taboos and restrictions on what is good or not good
to eat basically functions as the mutual conservation of natural resources between totemic
groups. The mythic pair of crow/wolf in Altaic totemism thus “has its grounding in a
phenomenon observable in nature,” and that, as a “process of social life,” Jila’s interpretation of
the myth is that it is a cultural adaptation to an ecological problem (2006:168). As such, one
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might view this type of totemism as the maintenance of Radcliffe-Brown’s idea of “social order”
to the natural domain of ecological adaptation for Altaic societies.
It sounds like a fair hypothesis, but as Lévi-Strauss (1963, 1966) notes, any functionalist
(or structural-functionalist) model misses the underlying social-rational structure that totemism
represents in intergroup relationships. Essentially, totemic divisions regulate the entire system of
intergroup relationships beyond the acquisition of food. Rather, totemism describes a basic
function of the human social mind which classifies and regulates the relationship between
us/them in the perfectly rational language of the subject cultures. In Pedersen’s model, where
animism yields a horizontal ontology, totemism yields one that is vertically aligned. Pedersen
describes totemism as being “homologous differentiation” between humans and nonhumans
(p.413), based on Lévi-Strauss’s understanding of totemism as a system of classification.
Furthermore, Pedersen finds that totemic ontology creates a “heterogeneous conglomerate of
mutually independent domains inhabited by humans as well as nonhumans” (p.418). Rather than
the spontaneous shamanism characteristic of Siberian animist ontologies, totemic shamans are
apparently the only human members of society with the ability to cross over the liminal
categories of the “bounded grid” of the existing world.
Consequently, the ontological principle of totemism is one of a vertical axis from upper
world to lower world. Clan 1 might be analogized to Species A in one domain, and Clan 2 might
be analogized to Species B at another. Socialization between domains is thus facilitated by the
shaman-figure. As Psarras notes on Scytho-Siberian art, and as a motif “common to iconography
across the Eurasian steppe,” the passageway “traveled by the shaman in rites of healing,
sacrifice, and the escorting of the soul to the world beyond” appears iconographically and
mythologically as the World Tree or Mountain, the vertical axis between the various levels of
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upper and lower worlds (2003:117). Heissig notes that the Mongols believe that deceased
shamans become spiritual entities embodied as sacred mountains or other such axis mundi in
connection with both upper and lower worlds, or perhaps associated with one or the other
(1980:14). The point is that in the totemic ontology, the social space of mediation between
perceived categories is reserved for the shaman.
The World Tree also appears in early Chinese (Shang, Zhou, and Han dynasties)
mythology in the form of a mulberry tree, the roost of the sun-birds and the ancestral black birds.
Sarah Allan considers these mythologies in conjunction with associated contemporaneous
archaeological ritual assemblages from between the eleventh and fifth centuries BC evidence of
totemism in early Chinese religion (Allan 1981). Allan, following Lévi-Strauss, describes
Chinese totemism as a “system of classification rather than social institution,” in which royal
dynasts developed complex systems of exchanging power from generation to generation, and in
which Chinese bone-divination magic operates as the institutionalized “manipulation of
categories within the system to achieve practical results” (1981:304-5). Although Chinese
“shamanism” is potentially as problematic as “Greek shamanism,” despite Allan’s surety about
the existence of Chinese poet-shamans (p.300), her remarks on totemism provide some scholarly
insight into the Northern Asian totemisms of China’s Hu (i.e., “barbarian”) neighbors.
Again, totemism as an ontological principle does not preclude animist principles. It is the
social context in which either animist or totemist tendencies occur which is important. Pedersen
adamantly holds that Southern North Asian groups like the Halx Mongols are predominantly
totemistic in their understanding of self/other, but without explicitly rejecting any animistic
modalities. Likewise, Northern North Asian groups such as the Yukaghir tend towards an
animistic understanding of self/other categories, but this is not to say totemic elements are non-
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present in their mythologies and rites of passage. Pedersen’s model might appear more
dichotomous than it actually is, but the point is that these constructed principles are most useful
in figuring out how various groups understand the relationship between ontological categories in
their specific contexts rather than as identifying generalized indigenous religious traditions at
large. In the words of Lévi-Strauss, the categories are good to think with. Although Jila (2006)
does not directly say it, I argue that the Turco-Mongol mythic wolf/crow symbiosis also signifies
clan-relationships and perhaps obligations to one another, which makes sense given the historical
alliances and empires which significant groups forged on the steppe frontier between societies
and which needed intergroup cooperation to thrive.
This brief discussion of animism and totemism is pertinent to the discussion of
shamanism in that: 1) evolutionary theories which classify animism and totemism as
manifestations of primitive religion (i.e., evident of early stages of cultural evolution or the
social ordering process) uphold outdated historical-materialist conjecture; and 2) that a
hypothetical dichotomy still persists in the discussion of shamanism in which primitive religion
appears on the one hand as man’s exertion of his will on his environment through social
structures, and on the other hand the environment’s exertion of its will upon social structures.
Sahlins’ “critique of the idea that human cultures are formulated out of practical activity and,
behind that, utilitarian interest” provides some explanation of how shamanism appeared as a
phenomenon, not as actual primitive religion but as symbolic of primitive religion in a global
structure (1976:vii). The raw “marble” block for the sculptor is quarried from the barbarian lands
which symbolize the past. Animist and totemist modalities are identifiable cross-culturally as
structural rationalizations and symbolism within certain cultures and often associated with
religious and mythological systems. But the symbol of the primitive shaman means more to the
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observer than to the observed, and it does more to reify our own structure than provide evidence
for an evolutionary narrative.
“Northern Shamanism” and Pontic Barbarian Religions
As this thesis is not specifically about totemism or animism but about the construction of
otherness in the product of shamanism, these heuristic categories serve primarily to contextualize
our discussion of historical cultures which were a part of this Northern Eurasian complex. With
the principles of animism/totemism and horizontal/vertical ontologies which underlie Northern
Eurasian worldviews in mind, let us now examine the historical and archaeological records of the
ancient cultures of the Pontic-Caspian Steppe with special attention to how scholars have
reconstructed and interpreted their religious traditions based upon their readings of the
archaeology of the steppe and ancient sources on barbarian traditions. From there we should be
better equipped to tackle the issues of “Greek shamanism” and “northern shamanism.” Hančar
(1952) finds that between the period of 700 and 100 BC, mythic animal motifs featured most
commonly in grave goods throughout the Eurasian Steppe from the Pazyryk sites of the Altai
region (where modern-day Russia, Mongolia, China, and Kazakhstan meet) westward throughout
the Pontic-Caspian Steppe region. Bruyako and Ostroverkhov (2004) note this continuum of
Eurasian styles in the pre-Scythian Pontic Steppe graves, and Malashev and Yablonsky pay close
attention to the occurrence of the “animal style” on Sarmatian male-warrior grave artifacts of the
southern Ural Mountains (2004:267). Among the fauna included in the “animal style,” the stag
occurs most commonly throughout Eurasia. Rice (1961:158) claims that the mythic stag is the
“most characteristic single motif in Scythian art.” Moreover, Rice associates the stag motif with
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Siberian traditions in which the stag represents the soul-vehicle that carries the deceased to the
netherworld. Loehr (1955) essentially comes to the same conclusion in which the Scythian stag
played a vital role in Scythian perspectives on the afterlife. We might be able to hypothesize
about the vertical ontology of Scythian groups in light of these artifacts. Soul-travel to the
underworld utilizes socially-prescribed soul-vehicles which manifest through the art of grave
goods.
In Thracian art from the same period the stag appears frequently on grave goods,
particularly ornate golden cups in the tombs of Thracian and Dacian individuals of higher social
status (Fol & Marazov 1977:73). Farkas (1981:44) identifies the recurrent theme of the eight-
legged stag on Thracian cups as indicative of both a style and mythology related to the Scythian
style, but also part of a distinctly Thracian tradition. The eight-legged characteristic may convey
a running motion, but it also could indicate supernatural power associated with the chthonic
underworld in Thracian ontology. One might even consider the Thracian stag analogous to
Sleipnir the eight-legged horse who carried Hermod into the depths of Hel to rescue the slain god
Baldur in Norse mythology. In any case, the occurrence of the stag as a central part of Pontic
funerary animal-ceremonialism suggests the stag held a sacred position in Thracian and Scythian
traditions associated with the realm of the dead. Furthermore, in light of Pedersen’s theories on
totemism and vertical socialization, the mythic stag likely occupied, within the worldview of the
ancient Pontic cultures, a discreet totemic category as soul-vehicle with which only a shaman-
figure could communicate. Additionally, we cannot deny that these artifacts, typically gold,
silver, or electrum, are uniformly part of a privileged segment of Pontic societies analogous to
Pedersen’s SNA hierarchical, vertically organized societies.
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Zoomorphic art which depicts animal-animal and human-animal affinities and
metamorphoses also occurs widely throughout Pontic art and has a deep cultural history
throughout Northern Eurasia among material assemblages and extant traditions associated with
shamanic activity. For example, Mundkur (1984) observes a “bicephalous,” or double-headed,
animal style among ceremonial artifacts throughout Northern Eurasia from the Late Stone Age
into the Scythian Iron Age. For Mundkur, the bicephalous animal style represents the
“primordial religious attitudes” of shamanism: “Shadowy though they may seem, the roots of
bicephalous art lie in the appeal of a few species selected as ‘assistants’ to the shaman and as
partners in the man-to-animal or animal-to-animal transformations that characterize the tribal
world of dualistic spirits” (p.474). Mundkur’s discourse ultimately takes the pan-shamanist
stance of Eliade in his interpretation of the evidence as primordial shamanism. Nevertheless, his
analysis highlights the widespread motif of animal transformations in the mythologies of
Northern Eurasian nomadic groups, and this motif is further demonstrable in the Pontic material
record as well. For instance, Hussman (1976:116) notes that among the Pazyryk tombs the
occurrence of antlered masks crafted for horses (ca. fifth century BC). Hussman interprets these
masks as a “horned lion-griffin” motif, but offers no further comment on its mythological
significance. Rice (1961:118) forwards one possible practical explanation of Scythian antlered
horse masks as an attempt to disguise the horses as reindeer for hunting. However, the masks are
probably too ornate for such a practical purpose, and their occurrence as grave goods (complete
with inhumed horses) might hint at an alternate interpretation. Given the interpretation of the
mythic stag as part of Pontic and Siberian ideas about death and the netherworld, the horse
masks might indicate ceremonial totemic transformations of horse-stag. Moreover, the
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transformed horse-stag may have functioned as the soul-vehicle in that the horse, buried with its
owner, carries the soul of the human to the underworld.
Horse sacrifice as a funerary custom occurred throughout the Pontic-Caspian Steppe, and
Herodotus reports such a custom in two separate instances. On the Caspian Massagetai,
Herodotus describes how this nomadic group sacrificed horses to their sun-god (Hdt. 1.216).
Similarly, he includes horse sacrifice as an integral part of the funerals of Scythian kings (4.71-
2). Childe (1970:38-9) claims the Scythian kurgan excavations verify the Herodotean accounts,
and he furthermore associates the Scythian custom with historical Mongolian traditions of horse
sacrifice. Heissig (1980:6) additionally describes the Mongol funerary custom of the suspension
of sacrificed horses from poles as a shamanic practice. Psarras (2003) notes in the historical
Chinese accounts of the Xiongnu and associated archaeological sites, horse sacrifice was also
customary among these nomads.
Another popular motif in Northern Eurasian artifacts is animal combat, which often
included mythical beasts such as the griffin. Farkas (1981:44) describes the scenes on the
Thracian Agighiol Cups (ca. fourth century BC), which depict not only the eight-legged stag but
also griffins attacking wild boars. The griffin motif, according to Hančar (1952), was also
widespread throughout steppe sites associated with the Scythians. Mallory and Mair (2000:42-3)
connect Herodotus’s account of the legendary one-eyed Arimaspians who eternally fought the
Griffins over their hordes of gold (Hdt. 4.27), with the Pazyryk Scythians of the Altai. Among
the Pazyryk finds, Mallory and Mair cite a textile fragment which depicts two griffins locked in
combat with one another. Hančar (1952) considers the animal combat motif the dominant style in
Pazyryk art (e.g., “panther on reindeer,” “griffon[sic] and tiger,” “eagle-griffon[sic] on argali,”
“tiger on a mountain sheep”). E. H. Minns (1913:2, 92) similarly reports images of griffins
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attacking fallow-deer on a silver amphora from the Čertomlyk Kurgan and on a gold bracelet
from Kul-Oba. Psarras (2003) makes similar observations of Xiongnu grave goods, albeit in a
strictly socio-political context of power and group-dominance. Additionally, Farkas (1981:37)
notes the frequent occurrence of more realistic birds of prey in Scythian art (ca. seventh century
BC) and Thracian art (ca. sixth-fifth centuries BC) with local, native variations in style.
However, Hančar (1952:192) also finds that Pontic Scythian art diverged from that of
their Pazyryk relatives with the emergence of human characterizations as the dominant style by
the late fourth and early third centuries. Reportedly, the Pontic “human form can have the shape
of the great female goddess, the male monster-killing hero, or of the Scythian prince elevated by
the deity through the potion which brings about the mystical union” (1952:192). As we will
discuss later in this chapter, this shift in style likely resulted from a gradual influence of Hellenic
mystery traditions in the Pontic. We also see the idea of the mystical potion, the kykeon in Greek,
which was a part of the mystery rites of numerous Hellenic cults, here a part of northern
barbarian tradition. It may very well simply be the scholar’s interpretation, but it could also
indicate a degree of cultural exchange. Herodotus, writing in the fifth century, reports the
Scythian pantheon and his interpretation of Hellenic analogues as Tabiti (Hestia), Papaios
(Zeus), Api (Gaia), Oitosyros (Apollo), Argimpasa (Aphrodite Urana), and Thagimasidas
(Poseidon), with the addition of hero cults devoted to Herakles and Ares (Hdt. 4.59). Psarras
connects Herodotus’s description of the Scythians’ custom of venerating a sword to the god of
war with similar Xiongnu veneration of sacrificial knives (2003:129-32), and similar legends
surrounded Attila the Hun. Hančar notes that the “youngest” Scythian kurgans on the Dnieper
and Kuban rivers show the ancestor worship of a totemic Targitaos, whom Herodotus identifies
mythographically as Herakles, as the progenitor of the Scythian people (Hdt. 4.5-10).
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Hančar supposes that a cultural shift in ideology among the Pontic Scythians in contrast
to their Siberian relatives coincided with increased social complexity on the steppe. Whereas,
according to Hančar, the Pontic Scythians apparently grew into a system of “monarchy,” the
Pazyryk graves demonstrate a societal structure in which an elevated shaman-figure holds
leadership with a warrior class of “knights” beneath the shaman. Furthermore, Hančar recalls
certain myths of the “Buryats [Buriats]…Jenissei Ketes [Yenesei Kets] and of the Jakutes
[Yakuts] who believe the deified shaman to be the ancestor, cultural hero, commander-in-chief,
and mighty protector of the tribe” (pp.193-4). The Mongols venerate Genghis Khan in a similar
fashion to this day.
Among the Thracians, Herodotus identifies the worship of Ares, Dionysus, and Artemis
(Hdt. 5.7). As with the Scythians, Herodotus interprets indigenous deities in Hellenic terms.
However, when we inspect the Thracian archaeological record we find a great number of
artifacts which commonly depict a horse-riding hero-deity and a mother or lady goddess. Fol and
Marazov (1977:17) report, for example, the Hero, potentially Herodotus’s Thracian Ares,
appears on roughly three thousand Thracian artifacts with astounding consistency. Consequently,
Fol and Marazov deduce that the Hero represented a universal deity shared between the
multitude of Thracian and Dacian tribes with only slight variations, typically localized names.
Moreover, the Hero is often depicted in combat with a dragon, which Fol and Marazov connect
to Indo-Iranian myths of Hero-deities such as Mitra and Indra. We will return to Artemis in her
Hellenic context below, but the mother or lady goddess motif in Thracian art likely inspired
Herodotus’s interpretation of the Thracian Artemis, whose domains are associated with animals,
motherhood, and the hunt. The goddess with her animals is a common motif in the Eurasian
archaeological record among the nomadic groups (Psarras 2003). As for Dionysus, one might
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wonder if the tradition diffused into Thrace from Greece as an introduced cult. Then again, the
Thracians, as well as the Scythians, were known in Ancient Greece for their love of alcohol. The
Scythians however despised the Dionysian cult, so the Thracian Dionysus is still open to
interpretation.
The Hero-God, on the other hand, may also reflect the belief in a Sky-God common
throughout Eurasian Steppe cultures, especially stratified tribal societies. Heissig (1980:10)
claims that the Sky-God, or “all ruling Eternal Sky,” is one of the most widespread shamanic
deities in Eurasia, evident in traditions such as the Turco-Mongol ancestor-god Tengri. The
Scythian Papaios likely fits the bill for their Sky-God, as might the Thracian Hero. For instance,
Fol and Marazov (1977:19, 36) interpret the Herodotean account of Salmoxis, god of the
Thracian Getae tribe, as a form of Sky-God worship. Specifically, the authors note the reverence
the Getae have for thunderstorms as manifestations of their deity. We will return to Salmoxis
below, as Lateiner (1990:243) considers Herodotus’s report on this Thracian tradition “a travesty
of Asiatic shamanism.”
To return to the issue of social complexity and shamanism which Hančar raises, the
Pontic cultures by at least the fifth century BC diverged from the animistic traditions of Siberia
with an elevated degree of social stratification. Hančar describes this trend in terms of a scheme
of cultural evolution, a model typical of anthropological theory in the mid-twentieth century in
the works of figures like Julian H. Steward and Marshall D. Sahlins. Most of the Pontic grave
goods, as mentioned above, are artisan-crafted items of gold, silver, and electrum. This indicates
the high status of the inhumed and perhaps expanded political and economic cohesion between
related nomadic tribes, a historical trend which the Sarmatians, Huns, Turks, and Mongols
echoed after the Scythians (see Saunders 1971). However, I posit that it also indicates that Greek
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colonial activity in the Pontic impacted the cultural direction of the indigenous Pontic peoples,
not to mention the factor of Persian imperialism in the sixth and fifth centuries BC. Keep in mind
that the frontiers between sedentary and nomadic groups are volatile and places of cultural
exchange and shifting political alliances. Finely crafted goods made their way into the steppe in
the form of rewards for loyalty to urban centers but also as loot from raiding and conquest.
Although the emphasis on male warrior-deities in Thracian or Scythian cultures tells us little if
anything about their gender roles and kinship patterns, the overwhelming emphasis on a male
warrior class in the Pontic mortuary assemblages likely reflects Pedersen’s observations of SNA
vertical, totemist societies. Nonetheless, like the Halx Mongols, as well as the Buriats and
Altays, the Thracians and Scythians maintained religious traditions akin to, if not directly related
to, shamanic, totemic traditions, albeit in ways in which the shaman was elevated to a holy
“chief” status and even deified as a venerated ancestor-hero.
The Thracian deity Salmoxis might validate this claim. Salmoxis (also spelled
“Zalmoxis” and “Zamolxis” in some translations) first appears in Herodotus’s Histories as a
wily, barbaric charlatan who, after receiving his enlightenment from his Greek master (although
Herodotus explicitly doubts this part of the story), Pythagoras, manages to fool his tribesmen into
believing he was a god:
This Salmoxis I hear from the Hellenes who dwell about the Hellespont and the Pontus,
was a man, and he became a slave in Samos, and was in fact a slave of Pythagoras the
son of Mnesarchos. Then having become free he gained great wealth, and afterwards
returned to his own land. Since the Thracians are both primitive and rather simple-
minded, this Salmoxis, being acquainted with the Ionian way of living and with manners
more complex than the Thracians were used to see, and since he had associated with
Hellenes (not only that but with Pythagoras, not the least able philosopher of the
Hellenes), he prepared a banqueting-hall, where he was received and feasted the chief
men of the tribe and instructed them meanwhile that neither he himself nor his guests nor
their descendants in succession after them would die. They would come to a place where
they would live forever and have all things good. While he was doing and saying these
things, he was making for himself meanwhile a chamber under the ground; and when this
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chamber was finished, he disappeared from among the Thracians and went down into the
underground chamber, where he continued to live for three years. They grieved for his
loss and mourned him as dead. Then in the fourth year he appeared to the Thracians, and
in this way the things which Salmoxis said became credible to them. Thus they say that
he did. As to this matter and the chamber underground, I neither disbelieve it nor do I
very strongly believe, but I think that Salmoxis lived many years before Pythagoras.
However, whether there ever lived a man Salmoxis, or whether he is simply a native
deity of the Getai, farewell to him now (Hdt. 4.95-6).
Carpenter (1946:112-32) forwards the idea that the Salmoxis narrative is actually a Hellenic
misunderstanding of northern bear-myths and that the Salmoxian religion was actually an
instance of an indigenous bear cult.
For Carpenter, Salmoxis’s descent into the underground chamber and his emergence as a
deified hero parallels death/resurrection and hibernation myths found throughout the northern
hemisphere in which the “bear, who sleeps as though dead, belongs among the dead and thereby
becomes one of the lords of the underworld” (pp.128-9). As interesting an interpretation as it
may be, Carpenter really only casually lists references to A. I. Hallowell’s Bear Ceremonialism
in the Northern Hemisphere (1926) and James Frazer’s Golden Bough (1926) with no further
inquiry into their analyses. Moreover, like Frazer, Carpenter’s perspective on “primitive
ceremonials” assumes too widely universal a stance. Nevertheless, Carpenter raises an impetuous
question concerning the reanalysis of Salmoxis in terms of the chthonic symbolism of
underworld travel and death/rebirth, which has been noted in bear cults (see Germonpré and
Hämäläinen 2007). That being said, no further proof exists that Salmoxis was a mythic, totemic
bear-deity.
Carpenter’s interpretation did, however, inspire the revision of Salmoxis as a shaman
archetype. Dodds (1951:140-4) considers Salmoxis a “heroised shaman of the distant past,” and
he provides similar interpretations of two other legendary barbarians of Greek lore whom we will
discuss belowAbaris and Orpheus. The idea of Salmoxis as a Thracian shaman also intrigued
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the primitivist populizer of shamanism, Mircea Eliade. In 1972 Eliade challenged Dodd’s
interpretation of Salmoxis as an Asiatic shaman, but he did support the idea that the Salmoxis
cult was in fact typical for the religious traditions of most of the ancient Thracian tribes and their
nearby relatives including the Dacians. Salmoxis reemerged in 1990, championed by Donald
Lateiner as a northern shaman whom the Pontic Greeks misunderstood as a sham of a “savage
messiah” (p.245). Lateiner eschews Herodotus’s doubts and instead highlights the Thracian’s
shamanic attributes: “the long sleep, often the mimicry of an underworld journey; occultation or
sudden disappearance and reappearance, usually the shaman’s novitiate; the uncertainty of status
as mortal or immortal being; the attempt to reestablish communication with the spirit world; the
description of an everlasting life of bliss” (pp.243-4). This laundry-list of attributes, which are
indeed common to Eurasian shamanic traditions, especially the chthonic underworld motif, do a
fine job placing Salmoxis in a shamanic light. However, the Herodotean Salmoxis lacks the
spiritual connection to or mastery over the animal-spirit world (or simply, the natural world)
necessary to Northern Eurasian shamanism. One might assume Herodotus, preoccupied with
presenting the tale in Pythagorean terms, simply ignored things the modern observer might
consider totemic or shamanic. For all we know, the Salmoxis narrative might have been
culturally bound-up with the widespread Thracian traditions of the Hero-God and the chthonic,
mythic stag. Furthermore, Herodotus may simply have been using a report of a native Thracian
tradition as a tongue-in-cheek satire of Pythagoras, whom we will also cover towards the end of
this chapter. Nevertheless, Salmoxis the shaman remains mysteriously conjectural despite
Lateiner’s certainty that Herodotus accidentally preserved “genuine characteristics of Dacian and
Scythian religion.”
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Herodotus’s report on Salmoxis does tell us something of the exchange or transmission of
ideas and religious traditions across the Greek-Pontic frontier, namely that the traditions of the
northern barbarians had a profound influence on the development of Greek mystery cults.
However, the cultural-borrowing, as will be demonstrated, was rather lop-sided. The Scythians in
particular remained culturally conservative in the face of Greek colonialism and rejected most
Greek religion with zeal. The only potential exceptions are the hero cults of Herakles, Ares, and
Achilles, each of which, as discussed above, may simply have been an adaptation or Hellenic
misinterpretation of indigenous Pontic totemic-ancestor traditions.
The cross-diffusion of religious traditions across the Pontic frontier between nomad and
polis met resistance on the part of the barbarians. Braund (2007:47-52) describes a situation of
rising “religious polemics” between native Scythians and Greek colonists in the colony of Olbia
between the seventh and second centuries BC. In one case, a Greek priest of Apollo wrote of
“hunters of horses” who desecrated the Olbian altars to Apollo. The phraseology of “horse-
hunters,” of course, implies a derogatory slight towards the nomadic Scythians in Hellenic Greek
vernacular. Though the causes for this raid are unclear, given that Olbia was the cultural and
economic hub of the Greek colonies where countless marginalized barbarians were sold into
slavery to the Greeks by their rulers and shipped south the Mediterranean world, the incident is
hardly surprising. Ironically, Apollo was a deity whom the Greek mystics associated with the
“noble” barbarism of the fanciful Hyperboreans (see below).
Two short narratives in Herodotus further highlight Scythian attitudes towards Greek
culture, particularly religionthe stories of Anacharsis and Scyles. Anacharsis, according to
Herodotus, was a Scythian sage who became immersed in Greek life (Hdt. 4.76-7). He learned to
practice Greek religion, and when he brought those rites back to his people, King Saulios of the
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Scythians personally shot and killed Anacharsis with an arrow. Herodotus wraps up this lesson
about Scythian aversion of foreign religions with the claim that Scythians deny knowing the sage
altogether because he abandoned the old ways. Simply put, Anacharsis adopted the traditions of
the colonialists in lieu of his ancestral religion. Braund views this story as conveying “a sense of
the uneasy interaction of Olbiopolitans and their Scythian pastoralist neighbors.”
Like Anacharsis, the story of Scyles highlights this theme of Scythian conservatism and
antipathy towards Greek religion, and Herodotus even remarks that Scyles “suffered nearly the
same fate” as Anacharsis (Hdt. 4.78). As the story goes, Scyles was the son of the Scythian King
Ariapeithes and an Istrian woman. When Scyles became king after his father, “he was by no
means satisfied with the Scythian manner of life, but was much more inclined towards Hellenic
ways because of his training.” Thus Scyles would frequently travel to Olbia, leave his men
outside the city-walls, and change into Greek attire once he was inside and out of his men’s
sight. During his month-long stay in Olbia, Scyles would participate in Hellenic customs,
especially religious customs. At some point he apparently decided to join the Cult of Bacchus-
Dionysos, and according to Herodotus this was his fated downfall (Hdt. 4.79).
The Scythians, Herodotus says, had been disgusted with the Cult because they did not
approve of a god who drove men to frenzy. During the initiation rite, some of Scyles’s men
sneaked inside with the help of a local citizen, saw their king in a Bacchic fury, and, dismayed,
informed the rest of their compatriots outside of Scyles’s abominations that they witnessed. The
Scythians then conspired against their king, put his brother on the throne, and exiled Scyles to
Thrace (Hdt. 4.80). Eventually, Scyles’s brother, the new king, received Scyles as a prisoner
from the Thracians and subsequently had him beheaded. As a conclusion to these two morality
tales, Herodotus states: “Thus do the Scythians carefully guard their own customary observances,
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and such are the penalties which they inflict upon those who acquire foreign customs beside their
own.” The stories might cause us to wonder how many other such instances of religious polemics
occurred on the Greco-Pontic frontier.
Finally, Herodotus discusses at length the ethnogenesis of the Scythians through two
myths, one native and one colonial Hellenic, as well as one historical anecdote. The first, the
native Scythian myth of their origin (Hdt. 4.5-7), describes their descent from a hero named
Targitaos, the son of Zeus (Papaios) and the daughter of the River Borysthenes (Dnieper). In this
story, Targitaos begat three sons to an unspecified womanLipoxaïs, Arpoxaïs, and Colaxaïs.
Four golden items descended from heaven to these brothersa plough, a yoke, a battle-axe, and
a cup. The elder brothers approached the items to seize them, but the items repelled them with
blazing fire. The youngest brother, Colaxaïs, alone was able to seize the powerful golden items
and thus acquired his kingship. Following Lévi-Strauss’ (1967) and Burridge’s (1967) discussion
of the structural study of myth, we might identify various aspects of Scythian steppe ontology in
this myth. First, the union of Zeus=Daughter of Borysthenes lays out a vertical axis of Sky-
Father/Chthonic-Mother, where the river (i.e., water) signifies life springing from the earth.
Second, the golden items from above descend along that same axis from heaven to earth. Thus,
we might hypothesize that the Scythians understood life as coming from the earth and river but
royal power from above.
Herodotus, in the same passage, describes an annual cultic festival in which the Scythians
sacrifice to the golden relics which might have reiterated, through myth and ritual, Scythian
verticalized social order. Was this how the Royal Scythians dictated tribal or clan social (perhaps
totemic) roles for subservient groups? As Herodotus describes a number of agrarian and semi-
nomadic tribes associated with the Scythians (4.17-20), might the plough and yoke have justified
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the establishment of submissive provider groups for the Royal Scythians to whom the battle-axe
and drinking-vessel represent power? Such a juxtaposition of socio-economic roles, as the
previous chapter discussed, is historically typical to large pastoralist societies.
The colonial Hellenic myth of the Scythian ethnogenesis bears some semblance to the
native myth but also demonstrates how the Greek colonists incorporated Anatolian and
Mesopotamian mythology into their understanding of barbarism (Hdt. 4.8-10). This second myth
traces the origin of the Scythians to the union of a snake-goddess with a hero-god, whom
Herodotus interprets as Herakles:
Thence Herakles came to the land now called Scythia; and as a storm came upon him
together with icy cold, he drew over him his lion’s skin and went to sleep. Meanwhile the
mares harnessed in his chariot disappeared by miraculous chance, as they were feeding.
Then when Herakles woke he sought for them; and having gone over the whole land, and
at last he came to the region which is called Hylaia; and there he found in a cave a kind of
twofold creature formed by the union of a maiden and a serpent, whose upper parts from
the buttocks upwards were those of a woman, but her lower parts were those of a snake.
Having seen her and marveled at her, he asked her then whether she had seen any
straying anywhere; and she said that she had them herself and would not give them up
until he lay with her.
In the end, the snake-woman bears three sons to HeraklesAgarthyrsos, Gelonos, and
Skythesand in exchange for his horses, Herakles offers his bow, his belt, and his drinking-cup
which hangs on his belt as heirlooms for whichever of his sons is strong enough to pull his bow.
As with the native myth, the youngest sonhere Skythesout-performs his older brothers and
earns royal power over them.
Both the native and the colonial myths describe a verticalized order to Scythian society
with a genealogical origin in the union of a Sky-Father and Chthonic-Mother. In the native myth,
Zeus begat the hero, Targitaos, by the daughter of the River-Mother, as rivers symbolize the
chthonic forces of fertility and the Dnieper River (which the Greeks called Borysthenes) was
situated in the Scythian heartland. In the colonial myth, the son of Zeus is Herakles, the famous
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Greek hero, rather than Scythian Targitaos. Moreover, whereas the native myth provides no
known wife for the son of the Sky-Father, the colonial myth focuses on the hero’s union with
another chthonic force of fertility, the half-snake, half-woman who dwells in the cave, symbolic
of the netherworld and the womb of the earth. Structurally, both myths trace Scythian origin to
the verticalized union of masculine-sky and feminine-earth, and both myths describe a
justification for the stratification of Scythian society. One might also note in each myth the roles
of a wandering father (or grandfather) juxtaposed with a localized mother (or grandmother),
which might offer a small sherd of evidence for a native tradition of matrilocality. However,
each myth assigns different cultural meaning to the observable social axis of these ancient
barbarians, and as both myths agree on patrilineal inheritance, the meaning revolves around the
order of Scythian society as both observed by Greeks and ritualized by Scythians.
The native myth, as Herodotus has reported it, utilizes the symbols of royal power given
to the “Son of Heaven,” a title which is historically attestable throughout Northern Eurasian
nomadic empires, and associated strata of submission to royal nomadic power. From the royal
nomadic perspective, the agrarian world (i.e., the descendants of the mythic older brothers) is
subservient to the ruling warrior class (i.e., the descendants of the youngest brother), and the
golden relics symbolized this vertical axis in Scythian culture. From the colonial perspective, the
ruling Scythians are the barbarians par excellence, symbolized in Skythes’s bow and his
drinking-vessel hung from his belt, accoutrements typical to both Hellenic artistic renditions of
Pontic barbarians and Scythian artistic self-depiction. The other brothers, Gelonos and
Agarthyrsos, are likewise, linked in name to two other Pontic groups submissive to the Royal
Scythiansthe Agarthyrsians and the Gelonians, the latter of whom Herodotus describes
explicitly as tillers of the soil (Hdt. 4.104,108 respectively). Whereas the colonists viewed the
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Royal Scythians as barbaric archetypes, the myth made sense of the observable fact that groups
with atypical economies or mixed Hellenic and Thracian customs were subservient to Scythian
power. Thus the colonial myth illustrates popular Hellenic discussions and beliefs about barbaric
social order on their northern colonial frontier, and Herodotus’s attempt to ethnographically map
and correct said discussion.
The colonial myth also injects other non-Greek (i.e., barbarian), yet non-Scythian mythic
material into their understanding of the multitudinous tribes of the Pontic-Caspian Steppe. The
snake-woman, typically an ancient Mediterranean-Near Eastern figure, has been the subject of
erroneous discussions of Greek Shamanism. Very early on, Karl Meuli (1935:127-30) considered
the snake-goddess story a motif of Asiatic shamanism, especially the human-animal
transformation. However, Meuli also reads into the passage aspects of ambiguous gender as
further proof of shamanism, despite the fact that nothing in the story suggests anything of that
sort, whereas human-animal liminality might (i.e., human/snake). Psarras notes the Scythian
goddess Api appears in the archaeological records as a woman flanked by two serpents, similar
to motifs of goddesses surrounded by animals across Eurasia (2003:110). Although Herodotus
does describe the Scythian goddess, Api, as analogous to the Earth-Mother, Gaia, the artifact
Psarras refers to (a fourth century BC gold plaque from Kul-Oba) actually appears later in the
Scythian archaeological record, well after colonial contact, and might well indicate cultural
transmission from the Hellenic world rather than native mythology. Hančar (1952) also finds that
the Hero-God/Snake-Goddess motif actually appears quite late in Pontic Scythian archaeology
and in conjunction with increased social complexity.
Despite this fact, Ustinova (2005) favors the interpretation of the snake-goddess story as
shamanic mythology, which she claims was part of a widespread motif of snake-limbed and
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tendril-limbed goddesses throughout the southern Pontic, namely Anatolia. Although the
Anatolian archaeological record does show a deep tradition of snake-goddess worship with
plausible connections to the city-state cults of Mesopotamia, the connection Ustinova draws with
Scythian Api-worship is much weaker. These goddesses, she asserts, were part of a pre-Indo-
European mother-goddess mythology, echoing Marija Gimbutas’s hypothesis. The scheme of
history (or prehistory) which she uses, however, relies upon evolutionary conjecture and an
imagined tradition of primordial shamanism. For the Scythians, the daughter of the river-goddess
was the chthonic progenitor deity, but the Greek analogue of the echidna, the snake-woman, was
rather a transmission of Hellenic tradition into the Pontic. Ustinova seems to have forgotten that
Herodotus lists the snake-woman myth as a colonial Hellenic myth of Scythian ethnogenesis
which differs from the native myth. Might the motif have emerged as an adaptation of Greek and
Pontic mythologies within a colonial context? The hero-god paired in mythic dialectic with the
chthonic serpent appears in other Hellenic traditions as well. The cultic traditions which surround
Apollo, especially in his defeat of the Python in the cave at Delphi, utilize similar mythic
structures overlaid with cultic meaning central to Hellenic mysticism.
The Mystery Cults: Survivals of the Greeks’ Shamanic Past or Invented Tradition?
Thus far we have examined the issue of “northern shamanism” in the historical and
archaeological records of indigenous Pontic cultures. Many aspects of the religious traditions of
the Pontic peoples, particularly the Scythians and Thracians, could be described as forms or
variants of shamanism, or perhaps traditions ancestral to more recent Siberian shamanism,
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especially given the relationship between Eurasian Steppe cultures and the cultures of Northern
Asia. More importantly, however, the barbarian religions of the ancient Pontic-Caspian Steppe
signified for the Ancient Greeks something akin to the concept of shamanism in the modern,
global sensesymbolic of a primordial, perhaps mythic, past. One can find this connection in
the process through which the Hellenic mystery religions developed and in the significance that
barbarian culture and specifically spirituality held in the mysteries, or at least how the Ancient
Greeks understood those foreign cultures.
A number of scholars (Dodds 1951; LaBarre 1970; Ruck 1986; Littleton 1986; Ustinova
2009) have attempted to extend the category of shamanism to Ancient Greece with most of the
attention focused on mystery religion and a near unhealthy obsession with Altered States of
Consciousness (ASC) and ritual intoxication as means of obtaining mystical, chthonic
knowledge. ASC and ritual intoxication did in fact typify many of the rites of the Greek mystery
religions. However, although Greek religion in general contained some mythic elements of their
Indo-European heritage shared with Celtic, Germanic, Latin, Indo-Iranian groups and others, as
well as elements of Mediterranean and Near Eastern religions, these Hellenic mystery traditions
were not relics of the Greeks’ nomadic Proto-Indo-European past and “primordial shamanism,”
but rather invented traditions built upon the dichotomies of Greek/barbarian and cultivated/wild.
They were, in fact, products of the sedentary, agrarian city-state cultures of the Ancient
Mediterranean and Near Eastern worlds.
Invented traditions often give the illusion of antiquity while obscuring their contemporary
origins in the politics of power and control over narratives. In other words, the mystery cults in
many ways imitated Pontic traditions of “northern shamanism” but reconstructed those traditions
within the context of the Hellenic pantheon and priestly, social hierarchies. The mystery cults
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claimed a heritage which stretched back to the Golden Age of Greek mythic ontology, an age
which supposedly still existed at the time geographically at the edges of the world among the
Hyperboreans. The ideological system in which the cultic imitation occurred thrived upon and
perpetuated the mythic Hyperborean motif in which barbarians were a source of untainted
Golden Age wisdom. Thus the more proximal Thracians and Scythians became the ignorant
purveyors of Hyperborean tradition for “enlightened” Hellenes initiated into certain cults.
Finally, this system of exploitation might also account in part for the cultural antagonism
between Pontic barbarians and Greeks, such as between the Hellenic cults in Olbia and the
Scythians, despite the supposed similarities between “Greek shamanism” and “northern
shamanism.” Thus the Greek mystery religions are full of paradoxes which reflect Hellenic
idealizing of barbarian noble savages off afar but also chauvinism towards those illiterate and
ignorant savages at hand.
What exactly is a mystery religion? The Hellenic μυστήριον, mysterion, refers to secret
or hidden knowledge, that which is shut, from the Greek μυέω, mueó, to compress the lips,
which is revealed only to the initated, μύστης, mystos. The Greek mysteries were religious
orders, cults which developed hierarchies of knowledge about the deep secrets of Greek
mythology and the relationships between Hellenic civilization and the world of gods and beasts
(See Appendix A, Figure 5). Admittedly, much about the mysteries, aside from their central role
in public religious ceremonies, is unknown today due to their secrecy. What we can glean from
various ancient sources demonstrates the various mystery cults utilized ASC, usually through
ritual intoxication, and layers of primitivist Hyperborean ideology in their interpretations of the
Greek mythos. The cults had varying degrees of initiation, rank, revealed knowledge, and
associated social power. Although mystery cults existed and exist cross-culturally, from Ancient
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Egypt and Sumeria to modern Masonic Lodges, Greek mystery religion in particular emerged
with a special relationship with the Greek/barbarian ideology. Here we will examine a few
notable cults.
Orphism
Our first case in point, the Cult of Orpheus, also known as the Orphics and Orphism,
exemplifies Hellenic invented tradition as a product of Greco-Thracian interrelations. The Orphic
mystery tradition first appears in Herodotus (2.81) as bearing resemblance to Pythagoreanism
and Egyptian religion, and we also read of the Orphics in Plato (Symposium 179d) and in
Apollodorus (1.3.2). The structure of the Orphic mythological traditions generally relates a story
of the death of the wife of the Thracian character Orpheus, who subsequently descends into the
underworld in pursuit of his wife. Orphism, the cultic tradition constructed around this myth,
involved beliefs in the transmigration of souls and reincarnation, descent/ascension cycles, as
well as ritual soul-travel and communication with the chthonic underworld. Although Platonism
bears some parallels to Orphism, most markedly in Plato’s Myth of Er in the Republic, Plato
criticizes the Orphic tradition, as well as the related Musaeics, concerning their belief in “eternal
drunkenness” as a virtuous reward for the initiated upon their arrival in Hades (Rep. 2.363a-
365b).
M. L. West (1982:5, 144-5; 1998:26) connects Orphism to the “northern shamanism” of
Thrace and Scythia and also finds that the Orphic cult had a strong presence in Olbian Greek
culture from the mid-sixth century BC onward. Similarly, Fol and Marazov (1977:59) note that
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both “Orpheus and Zalmoxis had a pronounced chthonian character,” that is, mythic and ritual
connections to the spiritual underworld. However, Orpheus and Orphism, though associated
symbolically with Thrace, do not seem to have originated there or to have been practiced by
native Thracians. Rather, the Orphics likely emerged among Greek colonists and explorers in
imitation of Thracian traditions, like Salmoxism, hence the chthonic parallels. Given that the
Greeks identified Orpheus as a Thracian barbarian born to a Thracian king (Skinner 2012:84),
the Orphic mystery religion likely developed as a Hellenic invented tradition and reinterpretation
of barbarian beliefs and customs likely unrelated to the Hellenic character of Orpheus. As such,
Orpheus is the archetypal noble savage of Hyperborean stature whose path to chthonic wisdom is
ritually emulated by the cultic initiates. Nevertheless, Orphism is a product of Hellenic cultural
imperialism. As the Thracians loved excessive drinking, including in the context of funerary
ritual (Hdt. 5.8), and held beliefs about underworld soul-travel and the afterlife in the examples
of the mythic stag and Salmoxism, so did the Orphic mysteries arise as a Hellenic culturally-
alternative way to exercise and utilize otherwise barbaric ritual and wisdom.
Cult of Dionysus
Like Orphism, the Dionysian mystery religion also exhibits characteristics of traditions
constructed upon the Hellenic noble savage barbarian template. Although the figure of Dionysus
appeared early in Greek history in the Mycenean Linear-B tablets from the isle of Pylos, the
Dionysian mystery cult did not develop until the period of Greek-Pontic colonialism in the Late
Archaic. As a mystery religion, the Cult of Dionysus typically involved ritual intoxication,
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animal handling and sacrifice, and beliefs about reconnecting the civilized human soul with the
primitive world of beasts and the chthonic underworld. Centuries later, in the Roman period,
Plutarch, himself an initiate in the Cult of Apollo, reported that the wife of Philip of Macedonia
was known for her wild, divinely inspired participations in the orgiastic rites of the Dionysian
religion in addition to the ritual use of snakes (Plut. Alex. 2). As such, the cult operated on the
same noble savage premise as the Orphic mysteries with the added flair of primitivist ideology.
Like Rousseau’s imagining of himself as an ancient Greek or Roman while reading Plutarch
(Lowenthal 1985:374), or like Lewis Henry Morgan’s “Iroquoian” fraternity (Deloria 1998:218),
the Dionysian cult likely emerged as a sentimental reenactment of an invented Hellenic past in
noble barbarism. Rousseau and Morgan held Romantic notions about the distant past of human
history, and as such they incorporated those views into the construction of their own ideologies.
Likewise, the Dionysian cult may very well have originated as a Hellenic emulation of observed
Thracian and Scythian funerary customs. If so, this may explain the Scythian abhorrence of the
Dionysians in Herodotus’s story of Scyles as a colonialistic profanation of their native customs.
Within Hellenic culture, Dionysus was associated with the tragic dramas in that,
thematically, the tragedies evoke the dialectic of what Carl A. P. Ruck calls the “Wild and the
Cultivated.” Beyond mere drunken revelry and entertainment, the tragedies celebrated a
reconciliation between agrarian-viticultural (i.e., grain and grape agriculture) Greek civilization
and a constructed Jungian shadow of what the Hellenes believed represented their primordial
past. Hence Dionysus represents, in Ruck’s model, the paradox of Greek culture as
cultivated/wild, the synthesis of the polis-civilization in the present and the primitive otherness
of the past bound up in one cultic-mythic tradition of Greek selfness struggling and overcoming
the shadow of primitive otherness. Drama itself becomes a mystery ritual in which the daemon
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Dionysus, “in this celebration of his evolution to culture, transports and reunites his people with
primordial times of the Golden Age” (Ruck 1986:222). For example, Euripides’s Bacchai (Eu.
Bacc. 677-747) depicts the maenads, female initiates in the Dionysian mysteries, as entering a
drunken frenzy in the wilderness and engaging in cattle raids like a pack of wolves. The drama
here might have represented to the Greeks the reconciliation of the Wild (i.e., hunter society)
with the Cultivated (i.e., sedentary society) through the reenactment of mythic conflict.
To draw an example from Ruck, Dionysus himself was a deity of dialectical dualism in
that he was lord of both the Cultivated grape and the Wild ivy, which the Greeks believed was
the primordial form of the grape vine. In this system of belief, the primordial form is the more
intoxicating but also the more dangerous form from which the cultivated form was believed to
have “evolved.” Additionally, Ruck (1986:185) notes that the “fermented juice of the cultivated
grape, as well as the pre-viticultural magical plants, induces a kind of spiritual communion with
deity.” Ruck’s “magical plants,” which included wild ivy, flowers such as opium, and fungi such
as amanita mushrooms and LSD-producing ergot mold, all inhabit the space of Wild intoxicants
which are reconciled to Hellenic civilization via the Cultivated processes of fermentation in
wine-making and bread-baking. Moreover, Ruck understands these Dionysian domains as
underlined by the chthonic themes of death (e.g., rotting, decay associated with mold, and the
“tomb” of the wine cellar) and resurrection with the spring planting and the opening of new
wine.
Despite Ruck’s rather colorful and creative analysis of the Dionysian mysteries as
celebrations of the “primitive” and “civilized” elements and paradoxes in Hellenic culture, he
takes the mystery religions too seriously and tries in earnest, like his associate V. G. Wasson
with the Vedic traditions of the Ancient Aryans, to historicize the Greek mystery traditions as
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cultural relics of “primordial shamanism.” The Cultivated/Wild dichotomy stands as an
explanation of Dionysian symbolism and some of the Hellenic beliefs from the time period, but
the tradition is, like Orphism, built upon the noble savage premise. The Wild of the Dionysians
was not historically primordial, nor is it evidence of the survival of any sort of Proto-Indo-
European “shamanism” ancestral to both Vedic and Hellenic traditions. Rather, the cult was the
Hellenic delight in aspects of barbarian cultures they believed were virtuous or necessary to
celebrate as part of their own worldview. The Dionysian mysteries, in essence, were reflections
of the barbarian as Hyperborean and as a source of natural wisdom to be coupled with the
sedentary wisdom of cultivated discussion in symposium or out in the agora. Alternatively, the
Dionysian mysteries could also have represented a celebration of both the divine and bestial
dimensions of barbarism in a dramatic and ritualistic recapturing of the Hesiodic Ages of Man
from Hyperborean Golden Age to the cultivated Iron Age. In other words, the Dionysian rituals
attempted to recapture the primitive state of virtue and reconcile it with the Greek age of
colonialism. Nevertheless, the initiates of the cult were doing nothing more than playing at being
barbarians. Small wonder the Scythians hated the Dionysians.
The Cult of Artemis, Mother Goddess
Though the shamanizers and revisionists give less attention to the Cult of Artemis than to
other cults, this Late-Archaic/Early-Classical mystery tradition exhibits some astounding
evidence of Greek-Pontic cultural transmission, or more accurately, appropriation. Pausanias
(second century AD) relates a Spartan account of a temple dedicated to a “Savior Maid,” which
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they claim had been founded by either Orpheus the Thracian or Abaris the Hyperborean
(Description of Greece 3.13.2). The ambiguous identity of the goddess of this cult may refer to
either Artemis or Kore-Persephone. Nonetheless, the Spartan attribution of a cult of the “Savior
Maid” to two legendary northern barbarians might indicate the incorporation of native Pontic
religion into the construction of Greek mystery tradition. After all, archaeology reveals the great
importance the Thracian and Dacian cultures gave “Mother” and “Lady” goddesses alongside the
Hero-god archetype (Fol & Marazov 1977; Farkas 1981). Goddess cults with similar
iconographical motifs of matron power occurred throughout the ancient Eastern Mediterranean
and Near East with associated mystery cults and mythologies, such as Ishtar, Isis, Ianna, Astarte,
and others, with potentially widespread prehistoric antecedents.
Feminist scholars such as Marija Gimbutas attribute goddess-cults to a supposedly pre-
patriarchal period of matriarchy in primitive human culture, at the center of which was the
worship of a Mother Goddess (Gimbutas 1974; Bevan 1987; Ustinova 2005; Rountree 2007).
Artemis-Demeter, according to such scholars, is a culturally-specific representation of a
universal earth-mother-goddess ideology which stretches back to at least the Upper Paleolithic
with the Venus of Willendorf. Mother Goddess worship was in fact an important facet of ancient
European societies, and even the Roman historian Tacitus notes the immense cultic reverence the
ancient Germans had for the Earth Mother (Tac. Ger. 40, 45). Although the archaeological
discussion of “Mother” artifacts is beyond the scope of this paper, and the sweeping
amalgamation of goddess mythologies into one essential category rivals the efforts of Sir James
Frazer, a strong link exists between modern feminist mythologizing of a matriarchal past and the
Ancient Greek mythologizing of the barbarian. Some of it is based on hard, empirical evidence,
whereas the rest is the product of fanciful ideology. If anything, like the Amazons in Hellenic
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consciousness, Mother Goddess cults like Artemis-Demeter represent the primitive otherness of
womanhood regulated within a cultic social space in the masculine Hellenic mind. Recall the
discussion of barbarian women in the previous chapter. Amazonian motifs become realized in
the sacred mystery context whereas they cannot in the profane context of everyday life in the
polis.
Furthermore, Greek Artemis echoes the symbolism of her barbaric counterparts and
moreover, is evidently associated with mythic traditions of northern origin. Artemis, in her
mystery tradition, was goddess of life/death cycles, particularly in the hunt and in childbirth. She
was associated with bears and deer, among other animals, and simultaneously acted as both the
caressing mother-protector of animals and children and the fearsome life-taking and justice-
serving predator. For instance, Bevan (1987) describes a number of archaeological finds and
classical literary references which suggest Artemis’s mysteries and mythic role revolved around
the protection of sacred game animals, the sacrifice of sacred animals, and symbolic, ritualistic
metamorphosis of human to sacred animal.
Typically, Artemis’s subject beast in her rites was the bear. As such, the female initiates
of the Artemis cult at Brauron, for instance, were known as arktoi, or simply “bears” (Cole
1984:241; Bevan 1987:19). In one of Artemis’s initiation rituals called the Arkteia, the initiates
reenact scenes of maiden/bear encounters from the goddess’ mythos. In the Arkteia, initiates
transform into bears via costume. Furthermore, Cole (1984) suggests that the Arkteia and the
human-bear transformation was also a womanhood rite-of-passage for certain Athenian girls
whom the cult chose. Bevan (1987) suggests the metamorphosis to be of the “divine will” of
Artemis, at least in terms of mythology, in the protection of her flocks of bears and deer as she
rears them into motherhood, both in Athens and in the wilderness, something which might echo
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the Wild/Cultivated dialectic of the Dionysians. Bevan thus deduces a symbolic relationship
between womanhood and the mythic bear of Artemis as the “emblem and supreme pattern” of
motherhood, and she resurrects observations similar to those that J. J. Bachoffen made in 1863.
Whereas Bevan supposes the mother bear tradition evident in the Artemis mysteries was
part of an earlier, local tradition of a mother-goddess which preceded Artemis, the cult may also
have integrated ideas about animal transformation from the northern barbarians. It is during the
colonial period that the evidence for ritual metamorphosis appears in the cult. For instance,
Bevan remarks that a fifth century BC Attic krater which depicts a naked man wearing a bear
mask is the iconographic remains of the “sacred bear cult” (Bevan 1987:18). A number of sites
devoted to Artemis also have yielded possible evidence of bear sacrifice (Laphria), offerings of
bear teeth (Lousoi), and bear figurines (Athenian Acropolis, Spartan Orthia, Thasian Artemesion,
Argive Heraion, Tegea). Tegea in particular yielded a human figurine with a bear’s head dated to
the seventh century BC, possibly the oldest artifact associated with the cult. During the Roman
period, Philostratus (Imagines I.28.6) described a custom in which hunters stopped at Artemis’s
sanctuaries to pray for success on the hunt or to offer the spoils of a successful one.
Recall our discussion of totemism, animal-human metamorphosis, and the mythic stag in
Northern Eurasian archaeology. Could it be possible that the rites of the Artemis mysteries
exhibit cultural borrowings from the Pontic-Caspian Steppe? Superficial likenesses to
shamanism aside, Artemis does have one more connection to the north in the various myths
surrounding her cherished Cerynitian Hind, a mythic female deer with golden antlers whom
Herakles pursued from Greece to Hyperborea in his legendary hunt (Pseudo-Apollodorus,
Bibliotheca 2.81; Callimachus, Hymn 3 to Artemis 98ff). Ruck (1986:230) seems convinced that
these myths are cultural memories of the reindeers (whose females and males both regularly
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grow antlers) to the north of the Indo-European homeland and far to the north of Greece.
However, given the historical context for the emergence of the cult, the myths of the stags were
more likely influenced by traveler’s tales via the Hellenic filter of the port of Olbia and reflect
the ontologies of indigenous Pontic groups and others further north whose own mythologies
involve the stag (and possibly the reindeer if we include the more northerly groups).
The Eleusinian Mysteries
The Eleusinian Mysteries and the Panhellenic cult of another mother-goddess, Demeter,
were perhaps the most prestigious of the Greek mystery traditions. Cults dedicated to Demeter
appeared throughout the Greek world, even as far as the Greek colonies in Scythia, Italy, and
Sicily. However, the cult at Eleusis earned the most renowned position in Greek culture as a Pan-
Hellenic cult in which Greeks from all the poleis participated in her seasonal festivals. Thus
Eleusis, once a small village outside of Athens, became an integral religious center in the Greek
world and in Greek identity. Although the festivals grew into a public spectacle, the cult itself
reserved the rituals of the mysteries for the initiated, the mystae of Demeter, “the chosen few
who were properly initiated following the ritual prescribed by Demeter herself” (Mylonas
1947:131). Extremely hierarchical, the Eleusinian mystery cult was organized into Lesser and
Greater degrees of initiation which corresponded to both the seasons and the esoteric knowledge
to which the initiates were exposed. Of this esoteric knowledge itself, little is known.
The rituals went through three phases: first, the dromena, that is, “enacted,” where
Mylonas (1947:143) and Ruck (1986:160) suppose the sacred kykeon potion was ingested to
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induce a vision; second, the deiknymena, or “shown,” in which the Light of Apollo is revealed in
a vision to the initiates; and third, the legomena, or “explained,” where the hierophant, the
highest level of initiation, lectures the initiates on the secret meaning of the vision. Pausanias,
who himself may have been an initiate, describes how he was forbidden to divulge the sacred
secrets of the mysteries: “After I had intended to go further into this story, and to describe the
contents of the sanctuary at Athens, called the Eleusinium, I was stayed by a vision in a dream. I
shall therefore turn to those things it is lawful to write of to all men” (1.14.3). In reference to a
related cult of Demeter at Thebes, Pausanias reiterates the forbidden nature of the secrets:
Advancing from here twenty-five stades you come to a grove of Cabeirean Demeter and
the Maid. The initiated are permitted to enter it. The sanctuary of the Cabeiri is some
seven stades distant from this grove. I must ask the curious to forgive me if I keep silence
as to who the Cabeiri are, and what is the nature of the ritual performed in honor of them
and of the Mother (9.25.5).
As mentioned above, the cult divided its festivals seasonally into the Lesser and Greater
mysteries, each of which had specific ritual functions in reenacting the mythic narrative of
Demeter and Persephone for the public and initiating new members into the hierarchy of the cult.
The Lesser Mystery took place in the autumn of the year in the Swamp of Dionysus in Athens.
The swamp, which the Greeks believed was an entrance to the underworld and the abode of the
spirits of the dead, represented the scene of Persephone’s abduction to Hades. Within the swamp
was a temple, the doors of which were open for one day only every year during this festival.
Thus the entire swamp was sacred ground and forbidden to mortal use except during the
prescribed annual ritual. The Greater Mystery took place at the neighboring village of Eleusis
and involved a great procession of torch-bearers towards the Eleusinian Temple for the initiation
into the higher mysteries through the ingestion of the kykeon potion. Thematically, Ruck notes
the symbolism of rebirth or ascension from the underworld and the transmutation from the
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mortal maiden into the mother goddess (1986:165). Thus Ruck finds the Eleusinian Mysteries
composed of Wild/Cultivated aspects of Dionysian life/death cycles and Apollonian wisdom.
The Eleusinian Mysteries of Ancient Greece parallel the far more ancient traditions of
Sacred Marriage Ceremonialism in Mesopotamia. This cultic mytho-ritual tradition is first
attested in the Early Dynastic Period of Ancient Sumer (ca. 3000-2330 BC) and could potentially
have originated even earlier with the rise of sedentary urban centers in the region. These
traditions, in various forms, endured throughout Ancient Near Eastern history well into
Herodotus’s time and beyond. A few concise examples should illustrate our point. Stiebing
(2009:52-53) describes the Sacred Marriage Ceremony as a tradition documented among the
Ancient Akkadian, Babylonian, and Sumerian city-states in which state cults dedicated to a
patron-deity held spring and autumn festivals to ensure fertility for their agrarian economy. The
mythological systems revolved around patterns of a Hero-God (e.g., Dumuzi in Sumerian,
Tammuz in Semitic) who ventures into the netherworld to rescue his goddess-lover (e.g., Inanna
in Sumerian, Ishtar in Semitic); in exchange for her life, the hero agrees to take her place for one
half of the year and leave his sister there for the other half. The Sacred Marriage Ceremony
celebrated the union between the lovers upon their ascension from the netherworld, and
associated cultic rituals reenacted the union in a variety of ways. In general, the mythological
themes of overcoming chthonic forces to ensure fertility coalesced with seasonal planting and
harvesting, similar to the Eleusinian ceremonies and myths surrounding Persephone’s quest.
Even the Sumerian Geshtinanna, sister of the hero Dumuzi, was considered the goddess of grape
vines, and her role in remaining in the netherworld appears again in the form of Dionysus in the
Eleusinian Mysteries (Recall Ruck’s discussion of the wine laid in the “tomb” of the cellar in the
“Wild and the Cultivated”).
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As with the Eleusinian rites, the Sacred Marriage tradition was supposed to secure
fertility for plant and animal husbandry in the spring and for the fermentation of alcohol in the
harvest. Like the Greek Dionysus, the dialectics of these Mesopotamian myths created in the
ancient mind a synthesis of opposing forces in their worldview, forces which needed to be
appeased to maintain orderMan, the cultivator, and his wife, the primordial birtherpolis-
law/abzu-chaos. The same dialectic of appears in Mesopotamian creation myths. The Babylonian
Enuma Elish reiterates the Hero-God/Chthonic-Goddess dialectic in a story of creation out of
conflict: Marduk-Enlil defeats Tiamat and the Abyss (Abzu), out of which the world is created.
This Marduk/Tiamat opposition is comparable to the myth of Apollo defeating the chthonic
Python, and order emerges out of chaos. Thus it is probable that the Greek Mystery Religions
had more in common with the Mesopotamian cultic traditions than with Pontic barbarian
religion.
As mentioned with some of the other mysteries such as the Orphics and Dionysiacs, the
ASC was an important part of the sacred path of primordial knowledge in the Eleusinian
Mysteries. In his exploration of some of the comic representations of Socrates, Ruck focuses on
Socrates as profaner of the mysteries in that he was popularly believed to have used entheogens
outside of their socially prescribed contexts (i.e., the mysteries). Ruck is correct in noting that
Aristophanes’s Birds, a comedic satire of Socrates, contains a hidden gem of insight into this
controversy and into the Eleusinian Mysteries themselves that has gone previously unnoticed.
However, the issue here pertains to necromancy rather than mushrooms. Entheogens, namely
wild mushrooms, probably played an important role in the Mysteries in ritual intoxication and
ASC. Wild amanitas or other psychoactive wild fungi probably were used in the Lesser
Mysteries, which reflected Persephone’s folly of imbibing narcotic plants and consequently
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falling into Hades; whereas the kykeon potion, which likely contained the psychoactive
chemicals (i.e., ergot fungus on grain) Ruck, Hoffman, and Wasson hypothesized, reflected the
cultivated side of Demeter. These altered states of consciousness were probably part of the
Eleusinian Mysteries, namely the revelation of Light and knowledge. However, so was
necromancy. After all, Socrates, whom the Pythia dubbed the wisest of all men, was the object of
comedic mockery and degradation for supposedly entering the forbidden swamp to commune
with the dead. How else could he have become wise? his fellow Athenian may have wondered.
Wisdom came from the dead, who were only to be contacted safely in the proper ritual context,
or so the Athenians and other Greeks believed (Ustinova 2009).
Cults of Apollo, the Oracle at Delphi, and the Hyperboreans
Although not described specifically as a mystery cult, the order of the Temple of Apollo
at Delphi stands out as an exemplary tradition of Hellenic mystery-initiation, altered states of
consciousness, sacred secrecy, and chthonic, often cryptic knowledge drawn up from the abyssal
“Navel of the World,” as the poet Pindar dubbed the Delphic sacred site. Unsurprisingly, Delphi
and its Oracle, the Pythian Priestess, attracts those shamanizing scholars who would view the
Apollonian cult as the epitome of “Greek shamanism” (Dodds 1951; Ruck 1986; Littleton 1986;
Ustinova 2009). For example, Littleton (1986:84) explores what he calls the “fundamentally
shamanic character of the institution and high probability that the Pythia was under the influence
of a drug when she performed.” The Oracle, of course, was always a female whom an order of
Apollonian priests chose from a young age to serve as a prophetess to the god Apollo. The
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Temple was located on the side of the mountain of Parnassos, in Greek mythology the site where
Apollo slew the Python-dragon, the chthonic, primordial owner of the mountain. The Pythian
Priestess was named after this serpent, and like other Hellenic and Near Eastern traditions
illustrates yet another chthonic snake tradition. Contained within the Temple was a natural
fissure in the earth around which was constructed a basement chamber called the adyton. The
adyton sat beneath the prophetic chamber, called the manteion, and a small shaft ran from adyton
to manteion and served as a flue for the mysteriously intoxicating vapors.
According to a number of Hellenistic and Roman authors, such as Strabo and Plutarch,
the latter of whom was actually an initiated priest, the Oracle sat upon a tripod over the vented
flue and breathed in the intoxicating vapors from the depths of the earth. She would subsequently
become ecstatic or frenzied by the pneuma enthusiastikon, or “inspirational exhalation”
(Fontenrose 1978:198). It was this chthonic spirit, the breath of the netherworld, which ascended
up from the earth-womb (recall that Delphi was the earth’s “navel”), and by which the ancients
believed the Pythian Priestess became ritually possessed by Apollo himself. In light of Hesiod’s
description of the Golden Age folk having gone into the earth, into the bosom of Gaia at the end
of the age, one might even postulate that the breath of the underworld was in fact the voices of
those Hyperborean spirits, or at least the cultists thus might have understood the ritual. Farnell
(1907:189) suggests the “divine afflatus” rose from a natural geological source, but Dodds
(1951:73-4) argues that no geological explanation was necessary, that the Oracle was simply
naturally adept at spirit mediumship and possession, as found throughout human cultures, and
especially in shamanism. Like Dodds, Littleton favors the shamanic explanation of the Oracle,
but he conversely maintains the element of ritual intoxication as an integral part of the ASC.
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Amusingly, Littleton shamanizes nearly every aspect of the Delphic cult: Apollo is the
shaman-god of light and healing, the tripod symbolizes spiritual ascension under the possession
of Apollo, and the “female shaman,” the Pythian Priestess, serves as Apollo’s mouthpiece in an
ecstatic state “closely resembling those characteristics of shamanic performances observed by
anthropologists in contemporary folk societies” (p.77). Littleton then attempts to identify the
exact substance of the intoxicating vapors. Because the vent of the Navel Stone beneath the
tripod is charred even today, some scholars (Holland 1933; Littleton 1986) have suggested the
priests stoked man-made fires in the adyton, the smoke from which would funnel upward
through the flue and engulf the seated Pythia and fill the manteion chamber with the fumes
which Plutarch described as sweet. According to Littleton, this suggests the priests may have
burned plants which contain mind-altering chemicals responsible for the Pythia’s archaic ecstasy.
Among the possibilities, scholars have cited solanoids such as henbane and jimsonweed (Stefanis
et al. 1975), opium poppies (Latimer & Goldberg 1981), darnel weed (Renfrew 1973:176-7), and
Amanita muscaria, or fly-agaric mushrooms, which, according to Ruck (1986), may have been
associated with Apollo’s cult at the Isle of Delos. However, as Littleton notes with each of these
examples, they are ingested rather than burned, and moreover the ancients may not even have
been aware of the psychoactive properties of some of these plants. Alternately, Littleton
maintains that the Pythians at Delphi smoked Cannabis sativa, more commonly known today as
marijuana.
Cannabis was in fact known in the ancient world, and it certainly grew wild over much of
the Eurasian Steppe. However, among the Hellenes its mind-altering properties were supposedly
known only to “a few esoteric circles,” namely the cultic hierophants (Littleton 1986:82).
Accordingly, the shamanizing scholars believe the high-ranking cult leaders not only possessed
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intimate knowledge of the religious traditions of their northern neighbors but that they also
imported these traditions to Greece and incorporated them into the mysteries (Littleton 1986;
Ruck 1986). Educated Greeks, whether or not they were members of mystery cults, expressed
knowledge of barbaric ritual cannabis use. Herodotus, for instance, reports two observances of
cannabis-smoking:
After the burial the Scythians cleanse themselves as follows: they anoint and wash their
heads and, for their bodies, set up three poles leaning together to a point and cover these
over with wool mats; then, in the space so enclosed to the best of their ability, they make
a pit in the center beneath the poles and the mats and throw red-hot stones into it. The
Scythians then take the seed of this hemp and, crawling in under the mats, throw it on the
red-hot stones, where it smolders and sends forth such fumes that no Greek vapor-bath
could surpass it. The Scythians howl in their joy at the vapor-bath. This serves them
instead of bathing, for they never wash their bodies with water (Hdt. 4.73-75).
Here Herodotus gives an accurate account of the practice of cannabis smoking, common
throughout Eurasia among nomadic cultures, which corresponds with the archaeological record
and appears, at least superficially, very similar to the sweat lodge of many North American
indigenous traditions with the substitution of cannabis for sage. M. D. Merlin (2003:213) verifies
Herodotus’s account with archaeological remains found in the Altai Mountains. Merlin argues
that use of cannabis plants, especially as a ritual intoxicant, originates among Eurasian Steppe
cultures perhaps as early as the fifth millennium BC. By the period of the Scytho-Sarmatian
cultures, cannabis use had become an organized ritual complete with an associated material
culture. It is uncertain whether indigenous groups on the steppe cultivated it or simply harvested
it from the wild, but it was widespread through that part of the world. On cue with Herodotus’s
ethnography of ritual cannabis use, the Pazyryk burial mounds in the Altai region yield a tent
frame and bronze vessels filled with stones and cannabis seeds.
We can also compare this account in Herodotus on the Scythians to his earlier account of
an unnamed group near the Caspian:
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…and they know (it is said) of trees bearing a fruit whose effect is this: gathering in
groups and kindling a fire, the people sit around it and throw the fruit into the flames;
then the fumes of it as it burns make them drunk as the Greeks are with wine, and more
and more drunk as more fruit is thrown on the fire, until at last they rise up to dance and
even sing. Such is said to be their way of life (Hdt. 1.202).
Here we find a passage nearly parallel to the Scythian account in Book 4. The fruit these
barbarians throw in the fire, the fumes of which intoxicate them, could have come from the
cannabis plant, although opium could also fit the description of this mysterious plant.
The Scythian cannabis passage especially describes ritual cleansing and intoxication as
part of the funeral ceremony, and the occurrence of cannabis remains in grave sites indicates a
funerary ritual importance. Though we could assume that Scythians and other steppe-dwelling
peoples used cannabis recreationally, the fact that they included the plant in their funeral customs
strongly suggests that it held a special status in these societies, perhaps as a ritual link between
the physical and spiritual realms. Furthermore, a study conducted by botanist Ethan B. Russo and
colleagues on cannabis remains from a 2200-2400 year old Central Asian (Turpan, Tarim Basin)
tomb comes to the same conclusion (2008:4179-80). The study determines that the culture
associated with the cannabis from the grave site grew the plant specifically for psychoactive
purposes including divination.
Littleton supposes that the ritual use of cannabis traditional to the northern barbarians of
the Pontic and beyond diffused into the Hellenic world in the latter half of the first millennium
BC as part of the Greek colonial system, possibly via Thrace, which Littleton (1986:87) calls
“the source of the Dionysiac cult and other esoteric beliefs and practices.” Although other
scholars remained unconvinced that ritual cannabis use passed from the barbarians to the Greeks
(Stefanis et al. 1975), Littleton adamantly wanted the opposite to be true. As entertaining as
Littleton’s exposé of Greek cultic drug-use might be, more recent geological and archaeological
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surveys have discovered a number of fault lines in the region which contain noxious gases,
specifically ethylene, and that in the past the chasms which ran beneath Mount Parnassos
possessed the geologic potential to release pockets of such vapors (de Boer et al. 2001; Piccardi
et al. 2008). Evidence for a natural, local source of an intoxicating pneuma might undermine
Littleton’s cannabis mission. Nonetheless, a natural source of the pneuma enthusiastikon from
the depths of the underworld fits the chthonic symbolism of earthen spirits better than any man-
made fire. If cannabis was a part of the Delphic mysteries at all, it was not the chief intoxicant. It
does not, however, rule out the possibility that the hierophants were privy to the ethnobotanical
and ethnomycological knowledge of the native Pontic cultures. After all, Herodotus observed
such traditions and recorded them for a Hellenic audience.
This could prove especially true if Ruck’s hypothesis that the Delphi’s sister cult, the
Cult of Apollo at Delos, imported entheogenic plants and fungi from the north as part of a
“Hyperborean” tradition which reenacted the Indo-European migration into Greece is correct
(Ruck 1986: 250-6; cf. Hdt. 4.32-5). Nevertheless, can the Oracle at Delphi and the Cult of
Apollo be described as “Greek shamanism?” To describe it and related cults such as Dodona and
Delos as such, as Littleton does, implies the mysteries were in fact part of a primeval religious
tradition. Some scholars have noted a dialectical origin of the Apollonian cultic traditions, that
the mythology which celebrates Apollo’s victory over the Python (sky-god/chthonic beast) might
have derived from the synthesis of northern Indo-European and eastern Anatolian traditions
(Fontenrose 1959, 1978; Ruck 1986). If this is true, then the cultic traditions would indeed have
to be ancient. However, the Temple of Apollo at Delphi dates back to the fourth century BC with
earlier foundations which stretch back to the ninth centurycertainly archaic, but not primeval
or primordial, and long after the “coming of the Greeks” (Drews 1988). Moreover, we cannot
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assume the Oracular traditions of the fourth century were the same as in the ninth, and with the
patterns of cultural borrowing from the Pontic evident in the other mystery religions in mind
between the seventh and first centuries BC, one might suppose Pontic traditions influenced the
Delphic and Delian mysteries as well.
Alternatively, consider the dialectical traditions of Apollo exoterically and esoterically.
Esoterically, the myths celebrate Hyperborean-Apollonian virtue and order over chthonic chaos.
Exoterically, the mythic dialect is the completion of a seasonal cycle in which Apollo travels
from his favored abode in Hyperborea to the place of his Hellenic oracles in Greece, in union
with sky and earth. Ruck (1986:250-6), who is also convinced that the Hyperboreans were the
Hellenic interpretation of the cultures of the distant Altai, also holds that the Delian offerings
from the Hyperboreans (Hdt. 4.33) were actually imported amanita mushrooms. These offerings,
Ruck believes, the Delian cultists of Apollo imported for the preservation of a sacred tradition of
Hyperborean overland trade, the offerings’ symbolic importance in the seasonal transmutation of
the god Apollo from primordial other to civilized self, and their potential use as entheogens in
the mystic oracular context.
While Ruck does a fine job explaining the mytho-cultic significance of the Hyperboreans
in the Apollonian cults, his use of the evidence for “two strains of shamanism” is a bit
misguided. In fact, he, Wasson, and Hoffman let their obsession with mind-altering substances
guide their research while they miss what really might have been going on in the context of
Greek-Pontic colonialism. That being said, Ruck has, perhaps accidentally, revealed that the
mystery cults regularly imported ritual goods from the north under the pretense of Hyperborean
mythology. Though the mysterious offerings may or may not have come all the way from the
Altai, depending on one’s interpretation of the inspiration for the Hyperboreans in Herodotus
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(Bolton 1962; Romm 1993; Mallory & Mair 2000; Bridgman 2005), the offerings did originate
somewhere in barbarian lands. Given the location in Herodotus (4.33) of the first destination of
the offerings, the lesser known oracle at Dodona, the Thracians, Dacians, or the Celts beyond
them might have been a source. If the offerings did come from much further north and east, the
Argippaians might also be a good candidate for the “Hyperborean” source of ritual goods and
material. This could be especially true if we consider Herodotus’s ethnographic description of
their culture and customs as fairly peaceful, that their neighboring tribes considered them holy,
and the frequency of Greek trade among them (Hdt. 4.23). In any case, Delian and Delphic cults
illustrate the construction of traditions out of the economic exploits of colonialism.
Consequently, the Hyperborean mythos grew among the mystery traditions within this same
cyclical process.
Ustinova (2009:4,153) suggests that the chthonic importance of Delphi as the “Navel of
the Earth” indicates its importance as a nexus between the worlds of the living and the dead:
“Since the dead were believed to know more than the living about earthly affairs, it would only
seem natural for their consultation to be carried out close to their abode, in a cave or
subterranean chamber, and thus, for Gaia’s oracles to be located in grottoes inside the earth.” In
Homer’s Odyssey, for example, Odysseus encounters the shade of the dead prophet Tiresias who
shares secrets with the Greek wayfarer that only the dead could learn in the netherworld (Hom.
Od. 11). The Apollonian cultists at Delphi believed not only that the chasm beneath the Delphic
Temple was one such entrance to the chthonic underworld, but that the nearby Corycian Cave on
the slopes of Mount Parnassos was another. The cave, just as the formal cult temple which
Littleton (1986) describes, played a symbolic role in the ritual ecstasy of the mysteries of Apollo.
Strabo (Geo. 9.3.1) mentions the Corycian Cave as the abode of the nymph by the same name
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and as part of the greater mythic complex of the mountain sacred to Apollo. In the preceding
chapter we discussed the importance of the Hyperboreans as geo-mythological eschatiai in the
Hellenic worldview. More precisely, recall that the Hyperboreans represented Hesiodic Golden
Age humanity in Greek cultic lore. The Delphic and Delian cults of Apollo esteemed the
Hyperboreans for the favor they believed Apollo held for these mythic people. Moreover, the
Apollonian cults reputedly communicated with Hyperborean entities through chthonic ritual and
believed these noble savages travelled primarily through the underworld (Fontenrose 1959:431;
Ruck 1986:250). Thus, the cultic tradition held that Hyperborean spirits could appear to the
ecstatic mystics of Apollo in the cave and impart wisdom. As mentioned above and in the
previous chapter, Hesiod claimed that the close of the Golden Age brought the noble savages
into the bosom of Gaia where they continued to dwell as spirit guardians, and even Plato
supposed that those Golden Age phantoms inhabited the souls of all wise men. In a fragment (fr.
24) of On Oracles, the Greek philosopher Mnaseas relates how the Apollonian cultists self-
identified as Hyperboreans, at least in a spiritual sense. One might suppose, given the context of
ritual ASC and possession, that the mystics of Apollo could believe themselves possessed by
Hyperborean “ancestors” in addition to possession by Apollo himself. Another possible
explanation is that, like the Orphics, reincarnation was part of their belief system.
Ontologically, the Ancient Greeks believed the underworld, composed of a complex
network of tunnels and passages rooted in Hades, was also connected to the surface world
through sacred caves such as those at Mount Parnassos. Hyperboreans, being the chthonic
children of Gaia, the Earth, were naturally inclined to utilize the underworld for travel to the
sacred places of their god, Apollo. Nevertheless, we do find a few instances of Hyperborean
overland travel in Greek lore. Herodotus mentions in passing an individual named Abaris, “who
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is reported to have been a Hyperborean, I do not tell, how he carried the arrow about over all the
earth, eating no food” (4.36). This Abaris of Hyperborea apparently earned renown among the
Greeks for his healing abilities, wisdom, and virtue, although little more about this man has
survived the ages (Strab. 7.3.8; Plutarch Adolescens. 1; Ovid Met. 5.86). Plato considered Abaris,
alongside Salmoxis, skilled in healing magic (Charm. 158b), and Pausanias attributes the
founding of a Spartan temple of the Savior Maid to Abaris or Orpheus (3.13.2). Suidas, a tenth
century medieval Byzantine encyclopedia, describes Abaris as the producer of Scythian oracles,
none of which are known to exist today if they ever did.
Despite the obscurity of this Hyperborean Abaris, Dodds and others have reconstructed
the legendary figure within the framework of shamanism (Meuli 1935; Dodds 1951; Lateiner
1990). Lateiner, who had described Salmoxis as evidence of a Greek misunderstanding of
“Asiatic Shamanism,” takes a more reserved stance towards Abaris and notes rather his
asceticism as an Apollonian “pilgrim” (1990:237). Dodds, however, attributes Abaris’s arrow to
Siberian Buriat healing traditions in which the arrow is the shaman’s soul-vehicle, a divining rod
of sorts, in the retrieval and restoration of sick souls from the underworld. Dodds also cites
Tartar shamans’ divination of arrows in flight and shamanic spirit-flights upon a “horse-staff”
among an unnamed group (1951:161, n.34). Bremmer (1983:44, n. 84) disagrees with Dodds’s
interpretation of Abaris on the basis that arrow-divination has not been necessarily bound or
limited to Eurasian shamanism. Nevertheless, Dodds uses the healing context of the arrow
among the Buriat as his main ethnographic point. Regardless, there is little to suggest that Abaris
was a shaman figure, as the ancient sources have not provided a clear context for his carrying the
arrow or that he could “fly” upon it like a witch’s broom. Abaris’s “fast” could also be
interpreted as shamanic, as Northern Eurasian shamans, such as among the Chukchi, have been
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documented fasting for divination (DuBois 2009:63-4). However, like arrow-divination, spiritual
fasting occurs too universally to be bound up as purely shamanic. Although Abaris attained
legendary status in both the ancient and modern worlds for his rigorous fasting, skills with
healing, and generally spiritual character, we can infer something different from him than the
interpretations Dodds and others provide. I suggest Abaris illustrates the Greek characterization
and personification of mythic Hyperborean virtue and wisdom. His mythic journey, furthermore,
represents the Greek mystery belief of receiving Apollonian wisdom from the north, the
traditional land of the barbarians. In other words, Abaris was a model of virtuous living for
mystics to emulate. Whether or not they based his legend on any real, historical figure is beyond
our capacity to reason with what little information we have.
Another legendary figure in Greek lore, Aristeas of Proconnesus, falls into the bracket of
Apollo-inspired Hyperborean adventure and incidentally sparked discussion of “Greek
shamanism” among modern scholars. Unlike the foreigners Abaris and Orpheus, however,
Aristeas was a Greek who purportedly journeyed among the barbarians of the steppe en route to
the land of the Hyperboreans. Herodotus (4.14-16) relates that this Aristeas mysteriously
vanished from his hometown after he fell into a trance or seizure and reappeared seven years
later with wild tales of the exotic lands which he compiled into an epic poem, the Arimaspeia,
which now exists only in a few fragments cited in Pseudo-Longinus (in Romm 1992:72-3).
Fortunately, Herodotus provides a synopsis of the Arimaspeia as part of his ethnographic section
on the Issedonians and their neighbors. Accordingly, Aristeas, possessed by Apollo, found
himself among the Issedonians from whom he learned stories of the one-eyed, horse-riding
Arimaspians and their wars against the griffins. According to Athenaeus (13.83), Aristeas also
claimed to have gone beyond the Issedonians and Arimaspians under the guidance of Apollo to
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the blessed Hyperboreans in an inversion of the pilgrimage of Abaris. Finally, Herodotus reports
an account that Aristeas also travelled to Metapontion, Italy where he claimed Apollo
transformed him into a raven and commanded him to establish a shrine in Italy. The
Metapontines communicated with the Delphic oracle, and after they received affirmation from
the cult did as Aristeas and Apollo commanded and built a shrine to Apollo complete with a
secondary statue to Aristeas. Strabo (13.1) outright calls Aristeas a “charlatan,” and Pausanias
(5.7) suggests that Aristeas did not actually visit the Hyperboreans but learned about them from
his Issedonian hosts. Herodotus, too, has his doubts about the veracity of Aristeas’s stories.
Given the episode of Aristeas’s trance or epileptic seizure, his sudden disappearance and
reappearance, time-travelling bilocation, the spirit possession by Apollo, animal metamorphosis,
his Hyperborean quest, and his inspired poetic vision, a number of scholars, unsurprisingly, have
revised the legendary figure as a Greek shaman. As with Abaris, Meuli (1935) and Dodds (1951)
pioneered this hypothesis, and Carpenter (1946:162-2) associates the Apollo-inspired Aristeas
with Aristaios, the “rustic divinity,” assistant to Apollo, “the honey-eater, the disappearing
dweller on the mountains, the Thracian Salmoxis,” as yet another mythological relic of bear
totemism. As Mallory and Mair (2000) note, J. D. P. Bolton (1962) raised the first serious assault
on the view that Aristeas was a “Greek shaman.” Lateiner (1990:240) reopens the debate with his
assertion that the stories of Aristeas “clearly exhibit characteristics of Asiatic shamanism,” and
that his character traits “connect Aristeas with genuine aspects of Siberian ‘medicine men’ or
ecstatic prophets, not to mention isomorphic figures of Greek legend such as Pythagoras and
adjacent peoples’ reincarnation myths.” These “aspects” that Lateiner refers to do in fact find
parallels throughout the indigenous traditions of the world which academia has deemed
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shamanic, but in terms of cherry-picking parts of various unrelated traditions. Thus, they go well
beyond the constructed category of shamanism.
That being said, Aristeas likely does represent some very real elements of Eurasian
Steppe mythological traditions. Because the Greek colonists, traders, and Hellenic frontiersmen
found themselves in a liminal social frontier of sedentary/nomadic interaction, it was inevitable
that aspects of nomadic steppe culture found their way into the Archaic-Classical Greek
consciousness. Aristeas is representative of this cultural interaction. He was inspired by
Apolloa god whose cults at Delos and Delphi were obsessed with northern barbariansand
suddenly left Greece on a holy mission to reach the Hyperboreans. His return brought tales of
death/resurrection, animal transformation, visions which transcended time and space, and
inspired epic poetry, the subject matter of which revolved around the nomadic barbarians of the
Eurasian Steppe. Aristeas’s Arimaspeia was therefore a mythological product of and ideological
contributor to the Hyperborean template of barbarism. Aristeas might also very well infer some
of the cultural exchange which was occurring in the Greco-Pontic frontier zone where Greeks
perceived nomadic barbarian religious traditions through the mytho-cultural lens of
Hyperboreanism. Greeks such as Aristeas may have been inspired by the myths of Apollo and
the Hyperboreans to seek out the northern religions for themselves. Whether or not Aristeas was
a historical person, the legend explains much about how the educated Greeks viewed their place
in the mix of cultures on the frontier.
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Ancient Greek Philosophy as Mystery Religion
The chthonic aspects of indigenous Pontic traditions including underworld soul-travel
and the transmigration of the immortal soul may have influenced some of the emergent
philosophies of the Late-Archaic and Classical eras, especially those which were alternative to
the accepted public mysteries like Eleusis. Among these, Pythagoreanism garners attention as a
mystical philosophy with striking similarities to Orphism and Salmoxism, at least as Herodotus
presents it. Dodds (1951:167) claims that he does not suggest Pythagoras was entirely a
“development from shamanism,” but he does remain open to the possibility of northern barbarian
influence in the development of Pythagorean doctrines. The Pythagorean cult began under
Pythagoras of Samos in the sixth century BC and thrived in the Greek colony of Croton in Italy
until persecutors killed Pythagoras and scattered his followers (Ring 1987:43-5; Zhmud 2012).
Herodotus, in his report on the Thracians described above, claimed that Salmoxis was reportedly
a former slave to Pythagoras and owed his philosophy, mainly the idea of the immortal soul, or
psyche, to him. Herodotus, however, believed that Salmoxis very likely preceded Pythagoras
historically and that the Samian’s philosophy instead should be attributed to the Egyptians (see
Hdt. 2.123, 4.96). Lateiner (1990:243, n.35), however, argues that Herodotus wrongly attributed
the concept of metempsychosis, that is the transmigration of souls, to the Egyptians when in fact
Ancient Egyptian religion described no such belief and Pontic religions did. According to third
century historian Diogenes Laertius’s Lives of Eminent Philosophers (8.1.1-50), Pythagoras was
“initiated into all the mysteries and rites not only of Greece but also foreign countries,” and he
journeyed in search of wisdom among the Cretans, Egyptians, Chaldeans, and the Magi (of either
the Medes or Persians), much like a modern New Age enthusiast.
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In addition, Pythagoras supposedly claimed to have traveled through Hades, although
Diogenes presents alternate narratives in which Pythagoras built a secret subterranean chamber
in Italy in which he meditated for a long period of time. When he ascended from the chamber
“looking like a skeleton” he declared he had been to Hades, and hence his followers believed he
was Apollo himself come down to them from the Hyperborean north. The parallels with
Salmoxis are more than uncanny, and Lateiner understands Herodotus’s treatment of Salmoxis as
an attempt to render native Thracian mythology intelligible to a Greek audience through the
template of Pythagorean “strangeness.” However, with the prominence of mystery traditions like
Orphism in Greece, would this rendering have even been necessary for Herodotus? Thus it is
more likely that Herodotus had used the Thracian Salmoxis story as a lampoon of the culturally
deviant Pythagorean cultic and philosophic tradition.
In spite of the unpopularity of Pythagoreanism, the chthonic symbolism in the
movement’s ontology, as evident in Pythagoras’s spiritual underworld adventure, was utilized in
the works of Plato as well. The Myth of Er in The Republic (10.614b-621c) reiterates the same
pattern of soul-travelling through Tartarus and Hades as well as the doctrine of metempsychosis.
Plato’s nearly Pythagorean understanding of the soul is also evident in Phaedo, where the
reincarnated soul “recollects” past knowledge, as his theory of human epistemology, and more so
in Meno, where he describes the soul as having often travelled through the underworld where it
receives true knowledge (Meno 81b-d). One might even note the vertical ontological symbolism
of the Allegory of the Cave (Rep. 7) which describes epistemology as the process of ascension
out of the chthonic realm, that one finds knowledge on a journey upward from the depths of the
underworld to the upper realms of light. Michael Harner (1980) describes similar patterns in so-
called shamanic paths to wisdom, but the shamanizing of Plato is perhaps a bit far-reaching.
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Dodds (1951:151) connects Plato’s and Pythagoras’s doctrines with shamanism and claims,
unsurprisingly, that their philosophies represent the “original Greek point of view” on the soul.
Specifically, Dodds associates Pythagoras’s advances in musical theory with shamanism: “Music
is used by modern shamans to summon or banish spirits…and it seems likely that the
Pythagorean use of it derives in part at least from shamanistic tradition” (p.175).
However, Platonic and Pythagorean thought actually have more in common with Hellenic
mystery religions than with Dodds’s concept of shamanism, and we might more accurately
describe them as mystery religions. The Pythagoreans had a rigorous initiation in which the
initiate must sit outside of the cult’s gathering place in silence, listening to Pythagoras’s lectures
without physically seeing him. This continues for five years when the initiate is finally tested on
what he or she learned. The Platonic tradition, conversely, despite its use of chthonic symbolism
and seemingly esoteric knowledge, had no mystical initiation until the emergence of Neo-
Platonism much later in the Hellenistic period. Thus Platonism in Hellenic Greece could not be
accurately described as a mystery cult. Nevertheless, Ruck (1986) views Socrates as a “profaner
of the mysteries” and an Eleusinian do-it-yourselfer who democratized the otherwise esoteric
pursuit of wisdom. Ruck claims that Socrates transgressed the sacred initiations and conducted
the mysteries (including imbibing the sacred Eleusinian potion, which Ruck surmises is a
primitive form of LSD made from ergot fungus) outside the hierarchies of the Temple. Ruck,
however, bases this observation on the comedies of Aristophanes and, hence, might reveal more
about public opinions about what Socrates was doing than the philosopher’s actual activities.
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Concluding Remarks on Chapter 3
The superficial parallels between Hellenic and Pontic religious traditions have tempted
Romanticist scholars of religion to “shamanize” Greek traditions and place them within a scheme
of cultural evolution in which “civilized” Greek culture supposedly preserved elements of a
shamanic past. Scholars typically identify these elements in terms of chthonic symbolism in both
myth and ritual, ritual intoxication or altered states of consciousness, and human/non-human
(e.g., spirit, ancestor, or animal) socialization. Additionally, these scholars cite a plethora of
ethnographic analogues from which they choose ritual elements and mythic archetypes that suit
their agendas. Almost uniformly, the scholars focus on Greek mystery cults as exhibitors par
excellence of “Greek shamanism.” In other words, they believe the Greek mysteries were
survivals of pre-agrarian steppe shamanism which became transformed with the development of
Archaic Greek civilization but also preserved crucial elements of a primordial Proto-Indo-
European shadow.
In reality, the historical interactions between Greeks and barbarians in the Pontic region
generated the conditions for the construction of the mystery traditions in Late Archaic and
Classical Greece. Though the mystery cults certainly exhibit some elements of Northern
Eurasian shamanism, those traditions were constructed as the result of cultural borrowing from
the colonized indigenous folk of the Pontic. The constructed Greek/barbarian dichotomy, and
especially the idea of the Hyperborean noble savage, fueled the process of cultural borrowing in
that the Hyperboreans represented, to the Hellenic Greeks, an idealized primordial purity and a
wealth of wisdom and virtue associated with gods such as Apollo. Thus the Greeks, operating
under this paradigm, maintained a reconciliation between the Wild and the Cultivated through
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the cultural appropriation of foreign traditions which fit their own narratives of cultural evolution
where indigenous was equated with the primordial shadow of the Hellenes’s invented past.
Finally, the constructed traditions of the mysteries revolved around obtaining and
preserving esoteric knowledge. Divine wisdom, believed to come from altered states of
consciousness and communication with the chthonic otherworld, was reserved for a worthy,
privileged few who then mitigated that wisdom through a rigid hierarchy to the masses through a
well-layered mythos and initiation through ASC. The purpose was quite clear: to perpetuate the
ideology of the Greek/barbarian dichotomy and guarantee their own social space and access to
esoteric knowledge of the past. It was the politics of culture manifested in an ancient context.
First, this reinforced social order both within Greek society and in the Hellenic worldview, at the
periphery of which were both phantasmal, mythical noble savages and tangible and exploitable
indigenous peoples. Secondly, the constructed system allowed the higher classes of hierophants
to preserve both their cultural authority and their access to divine knowledge. In the end, it was
all based upon the imagined otherness of the barbarian. Even if the Pontic barbarian religions
were technically not shamanic in the modern sense, those religions occupied a space in which
they operated for the Ancient Greeks in a way very similar to the way indigenous religions today
operate for us. As Harry Levin described the transfer of ancient primitivist ideas into Early
Modern European consciousness, “The golden age, a fiction of the Old World, is realized in the
New” (1969:68).
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Chapter 4
The Indigenous Barbarian and His Religion
One might wonder how the discussion of Greeks and barbarians relates to shamanism
beyond a few scholars’ attempts to inject a modern construct into ancient contexts. It very well
may have seemed a long digression away from anthropology and into the realms of classical
history, philosophy, and philology. However, good history is anthropological, and anthropology
has a wealth of history at its disposal. Particularly, the Greek/barbarian discussion illustrates that
the structuralist problem of the self/other contradistinction that has been a persistent one in
human history, not just the twentieth or twenty-first centuries. Moreover, the contradistinction,
though universal, varies in the relationship between the twain, rather than in form, as things good
to think with. Although the barbarian reflected Hellenic notions about human virtue and vice
more than actual native Pontic characteristics, it emerged out of the relationship between Greek
colonists and native Pontic groups and shaped the future of those relationships. Thus Thracians
and Scythians made good slaves for Greek politicians like Speusis (see Ch. 2), and their religious
traditions made good source material for budding philosophers and cultists like Pythagoras (see
Ch. 3).
The barbarians were utterly other because of their social position in relation to the polis
system, from the perspective of the polis, that is. In the Hellenic worldview, the barbarians were
by nature free of Hellenic nomos yet could only integrate into the nomos of the polis through the
institution of slavery. They were by nature also relics of the past stages of the Hellenes’ own
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history and cultural evolution as they believed it. This is why Herodotus described the Scythians
as a “young” people, because the Greeks believed the barbarians were in a much earlier stage of
social maturation. Moreover, the barbarians, being outside the polis, were a constant threat to the
order of the polis in which the cultural characterization of the other represented both Hellenic
insecurities and real dialectics of power. For example, Amazonomachy as a motif in art and
mythology represented Greek understandings of exotic Pontic-Caspian non-patriarchal societies
and also Greek fears of foreign threats to the patriarchal order of the polis (Tarbell 1920).
Thus the discussion of Greeks and barbarians is anthropological due to the persistent
occurrence of social analogues of this dichotomy throughout history, especially between
sedentary and nomadic societies, and in light of the effects of globalization today, the category of
indigenous other. However, in order to put to rest such reservations, we will depart in this
chapter from the distant past for the present and examine the discussion of shamanism in the
contemporary context. Nonetheless, the previous chapters on Greeks and barbarians should
demonstrate the processes of history in which socio-cultural systems inevitably generate
ontologically marginal space from which they draw the material for the construction of
otherness. Shamanism is one such construction of otherness in the historical context of
globalization.
In this chapter, we will connect the Ancient Barbarian with the Barbarian of the New Age
and reveal the mental structures which have imagined both. First, we will summarize some of the
important points this thesis has already made about the ancient relationship between polis core
and periphery. We will then examine the issues of how shamanism is constructed, and what it
means in a global consciousness, and how it manifests in various forms of new traditions in the
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political mire of voice, agency, and narrative. Finally, we will examine the construction of the
barbarian of the new, global age and challenges to the field.
The Ontological Space of the Other
I call this space ontological in that, from the perspective of the proverbial polis, the outer
zones of existence, of time and space, contain the good and bad attributes of the past, or the
primitive state of man, a form of ancient evolutionary anthropology with a Romantic flavor.
Although the ontological vista from the polis walls may have integrated a priori mythological
presumptions about the wilds beyond the civilized lands, it was still anthropological in that it
encompassed sedentary cultural attempts to make sense of the human condition within and
without the polis. For some, such as Hesiod and Homer, it was a poetic endeavor. For others like
Herodotus and Aristotle, the pursuit was a classically rational investigation. Though we might
not consider these works good science today, they still have ethnographic value (Thomas 2000;
Skinner 2012). Siep Stuurman (2008) calls this the “anthropological turn” in the history of
civilizations, and he notes this pattern cross-culturally in both Ancient Greek and Ancient
Chinese perspectives on the frontier zones beyond their sedentary centers. The steppe and taiga
lands at times appeared to be a chaotic wilderness in conflict with the cultivated lands and at
other times the pure domain of the “prehistoric” past untainted by the march of time. The human
condition, from this ancient perspective as “invented other,” reflected these natural states.
The space outside the polis is marginal in that its inhabitants occupy an exploitable
peripheral zone relative to the polis-core. As a number of scholars of Central Asian history and
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anthropology have noted (Saunders 1971; Lattimore 1979; Khazanov 1984; DiCosmo 1994; Liu
2001; Kradin 2002, 2006; Skaff 2004; Frachetti 2012), the age-old cultural dialectic that emerges
between the sedentary core and the nomad further generates 1) varying ideas, from the
perspective of the sedentary core, about the supposed lawlessness or irrationality of the cultures
of the periphery with associated injections of discussions of morality and human nature; and 2) a
tangible, exploitable semi-periphery which both the sedentary core and the nomadic periphery
might take advantage of and in which the dialectical twain might even come into conflict.
This dialectic is not as black and white as it seems. Rather the semiperiphery, or “frontier
zone” of Skaff (2004), becomes its own marginal space within marginal space, a fluid, liminal
zone in which marital alliances are built, slaves and goods are exchanged, barbarian kings find
Bacchus, golden artifacts fall from heaven, and conflicts of all sorts occur. Peripheral groups
become dependent, to a degree, upon goods produced in the core, and the semi-periphery
becomes the zone in which they most frequently obtain those goods through either trading or
raiding, and, when the opportunities present themselves, the creation of large kingdoms or
empires. Likewise, the core utilizes the semi-periphery zone as its own means of obtaining raw
goods from the hinterlands and beyond, as well as supporting its own centralized system through
the exercise of its power, both politically and technologically. Moreover, the self/other
dichotomy becomes bracketed in the complex power structure and framework of polis/nomad
interactions. The history of interactions between native Pontic and Ancient Greek colonial
cultural systems further illustrates this historical process.
As the Ancient Greeks departed from their own historical Dark Age and entered a period
of expansion into the larger Pontic-Mediterranean world, the “barbarian” came to occupy the
space of “indigenous other” in the Greek worldview. At the same time curiosity about a
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constructed past that was, even at that time, ancient led to the investigation of the religious
traditions of so-called barbarian cultures on the part of educated Greek thinkers and
mystagogues. The result: the collective of various sources on foreign, “barbarian” religions
gradually fed into the construction of the Hellenic cultic traditions under the pedigree of
Hyperborean Golden Age antiquity. One possible explanation I offer notes a Romanticist-type of
ideology in the mytho-religious ontology of the Ancient Greeks which 1) fostered feelings of
sorrow for leaving the past behind, as they imagined it, for the progress of seemingly more
complex eras, and 2) grief for subjecting more “primitive” peoples to the yoke of polis-
civilization and thus polluting their Hyperborean virtue. These may have been popular
sentiments which myths about Hyperboreans and the Golden Age perpetuated via elite cultic
traditions. Moreover, they paradoxically coincided with bigoted notions of barbarians as
exploitable, lawless savages incapable of cultural progress. Finally, these sentiments did not
typify all of Hellenic society but did typify the ideologies of mystery societies.
The Enlightenment recapitulated this entire process with a different set of variables.
Primitives of the global periphery inevitably represent in the Western mind what once was,
despite ethnology to the contrary. As the Scythians were to the Greeks, and as the Germans were
to the Romans, the “Indians” were to the Europeans of the colonial period and beyond, an
observation which Kehoe (1996, 2007), Romm (1992), and Feest (2007) also make. Given the
Enlightenment thinkers’ obsession with Ancient Greek and Roman literature, in addition to
Renaissance geographers’ utilization of Classical sources, the construction of the otherness of
indigenous peoples in newly colonized lands, especially the Native American peoples,
essentially emerged out of the same Classical understanding of human nature as did the
barbarian. They inevitably tried to understand indigenous groups through their own
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preconceived, Eurocentric notions about human nature. Was there any way around this however?
As Feest notes (2007:328), “all academic approaches, no matter how politically detached and
theoretically innovative, are ultimately part of a European and not an indigenous American
tradition of looking at the world.”
Colonialism inevitably marginalized the “savages,” no matter how “noble” armchair
scholars thought the world’s natives were. Now, in a globalized era, voices from the otherized
groups grow in volume, and the perspectives from the fringes are entering the main stream of
discussion (e.g., the Trask-Keesing debate, dealt with below). As Western consciousness is made
to feel collective guilt over the effects of colonialism and globalism (despite globalization being
an urban-industrialism problem, not just a “Western” problem), as well as industrialism,
consumerism, etc., the “indigenous other” has become the Hyperborean analogue in its
construction. Consequently, Kehoe (2007:194) remarks that “thousands of Americans and
Europeans believe…that American Indians retain a primordial wisdom that could heal our
troubled world.” As good-natured as such beliefs are, they unfortunately originate in a long
historical context of colonialism. In reality, the same problems which plague marginal sectors of
Appalachian and Rust Belt America plague many of the Indian Reservations. Yet, many people
revere the archetypal Indian as somehow spiritually untainted by history. I posit that this
Eurocentric, Hyperborean view incorporates not only the aboriginal cultures of the Americas but
the entire category of “indigenous” culture as a whole globally into a tradition in which their
identities have already been invented or prepared for them as “indigenous other.”
The current emergent esoteric religions, which this chapter addresses, seek to return to a
Golden Age that-never-was, a Romantic, evolutionary myth about the root of all religions in
“primitive man.” Almost laughably, the indigenous other becomes, from the urban perspective of
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the modern polis, a vestige of simplistic paradise and closeness to Mother Earth. Movements
such as neo-shamanism, neo-paganism, witchcraft, and theosophy claim both ancient, primordial
origins and access to pre-modern wisdom that has been lost over time. However, movements
such as these originate not in the distant past but in a very contemporary, educated context. They
are among the many products of Enlightenment-era discussions about ancient civilizations and
primitive man, and more accurately, part of the school of thought which became Romanticism.
The context of the times always determines the subject matter of the Modern esoteric, occult
traditionsClassicism for T. K. Oesterreich, Orientalism for Aleister Crowley, Nordicism for
Helena Blavatsky, and primitivism for Mircea Eliadebut the object always revolved around
access to so-called forgotten knowledge of the ancients. Subsequently, the real issues were: who
were these ancients? What is the source material of the knowledge base for these esoteric
traditions? And what was the context, social and historical, in which that knowledge was
acquired? The problem emerges as one of the politics of culture. The “ancients” become a
Romanticized or exoticized other, and the knowledge, if it has any authenticity whatsoever, is
disembedded and reinvented to fit the new paradigm. Ancient European religions like Greek,
Celtic, and Roman mysticism, long dead, are resurrected through Classical literature and a
philosopher’s drive to emulate the glorified ancients. Orientalistic mysticism is invented from the
conflation of modern Islamic civilization, as if an unchanging body of culture, with Ancient
Egyptian and Akkadian imagery and reconstructed mythologies for an English eccentric.
Nordicism blends Indo-European research with the Romanticization of the Germanic barbarians,
politically charged ideas about race, and seemingly pure fantasy in the mind of a Russian spirit
medium. Has Mircea Eliade followed in the footsteps of his mystic predecessors rather than the
footsteps of his beloved prehistoric forebears?
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The Invention of Shamanism
This thesis thus far has examined the socio-cultural context in which the Ancient Greeks
invented the traditions of barbarian identity and religion within their own mythopoeic ontology
of Hyperboreanism and the mystery cults which emerged from that process. All the while the
issue of shamanism persists throughout the discussion, as some scholars claim it relates to both
to Greek mystery religion and native Pontic religion. The latter category might have a stronger
claim to that assertion than the former given its connection to trans-Eurasian steppe-taiga cultural
groups we discussed in the last chapter. Nevertheless, the fact remains that shamanism, in a
contemporary sense, is the product of Western thought, much like the barbarian was a product of
Ancient Greek thought. However wide-sweeping, shamanism is based upon real empirical
observations and literary/oral traditions of extant indigenous groups, archaeological assemblages,
and historical literature, whether or not those groups have any substantial relationship to one
another.
Despite those scholarly efforts, shamanism is pieced together as a composite category in
which the components represent supposed links to a remote past, a mythic phase of human
evolution. As such, in a global age shamanism has become a culturally recognizable tradition
that draws its authority from its supposed antiquity as the primordial root religion of all
humanity. Like the Ancient Greek mystery cults, shamanism fantasizes about the primitive purity
of the past and glorifies the indigenous other as manifestations of that purity with little or no
grounding in the real conditions of the non-indigenous/indigenous relationship which brought
indigenous traditions into the non-indigenous episteme. Thus shamanism is an invented tradition
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borne not out of the great depths of history but out of relatively recent socio-cultural
circumstances which the modern, globalized world has shaped. This process is nothing new in
history (e.g., Greeks and barbarians); it occurs now under a new name and with a different cast
of characters.
Let us better clarify what an invented tradition is, since I have liberally applied this term
throughout my research. E. J. Hobsbawm describes an invented tradition as “a set of practices,
normally governed by overtly or tacitly accepted rules and of a ritual or symbolic nature, which
seek to inculcate certain values and norms of behaviour by repetition, which automatically
implies continuity with the past” (1983:1). This is precisely what shamanism is, at least as a
category of Western thought. Although Hobsbawm and other members of his camp apply this
concept to history at large, I do not. And although history is certainly bound to the cultural
context in which it is recorded and is often hence a “foreign country” to the modern reader (see
Lowenthal 1985), not all history is pure fantasy, nor does “tradition” automatically imply
“invented. That being said, traditions do run the risk of alteration at the hands of those who
control the narrative, and some narratives, though not all, can become entirely concocted. Thus, I
do find the concept of the “invention of tradition” useful for describing specific instances of
tradition-inventing, and I find that shamanism is one such case. Thanks to Eliade, Hultkrantz,
Harner, and others, the narrative of shamanism as universally “indigenous” and “ancient” is
repeated in popular culture and to an extent in academia. Because it is associated with the vague,
usually homogenized category of indigenous other, the myth that shamanism represents pre-
colonial religious traditions around the world persists.
The obvious problem with shamanism, even as an analytic tool is the sheer volume of
multifarious cultural traditions which scholars and enthusiasts include within the shamanic
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bracket, so much that some scholars have called for discussion of “shamanisms” in the plural
rather than the unified singular (Atkinson 1992). Moreover, from one end to another the
multitude of traditions contrast with and contradict one another so that one can discern no unified
body of rituals, beliefs, etc., which one could accurately call “shamanism.” For the sake of
illustration, one might face some difficulty linking the spiritual traditions of the modern
Yukaghir (Pedersen 2001) with those of the medieval Altai Turks (Saunders 1971). One would
face insurmountably more difficulty linking Kwaio ancestor worship in twentieth-century
Solomon Islands (Keesing 1982) to Upper Paleolithic bear ceremonialism in Northern Europe
(Germonpré & Hämäläinen 1997). In each of these arbitrarily chosen examples, the respective
scholar sparingly, critically, and carefully uses the term “shamanism” in the discussion of their
respective topics. However, the only supposed link between each of these traditions is their
origin as indigenous or primitive. From the Western-global perspective, shamanism is the
religion of a newly constructed category of barbarians.
The unified shamanism of Eliade et al. would include each of the cultural examples
above among countless others as evidence of the wide distribution of the most ancient of
religions. The prerequisite for shamanism, in the Eliadic mind, is not necessarily any parallel in
cosmology, mythology, ritual, social structure, etc., but rather that the subject tradition is either
indigenous, ancient, or both. Most often the two have been conflated. Pan-Shamanism has thus
essentially constructed itself as the catchall of supposedly pre-Modern or prehistoric religion. In
a Jungian sense, the emergence of urban or neo-shamanism and related traditions among
contemporary Westerners signifies a cultural encounter with the primordial shadow of
humanity’s savage past, albeit a past which never really was. It chases a fantasy, a patchwork
myth, in search of wisdom which the progress of history allegedly left behind and aboriginals of
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the world have carefully guarded for countless millennia. Whisker (2013:359) scoffs at such
“naïve and romantic conservatism” which neo-shamanism becomes: “To suggest that
contemporary modes of ‘spirituality,’ including ‘neo-shamanism,’ are a ‘rediscovery’ of ancient
truths offers a circular justification of the post-Jungian framework which the anthropological
archive does not support.” Atkinson (1992:322-3) holds similar reservations, especially with the
emergence of “urban shamanism,” which “aligns its adherents at once with Nature and the
primordial Other, in opposition to institutionalized Western religions and indeed Western
political and economic orders.” As such, many Western neo-shaman enthusiasts would find it
problematic that many so-called indigenous groups around the world have chosen the religions
of the colonialists, that they would be Muslims, Christians, and Buddhists rather than follow
their primitive root religion of shamanism. How dare those indigenous peoples! Don’t they know
any better?
Atkinson and Whisker thus agree that the current construction of shamanism is based
upon Jung’s psychological shadow, the primitive other. In the shamanic paradigm, self-
actualization occurs as the dialectical synthesis of the Cultivated, modern-Western self with the
prehistoric, Wild other. For neo-shamanists like Michael Harner and followers of the New Age
philosophy, shamanism is a critique of Western culture through contradistinction with a
constructed noble other. Recall our discussion of paradeigmata as an Ancient Greek literary
trope (Hartog 1988; Romm 1992). Hartog especially favors the interpretation of the barbarian-
other as a “mirror” of the Greek-self rather than as ethnographically accurate depictions of
Pontic-Caspian Steppe lifeways. Basically, Hartog argues that the Ancient Greeks embedded
their own societal deficiencies into the construction of otherness, that the barbarian merely
shadowed the Greek, at times criticizing the complexities and hypocrisies of polis-lifeways, at
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other times representing the darker, chaotic past of the Hellenic mythos (see Shaw 1982-3 for a
similar examination of pastoral nomadism and barbarian otherness). The indigenous shaman, as a
modern trope of sorts, operates in like fashion. Abstracted as other, the shaman is subject to the
context of the polis-self and becomes both a criticism of the shortcomings of modernity and the
idealized spiritualist of modernity’s forgotten past. In reality, shamanism has about as much
basis in reality as Hyperboreanism and Abaris. That the shamanism construct bears so much
resemblance to the Greek construction of the barbarian cultural traditions should come with little
surprise. Rather, one can find more surprise in the history of the theory of shamanism, that is, in
the origins of the construct as it stands today as an emergent religious movement.
Shamanism’s own origins are relatively recent. Enlightenment thinkers, and the
Romanticists who followed them, steeped in classical literature and inevitably confronted with
the ancient idea of the noble savage, thus interpreted their own worlds through a privileged
classicist’s lens. Their Enlightenment theories were put to the test as colonialism and imperialism
ever expanded the frontiers of knowledge beyond even the exotic Orient to the apparent
simplicity of primitive cultures on every fringe of the map. One only needs to read The Travels
of Sir John Mandeville to see how the peoples at the ends of the earth represented the primitive
state of man for Late Medieval and Early Modern Europeans in the same way Herodotus and
other ancient scholars and artists described distant foreigners from Hyperboreans to Pygmies.
As Znamenski (2007) notes, the Romanticist thinkers tried to fit the primitives into their
own notions of cultural evolution and origins of traditions, and the term shaman itself originates
in the context of Russian imperial expansion into inner Asia. Encounters with native spiritualists
of various sorts, especially among the widespread Tungus people, fashioned a niche in the minds
of the European explorers which they came to call “shaman.” Through the nineteenth and the
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first half of the twentieth century, shamanism has expanded to include the native religious
traditions of just about every conceivable geographic and chronological space. Even after
cultural evolution fell out of style in ethnology, shamanism remained, and very well remains, the
last bastion of the evolutionary paradigm. Even as the theoretical frameworks changed,
shamanism maintained a distinction as the religion(s) of the savage, which left the theorizing to
the discussions of sorcery, totemism, animism, magic, etc. All the while, few scholars attempted
to dissect what shamanism really was beyond its use in qualitative descriptions of various
primitive or indigenous religions. Thus it remained a putative scholarly category up through
its popularization beyond anthropology in the mid-twentieth century. Sidky’s recent ethnography
of the native religious traditions of Nepal offers a better criterion for describing shamanism as
spirit-mastery, but the analysis still lacks a more careful consideration of indigenous-ness as the
essence of the larger conception of shamanism within academia and beyond. However, I still
applaud Sidky’s efforts for his rejection of Eliade’s paradigm and the maintenance of the Central
Eurasian context for understanding the shaman.
As for shamanism’s resiliency as a topic of discussion, Atkinson (1992:308) remarks that,
rather than perpetuate an evolutionary model of shamanism, recent psychological research on
altered states of consciousness has sought alternate explanations for shamanism in supposed
“universal human proclivities.” Although Atkinson criticizes the psychological perspective of
shamanism for its reliance upon neurophysiology and lack of regard for “associated structures of
ritual, knowledge, and society,” she notes the strength of the psychological perspective in that it
stresses the epistemological dimension of the category (pp.311-12). The object of studying
shamanism at this point aimed to uncover the ways in which shamanism describes indigenous
modes of knowing the world which separate them from the Western modes of thought. In this
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way, the Altered State of Consciousness (ASC) makes shamanic epistemology “revelatory”
within its own cultural framework. In the words of Pedersen, shamanism here might refer to
indigenous ontology as relying upon ASC as a path to knowledge offering an alternative to
Western rationalism. I still find this an overgeneralized understanding of indigenous religions,
indicating more about Westerners, in bouts of postmodern nihilism, looking to the spiritual in
response to a supposedly unspiritual society in which Westerners find themselves.
Postmodern criticism of scientific empiricism fueled the serious reexamination of
shamanism as a reputable and reliable epistemological alternative to Western knowledge in the
late twentieth century. The detrimental socio-economic and environmental effects of
industrialism, urban-sprawl, and post-colonialism further prompted this reexamination. Thus
modern consciousness began to view the primitive other as a source of prelapsarian wisdom, and
shamanism began to take on eschatological tones of salvation in an age of rapid globalization.
Those who take Eliade seriously would view shamanism as the only route back to Eden and the
answer to our supposed “yearning for paradise” (see Eliade 1959). Consequently, Michael
Harner (1980) provides the “how-to” with his step-by-step instructions and ethnographic tidbits
for the fledgling shamanist on her or his way back to the Hyperborean bliss of the Paleolithic
Golden Age.
The emphasis on the need for healing, both physical and spiritual, in the modern human
condition has also attracted medical anthropology and alternative medicine to the study of
shamanism. As Atkinson (1992) relates, psychological theories of shamanism have contributed
to this trend through their focus on ASC and healing. Porterfield (1987) and McClenon (1997)
agree with the interpretation that shamanism represents the most ancient form of healing and
psychotherapy in human cultures. Medical anthropology offers reconsiderations of indigenous
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healing systems as alternative medicine, and neo-shamanism makes ample use of such traditions
(Fotiou 2016). Again, Michael Harner (1980) even becomes a DIY self-healing manual in this
context. Harner also advocates the anthropologist as a sort of shamanic savior to the ills of
indigenous people (Harner 1996). While the global social and environmental ills are real, does
the study of shamanism offer any real solution for those in the most marginal of space in the
globe? Or are we, the anthros, to become Salmoxian charlatans and deceivers? This remains to
be seen, but we should also consider the context in which information on indigenous traditions of
spirituality and healing is absorbed into the conglomerated category of shamanism.
It is out of these workings that the emergent religions of neo-paganism and the New Age
appeared alongside and, more precisely, as a part of the developing world religion of shamanism,
or to use the more precise terminology of recent literature, neo-shamanism. Because of their
origins as Western invented traditions which glorify the constructed “primitive other,” as the
Greeks did the mythic Hyperboreans, neo-paganism, New Ageism, and urban or neo-shamanism
are really variations of the same cultural phenomenon. They exist in opposition to the accepted
dominant paradigms and ideology and claim primitive or pan-indigenous origins. Although these
movements boast respect for indigenous cultures, spirituality, and nature, they ultimately
originate in Euro-American, educated, urban culture-centers. The world of the indigenous, of the
spiritual, of the natural is alien and other, outside the polis, from the comfortable perspectives of
the urban shamans and initiated mystagogues. Thus, as these shamanic movements utilize an
ethnographic grab-bag of traditions, politics of voice and narrative determine what is shamanic
and what is not rather than allow the indigenous their own agency.
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The New Age and the Politics of Culture
The New Age movement, like shamanism, is difficult to define because it more
accurately refers not to a unified religious tradition but to a wide variety of modern cultural
phenomena amalgamated under a post-globalized, post-Western ideology. The term originated in
the twentieth century as the culmination of esoteric thought and Eliade’s concept of pan-
shamanism. Esoteric mysticism, also known as theosophy, was popularized in the late-nineteenth
and early-twentieth centuries with figures such as Helena Blavatsky and Aleister Crowley.
Theosophy itself is somewhat of an amalgamation of Eastern philosophies, European mythology,
and Enlightenment-Orientalist ideals, such as the noble savage. Though theosophy fell out of
style by the middle of the twentieth century, its emphasis on religious universalism and
Romanticized roots influenced the writings of Mircea Eliade, who posited shamanism as the root
of all spirituality. Consequently, the New Age movements of the latter half of the century
essentially combined theosophy and shamanism into a new world religion in preparation for a
purportedly utopian, global age of human evolutionary history.
Early criticisms of this New Age movement began in the 1970s with direct scholarly
opposition to Eliade’s shamanism (see Ch. 1). However, most anthropologists of shamanism
have and continue to use modified versions of pan-shamanism, if for nothing more than the
concept’s categorical convenience. Some, such as Michael Harner, popularized shamanism
outside of academia to a public, having emerged from the cultural revolution of the 1960s into an
expanded global self-awareness. The industrial world of the West retreated to the Third World in
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the decades to follow, and the world economy grew into a complex web and hierarchy of
socialization more powerful than anything the human race has seen before. Finally, the arrival
and expansion of the internet all but completed this socio-economic labyrinth. The world
suddenly found itself in a maelstrom of communication, and aboriginals, whose worldviews
would otherwise go unseen by Western viewers, are now posting statuses on corporate social
media outlets and contributing to this process. More importantly, they see the worldviews of
Westerners through social media, and they have access to many of the same sources of
information (e.g., YouTube, blogs, news sites, encyclopedias, and scholarly literature). Western
New Age traditions capitalize on the wealth of indigenous information and worldviews they find
through various global media; yet indigenous groups with access to the same media have fared
differently. Has the information boom affected indigenous views of themselves and of their
religious traditions? Does the concept of shamanism, information on which is available all over
the internet, alter localized native traditions? This remains to be seen.
Their inclusion in the global socio-economic system has turned indigenous traditions of
art, religion, and identity into commodities, mostly for New Age consumers, however. These
New Age consumers of tradition may be in search of wisdom, but they miss the fact that the very
system upon which they rely to discover this wisdom also exploits, both culturally and socio-
economically, indigenous peoples on a global scale. Very few, if any, cultures have escaped the
impact of this growth of global imperialism which emanated from the Western world centuries
ago, despite recurrent legends of “uncontacted” tribes in this or that place. Furthermore, New
Agers are guilty of disembedding the material for their philosophies from indigenous sources
with little attention to context. Rather, they cherry-pick elements of various traditions and
combine them into entirely individualistic and personalized ontologies. So-called Eastern
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traditions, like Buddhism, Hinduism, Sufism, and Ancient Mesopotamian/Egyptian religions,
have long been a part of theosophy and other occult ideologies and practices via Orientalism, and
they are fundamentally important to New Age philosophy. However, it is the inclusion of
shamanic indigenous religions into Western consciousness that makes the New Age what it isa
global ontology created, like the rest of the global socio-economic system, through imperialism.
Still, few anthropologists have methodically criticized the New Age, and most have either
dismissed the movement as a fad, like the hippie movement, or ignored the issue altogether. A
minority actually show some support for New Age and Neo-Pagan groups, perhaps with the
intention of providing a contextual basis for the ideologies of these groups. For example, Ruth
Prince and David Riches understand the Glastonbury New Age community in the United
Kingdom “as endeavouring to reestablish the fundamentals of human social life and as
attempting to put such fundamentals into daily practice (1999:119). Though the authors are
critical of New Age interpretations of hunter/gatherer social systems, Prince and Riches gleefully
contribute academically to their “genuine and conscious social experiment devoted to social first
principles,” yet without dissecting what these supposed first principles really are. Nevertheless,
the authors either ignore or have not realized that, in spite of New Age ideology’s denouncement
of materialism, followers of New Age ideology are still part of the consumer system as
consumers and purveyors of indigenous traditions.
In another study, Daniel P. Mears and Christopher G. Ellison (2000) surveyed the Austin,
Texas area on the issue of the consumption of New Age materials and paraphernalia, and they
found it is widespread, yet they make no major theoretical claim about this trend beyond the
study’s scope in central Texas. Similarly, Arthur A. Dole’s survey noted the lack of systematic
perspectives on the New Age movement, yet he offered little more than the suggestion that
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critics should take a closer look at the socio-cultural forces behind the movement (1993:275).
More recently, Maria Julia Carozzi demonstrates her support for the New Age communities in
Buenos Aires, Argentina, and like Prince and Riches she contributes ideologically with her
discussion of some of the more esoteric areas of New Age philosophy (2004:607). More
importantly, she identifies a socio-cultural dichotomy in Buenos Aires, particularly concerning
the class division between lower-class Pentecostal Christians and upper-middle class New Agers.
This gives the reader some insight into the kind of privilege New Age enthusiasts enjoy.
Scholars have brought up similar criticisms in discussion of European Neo-Pagan
movements, namely due to their reliance upon reinventions of an era of European culture which
has long since passed. Marija Gimbutas’s research on a supposedly pre-Indo-European, “Old
Europe” Mother Goddess cult, for instance, has inspired some feminist scholars and Neo-Pagan
groups to adopt a pan-goddess tradition which contends with the academic mainstream (Bevan
1987; Rountree 2007). Goddess Feminists, for example, operate cultic tours and ceremonies at
the Çatalhöyük site in Turkey, supposedly the location of a Neolithic Mother Goddess cult. The
Goddess tours draw pilgrims from around the world, but typically from a milieu of college-
educated Westerners. Rountree (2007) admits that the movement is based more in the politics of
discourse and multivocality than in tradition.
In non-feminist discussions of Neo-Paganism, Michael York (1999) describes Neo-Pagan
movements, such as Wicca in England, as “invented traditions,” and Adrian Ivakhiv (2005)
contextualizes post-Soviet Ukrainian Neopaganism in terms of its ethno-nationalistic political
leanings. Michael Strmiska (2000), on the other hand, praises the Asatru movement of Iceland
for its openness, in contrast to the xenophobic and racially-driven Neo-Pagan movements of
mainland Scandinavia. These Neo-Pagan movements began with the Theosophy movement of
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Helena Blavatsky, whose ideology of Nordicism (i.e., the belief in the spiritual-evolutionary
supremacy of the Nordic race) influenced the ideology of the Nazi party. However, Scandinavian
Neo-Paganism did not gain popularity until the 1980s, decades after the Wiccan and Druidic
movements of the British Isles had been well established. When it did, it emerged as the
byproduct of the subversive, underground metal music scenes.
Musicians such as Quorthon (deceased) of Bathory and Gaahl of Gorgoroth and
Wardruna, among countless others, draw upon Norse mythology and imagery in a revival of
cultural pride in pre-modern/pre-Christian European culture and in environmental purity, what
might together be called “pagan purity.” Moreover, Wardruna’s message of “sowing new seeds
and strengthening old roots” summarizes their primitivist outlook. The Viking and Black metal
scenes are ideologically rooted in anti-Christian ideology and satanic and pagan imagery, staples
in heavy metal music since the late 1960s for their counter-cultural potency. Scandinavian Neo-
Paganism grew out of this trend in music history as the interests of “metalheads” turned towards
their own Northern European heritage for inspiration. Kennet Granholm, in “‘Sons of Northern
Darkness:’ Heathen Influences in Black Metal and Neofolk Music,” examines this overlap and
the reinvention of tradition in Scandinavia as a turning to “European pre-Christian Traditions”.
The crux of his argument is that the
key characteristic of Traditionalism, as well as the later Radical Traditionalist movement,
is the rejection of dominant Western cultural and societal values and norms. Instead, the
attention is shifted away from the modern West, and to what is considered to be more
authentic culture and uncorrupted expressions of eternal wisdom (2011:537-38).
This translates to Scandinavian musicians looking to past folkloric traditions in their homeland
for lyrical source materials and often a folkish arrangement of style and instrumentation.
By the 1990s, extremists in the Neo-Pagan scene, notably Varg Vikernes of Burzum,
turned ideological opposition into “lone wolf” acts of terrorism. Although the majority of
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Scandinavian Neo-Pagans view themselves as outside of a corrupted cultural system and attempt
to return to their cultural roots, they do not burn churches or stockpile weapons and explosives.
Only a small minority commits these acts; and yet, even Vikernes enjoys the privilege of
disseminating his Neo-Pagan ideology via his website (ancestralcult) and Youtube page
(ThuleanPerspective) for consumers of both black metal music and Neo-Pagan literature and
ideology. He lives today with his wife and children “off the grid” on a farm in rural France
conducting a social experiment of his own by supposedly getting back to his roots.
Vikernes and the various European Neo-Pagan groups have in common the opinion that
their traditions are in fact traditional and, therefore, of a nobler virtue than modern scientific and
Christian traditions. However, like neo-shamanism, these traditions are invented upon the
premise that they represent the indigenous traditions of Europe before the advance of history
silenced them long ago. In reality Neo-Paganism is something more like fantasy and
Romanticism mixed with scant primary texts, ethnographic literature on unrelated cultures, and
political narratives regarding claims to “holy sites” like Stonehenge. For Neo-Pagans, the pre-
Christian barbarians of Europe represent something like the Hyperboreans of Hellenic lore. In
other words, they are creating the past to affirm their own new identity. As such this assumes a
political stance in the authority of the narrative about the past. Combine this with the current
situation of seemingly unbridled immigration of Eastern “others” and a supposedly leftist
Christian culture doing nothing to resist it in most European countries, it is not hard to see at
least why far-right neo-paganism is gaining more and more strength. Vikernes is happy to
disseminate his views on this topic on ThuleanPerspective. Like neo-shamanism, neo-paganism
also carries eschatological tones in an age of increasing chaos and rising “tribalism, whereas
Christianity becomes an easy scapegoat for neo-pagans and European black metal fans.
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Roger Keesing (1989) notes this same process at work in many native Pacific Island
groups who reinvent the narrative of their histories in a post-colonial context. Like his
contemporaries, Handler and Linnekin (1984), Keesing claims that indigenous Pacific writers
have managed to integrate Western noble savage ideas into their own historical identities, redact
those aspects of their past which contradict that image, such as human sacrifice, and that the
natives thus “are creating pasts, myths of ancestral ways of life that serve as powerful political
symbols (1989:19). The mythic past, in essence, becomes the idyllic solution to the socio-
political problem of self-identity in the present context of decolonization. Keesing raises the
question, are these indigenous traditions actually traditional after centuries of integration into the
Western global system? Or, like the shortcomings of Eliade’s shamanism, are they merely part of
a Romantic attempt to return to a Golden Age?
This sparked a heated debate with native Hawaiian activist and scholar Haunani-Kay
Trask (1991) who contended that indigenous peoples should be given the dignity of determining
their own histories however they want, and any criticism from an outsider is a recapitulation of
the colonialist mentality. It is an issue of power over the narrative and over the actualization of
self-identity over other-identity:
For Hawaiians, anthropologists in general (and Keesing in particular) are part of the
colonizing horde because they seek to take away from us the power to define who and
what we are, and how we should behave politically and culturally (Trask 1991:162).
Keesing (1991) retorted that the politics of the narrative do not change the historical facts about
the natives’ identity before colonization and how the process of colonization has altered their
perceptions of that history. Trask herself is educated in the American school system with a PhD
in political science from Wisconsin-Madison. Does this fact ultimately devalue or strengthen her
position? Keesing treats her as a peer in the academic arena, but Trask’s identity as indigenous
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also plays into the politics of the narrative. Does Keesing have the right to criticize her stance?
Or does his position as a privileged, white, male scholar deny him that right? Who does have the
right to determine the facts of the narrative? Similar indigenous criticisms have been laid against
the European Orientalist school in the twentieth century, with Edward Said leading the charge
against the antiquated and inaccurate view that the “Orient” was “timeless and unchanging”
(Said 1978; Gershoni et al. 2006:32). Indigenous cultures are no more timeless than the Orient,
despite the Romantic-primitivist notion that they are. Rather, contemporary indigenous cultures
are as embedded in historical contexts as the rest of the world, particularly in a globalized age.
This issue of the politics of narrative and tradition is widespread throughout the
discussion of indigenous religions, shamanism, and the emergent Western “primitivist”
traditions. This is now especially true as more and more people from marginalized cultures and
indigenous backgrounds enter the discussion of traditions. This gives the voiceless the political
clout to determine the narratives of their traditions, but it also runs the risk of amalgamating and
re-colonizing local traditions into a global consciousness of traditions, as is the case with the
New Age. Before the approach of the popularly anticipated year 2012, Robert K. Sitler (2006)
criticizes the consensus among “millennial” New Age enthusiasts for their misappropriation of
Mayan tradition concerning the “Long Count” calendar. According to Sitler, the Mayan calendar
was merely a small part in the traditional Mayan ontology in which time occurs infinitely in
cycles which each span several millennia. As with theosophist Helena Blavatsky’s ontology of
cyclical ages, New Age philosophy understands the universe in terms of cycles. Mayan
civilization’s non-Western and ancient origins further legitimate Mayan status as primordial
wisdom. Thus it is unsurprising that the Mayan calendar became fodder for New Age consumers.
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Sitler describes how José Argüelles, “the Mexican-American spiritual teacher responsible
for the so-called Harmonic Convergence that took place in mid-August 1987,” brought the
Mayan calendar into New Age, Western consciousness through the internet (2006:25). Argüelles
even sells Mayan calendar merchandise on his official website. However convenient this might
be for New Age enthusiasts and ideologuesand profitable for the latterit consequently does
little to present accurate information on the indigenous Mayan culture today. Rather, it masks the
reality of the position of indigenous traditions in the world systema raw good to be exploited
and processed for consumption in the First World. In the instance of the 2012 hype, Silter
explains the impact of globalism on Maya tradition:
Many of the self-proclaimed [New Age] leaders of the 2012 movement have successfully
appropriated this date from an ancient Mayan calendar by explicitly linking themselves to
the living Mayan world. They have done so with the help of a small group of Maya men
who lend an air of indigenous authenticity to their 2012 teachings but who lack a
substantial base in their own cultural heritage. In doing so, 2012 proponents have
transformed belief in the global significance of the December 21 date into a snowballing
phenomenon that no amount of evidence can constrain (p.34).
Carreño (2014) examines the interface of indigenous Peruvian traditions and New Age
enthusiasts, and he finds a rather drastic contrast between the worldviews of the participants in a
certain annual pilgrimage and festival. Basically, whereas the locals came from impoverished
marginal space and went on the pilgrimage in hopes of alleviating the pain of their poverty, the
Euro-American New Agers, he reports, expressed disappointment at the locals’ lack of focus on
spiritual enlightenment. Here, the politics of culture could not be more pronounced as the New
Agers exercise imperialistic power through attending such exotic spiritual retreats:
Their return to nature is launched from particularly privileged positions within the
lifeworlds that have emerged from the modern ways of objectification implicated in the
work of purification. Having taken for granted benefits of being US or European middle
classes, New Age pilgrims seem to be able to disassociate the material means that allow
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them to be comfortably present in the pilgrimage from their spiritual task of reconnecting
with the spirits of nature (pp.198-99).
Consequently, the New Age domination of the symbolic meaning of the pilgrimage in this case
wrests the narrative from the hands of the indigenous and brushes them off to the side as fossil
tokens whose only purpose is to add to the “authentic” aesthetic for the Westerners. The
pilgrimage symbolizes much more to the locals than a privileged eco/ethno-tourist could ever
know. Similar issues occur with the emergent ayahuasca-tourism in the Amazon in which
traditions of healing and rites of passage of immense importance to the people who occupy the
marginal space of the Amazon, have gradually experienced an increasingly problematic influx
Western tourism since the days of Michael Harner, where educated Westerners make the
expensive journey to the Amazon to have a supposedly authentic experience of the exotic other
(Fotiou 2016).
The salient issue with the neo-shamanic movements under the banners of the New Age,
neo-paganism, and the like, is their origin as “Western” phenomena. They are traditions
reinvented in the confluence of contemporary narratives about pre-Christian, pre-Modern
European culture and, in the wake of globalization, the Western-self looking at a constructed
global indigenous-other. Thus a plethora of local mythologies, folk medicines, healing traditions,
and anything that remotely appears to tap into a nexus of the spiritual and natural worlds, have
found their ways into reconstructed New Age philosophies, Pagan rituals, and the personal
worldviews of educated urbanites. Schnurbein (2003), for example, notes how the Norse neo-
pagans rely upon literature on shamanism to fill in the cracks, so to speak, of a resurrected
religious tradition.
Thus contemporary, globalized shamanism originated in and thrives in the deeper pool of
the politics of culture, the great dialectic of narratives which dictate tradition. In many ways, the
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evolution of the narrative has turned the noble savage archetype of the indigenous other into the
dominant popular construct of the other. Revisionist history has certainly contributed to the wide
acceptance of the noble indigenous other through the rejection of the noble savage’s Jungian
shadow, the bestial savage, despite sources in history, archaeology, or ethnology which
contradict any binary paradigm. For instance, in North America, the history of scalping has
proven problematic for Western advocates of the “Indian” other as noble savage as well as
American aboriginals’ trying to establish their own voice in the general narrative (Axtell &
Sturtevant 1980). It is true that colonialists offered bounties for scalps, as Axtell and Sturtevant
(1980) make clear. However, this does not necessarily indicate that the practice was introduced
from Europe, as no evidence exists of scalping as a practice in Europe at the same time. Despite
a wealth of evidence to the contrary, those who wish to abjure the native origin of scalping rather
put forward an alternate narrative which paints scalping as a barbaric European practice given to
the Indians, who essentially lost their innocence to European invasion. Oddly enough, Herodotus
provides the lone source for this revisionist history of scalping, as he mentions the Scythian
nomads, hardly a European group in the modern Western sense, as having practiced this custom
of trophy-taking in war thousands of years before the Age of Colonialism (see Hdt. 4.64-66 for
Scythian trophy-taking).
Trophy-taking in warfare was hardly anything novel in the Old or New Worlds (see
Rosaldo 1980; Seeman 2007). The problem lies not in who started scalping first but the politics
of the narrative. If you dig up enough dirt, you could accuse any group of being barbaric, savage,
crude, etc. Instead, look at the ideology any accusation upholds. In the revisionist histories of
indigenous traditions, the ideology usually posits an exotic other constructed as noble savage,
just as colonialist histories justified their own injustices through the dehumanizing of natives.
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The persistent Rousseau/Hobbes dialectic is thus manifest in the historical process of
globalization. Furthermore, the template of otherness emerges in reaction to the cultural
hegemony (e.g., Westernism, Colonialism, Modernity, etc.) but also as an ideological product of
that same hegemony rather than as a product of the other. Such is the case in the Keesing-Trask
debate (Keesing 1989, 1991; Trask 1991). Feinberg (1994, 1995) notes that the political issues of
tradition, narrative, and indigenous identity have plagued the discipline of anthropology since at
least the 1980s.
As the world has become more intricately connected over the past three decades since the
internet exploded, and since more and more “natives” have become educated and even
contributors to anthropology, critics have questioned anthropologists’ authority in representing
the indigenous other. Moreover, anthropologists’ works are now almost always accessible to the
subject culture, which allows for a new type of ethnographic “peer review.” Thus there is more
native/anthropologist interaction than ever before in the discussion of culture. This has not
always run smoothly, but it does allow for greater indigenous agency and vocalization. The
Keesing-Trask debate is nearly a textbook classic example of this trend currently, yet it is only
one instance and a negative one at that.
Either way, the object of the Trask narrative is to vocalize a constructed other using the
Western template of noble savage. Ironically, in the attempt to convey the perspective of the pre-
contact indigenous group, this silences the indigenous as-self in favor of as-other. This was
Keesing’s main concern with the trend in the Pacific, that the historical context of Western
cultural influence could not be redacted from the current indigenous voice. Rather, native writers
and activists needed to find a way to come to terms with the historical context in the vocalization
of their traditions. Herodotus faced the same postmodern dilemma in his Histories, as classical
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scholars have noted (Chamberlain 2001). In his attempt to vocalize whole groups of others (i.e.,
barbarians), he ultimately constructs characterizations of otherness which offer uniform, first-
person narratives and paint images of the barbarians as static “we the others.” The barbarian
existed in the minds of the writer and of his Hellenic audience as a pre-constructed mouthpiece
through which Herodotus dictated his histories. The indigenous other operates much the same
today in the invention of shamanism as a world religion. Native subjects, accurately portrayed or
not, add authenticity to tradition in the eyes of Western readers, unfortunately.
As scholarly and popular literature both currently hold, shamanism refers to (or perhaps
symbolizes) the pre-contact religion of the indigenous minority of the world, whether or not the
writers believe it is imaginary or hypothetical at best to an outright literalist interpretation that
shamanism is indeed the universally primordial human religion. Either way, it exists, as of now,
purely in the minds of those educated in Western style schools, whereas the indigenous subjects
of the theory exist independently of the paradigm as self with their own localized contexts and
histories. It is only a very recent development, perhaps towards the end of the twentieth century,
that the indigenous “others” have come to adopt and contribute to the ideological evolution of
the theoretical category of shamanism. Have natives had any voice historically, or have
individuals become idealized? A number of American Indian chiefs have appeared in the form of
half legendary, half historical vocalized characters in the histories of the American Frontier such
as Pontiac in Robert Rogers’s play Ponteach: or the Savages of America (1765). Other
monumental native leaders could be listed for the American region of the globe alone
Tecumseh, Cornplanter, Bluejacket, Joseph. In the latter half of the twentieth century, Lame
Deer and Vine Deloria, Jr. became the powerful spokesmen of American indigenous traditions.
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The figure of the indigenous leader as a spiritual and charismatic individual has been
established. The chaos of the early modern frontier of the globe generated a drama in which
heroic figures could appear and unite others towards the action of seizing every advantage in
survival in the unexpected social, environmental, and geopolitical upheaval that was colonialism.
This was nothing new on the globe, only new in scale. It was a process that had been occurring
around the world on smaller scales for millennia. The domestication of the horse on the Eurasian
Steppe had similar consequences in a different set of circumstances (Anthony 2007). The
manifold indigenous culture groups of the prehistoric Americas experienced similar historical
cycles, such as Ohio Valley civilizations in the phases of the Woodland Period (Seeman 2007;
Cook 2012), or the unforeseen consequences of an unintended social experiment that was the
introduction of the horse to historic North American aboriginals (Hämäläinen 2003). The
development of cultural power centers such as cult life and politics of tradition, in addition to
organized martial activities, creates and utilizes chaos for the sake of survival, whether
Midewiwin (Howey & O’Shea 2006) or Sun-Dance (Stover 2001). We will deal with this further
below in the next section, but it is worth mentioning that the cycle also enters a spiritual
dimension in the resulting politics of culture, especially for control over the narrative and for
self-actualization on the part of the indigenous other. Either way, the narrative at times paints a
picture of a spiritual native in the face of an oppressive, unspiritual cultural power.
The occasional token indigenous spiritualist makes his (almost always male) way into the
fore of the scholarly discussion with full authoritative vocalization of his perspectiveBlack
Elk, Lame Deer, Dorji Banzarov to name a fewin the nineteenth and twentieth centuries. The
end of the twentieth century brought the indigenous into the cultural power structure of academia
where the politics of culture are played out ideologically. The Keesing-Trask debate
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demonstrates the democratic vocalization the indigenous scholars can wield in the field which
once helped create the ideology of indigenous otherness, especially concerning the invention of
shamanism. Moreover, contemporary indigenous spiritualists are embracing the concept of neo-
shamanism. Thomas DuBois notes that a student of his, a Hmong, was enthused with the
prospect of learning about the supposedly similar shamanism of the Saami people (DuBois
2009:292). That a native of Laos perceived underlying similarities with the religion of European
Arctic natives could say just as much about the globalization of shamanism as it does about any
inherent universal between unrelated traditions. Similarly, in the summer of 2014 I visited a
Curve-Lake Anishinabe elder and keeper of the local lore at Petroglyph Provincial Park, outside
Peterborough, Ontario. A humble man, yet keenly aware of geo-political and environmental
issues, he informed me that a number of indigenous spiritualists from South America had
recently visited and paid homage at his sacred site. I also met a Lakota spiritualist in Kent, Ohio
who not only was educated in psychology but also claimed to be a reincarnated Tibetan.
Nothing is necessarily wrong with these individuals’ views. Rather, these instances
demonstrate the globalization of indigenous identity and tradition. However, these men are also
not fossils of prehistoric culture. They are just as much products of the times as I am. They are
also players in a much larger game in which shamanism has become the proverbial snowball. We
are witnessing a global paradigm shift in which shamanism, as a constructed product of globalist
imperialism, becomes a world religion. What will become of the countless local traditions of
cultural groups around the world bracketed as “indigenous” is unknown. Many will likely profit
from the Western attention given to the exotic other. Many more, as with numerous lost
languages for example, will likely transpire and disappear, or at least become absorbed into the
larger categorical entity of global shamanism. Consequently, as indigenous groups accept the
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Western-originating idea of shamanism, they also accept as self-identity the Western idea of
otherness, the very thing Keesing criticized native Pacific histories for.
The Indigenous Other
The other is nothing new in human experience, although it appears within different
ontological frameworks cross-culturally. The division between one’s self and the non-self world
outside of self is perhaps the most basic first principle in human epistemology, what Martin
Heidegger calls dasein, or “being-here” (1964:96-7). However, this first-principle of human
consciousness, as Heidegger explains, varies due to one’s own specific experiential contexts.
This becomes manifest in terms of the relationship between the ideology of one’s culture cultural
and social relationships between selves and others. As such, the self/other dichotomy bisects
culturally specific understandings of different groupings from gender to ethnicity. Consequently,
self/other contradistinction has fueled anthropological and philosophical inquiry and perhaps lies
at the very root of anthropology as a discipline which too often studies the interaction between
the academic self and exotic other. Yet is this drive also universally human? If one accepts the
Sapir-Whorf hypothesis as viable, one can see how even linguistically the distinction between
first and second-third persons is a psychological and cultural universal, yet it is also malleable to
culturally relative contexts. For example, both a Yukaghir reindeer herder and a German
philosopher view the world in terms of a distinction between self and other, but it is the nature of
that distinction in the relationship between the categories which varies.
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Ethnographically, and also relevant to the discussion of the people who have served as
subjects of shamanic studies, this is demonstrable in the ontological principles of animism,
totemism, and perspectivism among various indigenous groups, as discussed in the previous
chapter. According to Morten A. Pedersen, totemism among Northern Asian nomadic groups
such as the Halx and the Darxad exhibits a type of structuralistic ontology of binary categories,
or “homologous differentiation” between self and other (2001:417). Following the Lévi-
Straussian distinction between “identities in content” and “identities in form,” Pedersen
essentially proposes that totemism is the mental mapping of formal categories of binary
differences on a bounded grid, i.e., “the difference between Species A and Species B is similar to
the difference between Clan 1 and Clan 2.” Self and other thus fall somewhere within opposing
categories within the ontological grid work and operate on the terms of that specific culture. Self
and other also inhabit fundamental space in animist ontologies albeit in terms of categorical
spaces between which identity is fluid and transient and whose relationships might not be as
structured as totemic categories (Bird-David 1999; Pedersen 2001).
In animistic worldviews, the other and self both exist, but the identities of either might be
swapped depending on the social context between specific instances of self/other interactions.
For instance, Rane Willerslev (2007) demonstrates the sociality of hunting among the Yukaghir
where the categories of self/other meet at and cross the liminal space between hunter and prey.
Although self and other are distinct categories, their meaning depends in this case on the specific
cultural context of hunting in Yukaghir animist ontology. As we discussed in my third chapter,
the supposed division between animism and totemism is one in theory rather than reality, as
elements of both can occur simultaneously within the same culture group. Pedersen finds that
animism and totemism are found throughout North Asia and are not mutually exclusive
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categories but rather “governing principles” of culturally specific social contexts. Rather, the
division is in the context of socialization between individuals, whether between humans, non-
humans, or human-non-human interactions.
As the social relationship changes, the meaning of self/other does as well. As Pedersen
(2001) and Willerslev (2007) have noted, a Yukaghir hunter’s encounter with the otherness of
the prey incorporates a different sense of self/other interaction in which the perspectives of
hunter and hunted are temporarily swapped until the pull of the hunter’s trigger. Viveiros de
Castro (1998) calls this perspectivism. The relationship of self/other might change depending on
the context, as in the mediation of a Yukaghir healing ceremony for the sick or in funerary
customs. Self/other for the Yukaghir people also means something quite different from the
self/other concept of the Ancient Greeks. Whereas the relationship between a Yukaghir hunter
and a deer as self and other emerges out of immediate subsistence, the relationship between
Hellenic-self and barbarian-other grew out of the complex colonial economies of the Ancient
Greek polis-systems. Pedersen’s theory of the horizontal-versus-vertical social systems of
animism/totemism posits a correlation between self/other ontological categories and the social
context of a particular cultural system. Northern North Asian groups might tend more towards
animistic principles in their socialization of self/other, whereas Southern North Asian groups
tend more towards the totem.
This difference is further intensified as one examines the social relationships between
complex sedentary core civilizations, like the Greek poleis, and peripheral nomadic groups, such
as the Scythians. Outside of the polis, the domain of gods and beasts, the Hellenes imagined man
existed in various degrees of primitive states. The Hyperboreans were the most geographically
removed from the polis and the closest to the gods and the virtues of the Golden Age. Mythical
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and semi-legendary races of Arimaspians, Pygmies, and Amazons represented the impiety and
strife of the matriarchal Silver Age which followed the fall from the Golden Age. The feral and
warlike peoples near to and often homogenized with the Scythians and other nomadic barbarians
who were quite near to yet outside of the world of the polis represented with variation the chaos
of the Bronze Age and the virtues of the Heroic Age. One might also include the Near Eastern
and Egyptian civilizations connected to but outside of the Greek world as part of the Hellenic
idea of the Bronze and Heroic Ages of man, and even the northern Greeks, especially the groups
who tended towards equestrian traditions such as the Macedonians and Thessalians, often
appeared in ancient art and literature almost as living fossils of the Homeric heroes.
Essentially, otherness in the Greek perspective was constructed upon the polis-premise,
that is, from the perspective of the cultural hegemony of sedentary-agrarian cultural centers and
through a colonial socio-economic system. Barbarians are other because they are outside of the
polis domain. The other is a space which socio-economic and ideological centers generate
systematically. The other is also fictive, a phantasmal product of the civilizational imagination.
Paradoxically, the other is also a concrete reality. In this way, other is a space, a slot, a
category—a hole in Pedersen’s animistic Swiss Cheesewhich the interaction of culture-
structure and ecological parameters creates, and which certain individuals or groups occupy or
are pushed into. The exotic barbarian-indigenous-other therefore becomes real through the
structure of civilization.
Despite the ideology of binary difference, however, between Greek and barbarian, the
socio-economic reality was a complex frontier zone, typical of semi-peripheries, the liminal
space between imagined categories where literal exchanges between cultures occurred. Semi-
peripheries themselves become microcosms of the larger core-periphery relationship, and local
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individuals and groups often find opportunities for growth in power as well as threats from both
core and periphery powers. As Khazanov and DiCosmo have both noted about historical Central
Asian societies, the semi-periphery is an exploitable, volatile frontier. The Chinese civilizations
viewed the fierce nomad cultures on their northern and western frontiers in much the same way
the Greeks viewed the Pontic nomads. Yet it was the semi-peripheral zones where sedentary
protectorate kingdoms emerged to take advantage of increasingly complex systems of trade with
other more distant core cultures, but also where conflicts between Chinese powers and nomadic
confederations took place (e.g., see V. Bartold 1958 on the multitude of small city-states and
kingdoms of Central Asia, such as those of the Tarim Basin, which at times were powers in their
own rights and at other times mere pawns to both core and peripheral powers).
The lands in which Greek colonies flourished were no different. Joseph Skinner makes
clear that the Greek colonies themselves emerged and thrived in regions which were, in
antiquity, fertile and wealthy in agricultural and other natural resources,
the colonialist assumptions that have at times underpinned narratives of Hellenization
have been countered by recent research stressing both the agency of local indigenous
populations and the extent to which trends in urbanization were already in evidence long
before Greek settlers became firmly established in the region (Skinner 2012:185-6).
Furthermore, I find that this fact fosters a dynamic of power in the relationship between
colonist/indigenous with countless historical analogues. Like the nomads of Central Asia
mentioned above, or the various tribal confederations of Ancient Northern Europe (Haywood
2007) and of Early Historic Eastern Woodlands (Fenton 1998; Bailyn 2012), the Scythians and
Thracians became powerful middlemen who took advantage of the volatile situation that arose
out of the spread of foreign civilizations into their native lands. As demand for northern goods
and slaves grew among the sedentary civilizations of the Near East and Mediterranean, Greek
colonialism and powerful barbarian kingdoms emerged in response to the demand. Perhaps more
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than any other Pontic tribe at the time, the Scythians seized the advantage of 1) a wealth of
natural resources, 2) political chaos or fluidity among neighboring nomadic and semi-sedentary
groups, and 3) the demand for resources in the south via colonialism. Thus the Scythians
dominated the Pontic scene as barbarians par excellence and at times were able to pose a real
threat to the southern urban centers and colonies. So who is really exploiting whom?
As Skinner (2012:236) notes, ethnographic information in various forms appears in the
Hellenic cultural system along with the rise of colonialism abroad. It is no coincidence that a
dominant ideological template of barbarism with clear Northern-Pontic attributes developed
simultaneously with the rise of colonialism. The idea of the barbarian-other, though malleable to
the political narrative of the Greek-self, perpetuated the demand in the south for the exports of
northern culture, both practically in terms of socio-economic relations of center/periphery and
ideotechnically as self-actualization and domination over a constructed other. Skinner (p.243)
also describes this process as both “self-fashioning” and legitimate curiosity about an exotic
other. This was due to emergent ideological power structures within the political power structure
of the polis which controlled the evolution and flow of the narrative and imagining of the other.
Prominent mystery cults with their own esoteric hierarchies such as Delphi and Eleusis
dominated the politics of narrative therein, although occasional influential individuals generated
rival, vocal “cult” followings as well (e.g., Socrates, Pythagoras, Hippocrates, and perhaps even
Herodotus). Thus the Greek/barbarian construct was the product of the politics of culture.
The indigenous Pontic groups had no voice in the narrative of their barbaric identities,
and any barbarian vocalization was filtered through the Hellenic medium. There was no
Haunani-Kay Trask for the Pontic barbarians to criticize Herodotus’s descriptions of Pontic
cultures, at least to the point that Herodotus and his colleagues would take that person seriously.
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Herodotus’s descriptive digressions on individual native groups, such as the Massagetai, may
have been more ethnologically sound than Aristeas’s cryptic Arimaspeia, but both operated from
a position of colonial power of Greek-self over barbarian-other. The space of other really is
constructed as a social space and reinforced ideologically through any power structure.
The Roman Empire, for example, emerged as arguably the most dominant socio-political
and socio-economic power structure of the ancient Mediterranean world. Consequently, Roman
civilization created barbarian-other space on its frontiers as it expanded through conquest,
colonialism, and an ever more complex system of trade. As it built upon preexisting sedentary
systems of the European, Mediterranean, North African, Near Eastern, and Pontic-Caspian
worlds, it integrated their cultural systems into a unified system of power with rigid ideas about
the contradistinction between Roman and barbarian societies. Barbarians integrated into the core
as they always haveas slavesor they were alternately driven to marginal space as the poor on
the fringe or beyond in the realm of gods and beasts.
The mystery cults were the driving ideological producers of barbarian characterizations
through which the power structures understood their encounters with the other. Today
shamanism, in zeitgeist, creates the idea of other-space as the archetypal noble savage, but it also
creates an eschatological goal of returning to the virtues of the primitive as an escape from the
ills of the global power structure. Mystery religions offered the same return to the primitive, but
the “primitive” returned to Rome in the form of barbarian power. The Germans may have at
times appeared as Hyperborean-type groups in Roman traditions at times (See Tacitus’s
Germania), but the Roman civilization, in moral and socio-economic decay, ultimately fell into
the hands of opportunistic barbarian conquests.
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The nature of the categorical other-slot is dependent on the socio-political agenda and
socio-economic relations of the component dialectical categories of the core/periphery. What this
boils down to is the simple, yet erroneous, idea that native peoples are static fossils of a remote,
imagined past. This was the case with the Hellenic invention of the barbarian and carried over
into the Roman worldview. It was the case with the Orientalist understanding of Islamic and East
Asian civilizations. It was the case with Enlightenment views of colonized natives. It is also
persistent today in a multitude of descriptions of cultures bracketed within the category of
indigenous.
Like shamanism, the category of indigenous is problematic in its lack of clear definition
and politically-charged connotations. A study conducted by Chris Cunningham and Fiona
Stanley basically claims that the term indigenous refers to people around the world who are or
were once in touch with nature and have been negatively impacted by globalization (2003:403).
While they highlight the important fact of the negative effects of globalization, they (almost
laughably) adhere to the idea of the noble savage. The model they present—“the dislocation of
most indigenous peoples from their lands through colonisation has contributed to the effects of
newly introduced diseases on their health”—is problematic in that it is simply misleading. Yes,
countless so-called indigenous groups have been impoverished and alienated through the spread
of colonialism, industrialization, and urbanization, and nowhere is this more evident than in the
field of health. However, following this model, one could make the argument that Appalachia
represents an indigenous culture or cultures, or any of the economically-wrecked old Soviet bloc
countries like Ukraine, Estonia, and Belarus. How about populations in post-colonial Lebanon,
Syria, Iraq, Turkey? Cunningham and Stanley unfortunately present a solution to the indigenous
questions which silences numerous other world cultures affected by the same problems.
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As indigenous identity is a heated political issue, and given the fact that the United
Nations still cannot agree on a viable definition of the term in their discourse, Jan Hoffman
French (2011) examines the case of indigenous identity in Brazilian law. The main dilemma in
Brazil is whether or not the indigenous category should include groups which claim to have once
been “forest-dwellers,” but through domination by the Catholic Church left their original
lifeways. The politics of the narrative parallel the issue of the Mashpee group in Massachusetts
who have been trying to gain federal recognition as Native Americans for decades. French also
notes the problem of identifying diasporic groups as indigenous. Under the UN understanding of
the term, many African culture groups are excluded, especially those in diaspora. Diaspora
implies that certain groups have been geographically transplanted due to socio-economic and
political forces beyond their control. If this is the case, many immigrant groups in the United
States could potentially fall under the category of indigenous. Do we include, for example,
people of Irish and Scotch-Irish descent in the category of indigenous diaspora? Their histories
are similar to other culture groups dispersed throughout the world as a result of colonialism and
globalization. Or do their historical oppressions, which preceded the oppressions of modern
indigenous groups, not carry the same meaning as post-colonial groups in the twenty-first
century? As you can see, the topic of indigenous is entrenched in the politics of culture.
Nevertheless, it should rather be considered in light of how groups are treated as other.
Today, the barbarian-other slot has been made global. Shamanism is certainly not the
cause of the imperialisms of the past centuries, but it has recently effected a global understanding
or consciousness of other-space typified by the category of indigenous peoples. With the way
things are lining up in terms of environmental, socio-economic, and geo-political tensions in a
global age, shamanism might play a role in the next great power and paradigm shift. Indigenous
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spirituality has already been inspiring political activism among American aboriginal groups, such
as the Anishinabe (Willow 2011). Shamanism as a unified concept of indigenous religion holds
immense political potential to unite indigenous groups worldwide, to rally native groups from
every marginal space under the common identity of otherness in the wake of globalization.
Otherness as alienation has the potential energy to invigorate resistance or reaction to that
alienation. For example, Anders Strindberg and Mats Wärn (2011) note that radical Islam often
gains its momentum through the pent-up frustration and feelings of socio-economic alienation as
other that many Muslims experience in post-colonial countries and as immigrants. The authors
call this theory the “Fanonian Impulse,” that is, “the psychological impact of insurgence and
resistance on the native Self, and the translation of that impact into political currency, tactics, and
strategy” (2011:56). As a world religion, Islam has the ideological clout to unite followers whose
post-colonial experiences are similar, not necessarily through any inherent design in the ideology
itself, but through the macro-context of marginalization and resistance to marginalization which
inspired individuals or groups realize in local, micro-contexts or through corporate, globalist-
sponsored organizations like Al-Qa’ida and ISIL.
Indigenous groups have experienced similar phases of resistance in smaller contexts.
During the multiple Soviet attempts to silence and disempower the indigenous traditions of the
numerous Siberian groups in their country, groups such as the Khanty, for example, rallied
behind individual shaman-figures whose legacies elevated them to hero-status (Leete 2005).
Their reaction to high-handed Soviet policies towards their religions involved unprecedented
mass-sacrifice of animals and captured Bolsheviks. Despite the eventual victory and
establishment of Soviet hegemony over the indigenous populations, shamanism survived among
the Siberian groups and revitalized indigenous populations towards the end of the USSR. After
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the collapse of the Soviet Union, various Turkic groups of Central Eurasia even successfully
created their own political space in the form of nation-states, and shamanic traditions gave these
groups much of their rallying momentum (although, mineral excavation, especially oil and
natural gas, has also been a significant boon to nations such as Kazakhstan).
In the United States, the issue of indigenous rights gained little ground over the past
century, and groups like the Lakota Sioux have suffered plagues of drug and alcohol addiction
and suicides as they have been brushed off to the fringes of American society. That is not to say
they do not want a voice or are content with their situation. Although the American Indian
Movement (AIM) failed to meet its goals a few decades ago, the cultural pride and longing for
nationhood is alive and well “on the rez” to anyone who has visited (My own visit to Pine Ridge
in 2014 coincided with a waicipi festival which focused on environmental issues and Lakota
identity). The Lakota are but one tiny example of the marginalization of the indigenous other
globally. To illustrate their current dilemma beyond depression, substance abuse, and suicide,
water rights are historically bound up with the politics of culture and attempts of reservation self-
determination.
In 2012, the US department of Agriculture issued a report on the state of a diminishing
aquifer, one of the largest and most important to the agricultural industry. According to this
report, the High Plains Aquifer, which extends into Lakota Sioux territory including Pine Ridge
and Rosebud Reservations, continues to decrease in overall volume due to overdraw for
agricultural irrigation (McGuire et al. 2012). However, the study also shows that in spite of
overdraw, specific parts of the aquifer show an increase in volume. These areas of increase,
small though they are, stand in Lakota territories throughout Bennett, Gregory, Jackson,
Shannon, Todd, and Tripp counties, South Dakota. The authors of this report fail to mention the
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crucial fact that this is native land. It is true that some of these counties, namely Bennett,
Mellette, Tripp, and Gregory, have technically been disputed territories since 1910. Nevertheless,
the authors of this report have not disclosed exactly where their test wells were located. What we
can glean from their findings, however, is the fact that although the overall volume of the High
Plains Aquifer is diminishing, certain parts of it which fall on Sioux territory are not, and in fact
those parts are actually increasing in volume. That the authors write for a number of government
agencies concerned with the availability of natural resources should say something about their
motives, especially since those agencies, such as the Department of Agriculture, are concerned
first and foremost with the maintenance of the corporate agricultural system. Therefore, I do not
think it is too far-reaching to suggest that the corporate agricultural system will use, or perhaps
already have begun to use, the evidence provided in this report with the intent of utilizing wells
of increasing-volume for irrigation in a world of otherwise diminishing aqua-resources.
Collins (1986:51) shows that Federal policies towards reservation water rights were
constructed out of the narrow prediction that reservations would utilize their watersheds for
agricultural irrigation. This becomes problematic in two ways. First, as Collins points out, the
federal allocation of water rights only takes agricultural irrigation into their calculations and does
not take into account increased water use for economic development for reservations (e.g.,
mining, industry, recreation). Secondly, the federal plan did not take ground water into account
in the legal definitions of reservation water rights. Thus a new battle began to develop with the
tapping of the Oglalla Water Table, which puts further pressure on reservation natural resource
disputes in an already arid region in which “there are politically powerful interests competing
with those of the Indians” (Collins 1986:51). Walker and Williams (1991) and McCool (1993)
demonstrate that American tribes do have the ability to negotiate water rights in the judicial
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arena when state, federal, and tribal governments are willing to cooperate. If they are not
cooperative, or if the corporate agro-industry manages to gain judicial favor over the rights of the
indigenous, the courts may decide the Ogalla Water Table falls outside the definitions of tribal
water rights.
Furthermore, I predict that this will bring the corporate-state agricultural complex into
conflict with the Lakota Sioux. The Lakota are in danger of falling victim to corporate and state
subterfuge and imperialism as they have historically since their first encounters with Western
expansion. Simply put, the Lakota have been in a marginalized socio-economic position as the
exploited indigenous other. They are victims of the system, both historically and currently. Not
only does the globalist system encroach upon the sacred natural resources the Lakota believe the
Creator gave to them and are, therefore, wakan; the New Age movement encroaches on their
traditions for their own consumption. The globalists monetize the natural world both for agro-
economic and ideo-economic consumption. In this system, the Lakota are typified as the
indigenous other whose resources the hegemon claims. If we are to take anything away from
Strindberg and Warn (2012), especially concerning the role of the Fanonian Impulse theory in
violence as a reaction to marginalization for radical Islamists, we should not rule out the
possibility of a reemergence of armed Lakota resistance to the globalist system, especially given
the history of the Sioux as a warrior-culture. If you throw a pan-indigenous level of organization
like the American Indian Movement into the equation, the localized conflict could find support
with the involvement of other tribes (i.e., AIM) and sympathizers on a national and even global
scale. Could shamanism and the rise in global self-awareness of indigenous peoples provide a
unifying paradigm for indigenous peoples globally? If so, what would spark such unification?
Could the issue of Lakota Sioux water rights do so?
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Finally, I will add a comment about the politics of academia in light of this issue. The
scientists behind the McGuire report present their findings in a manner which appears objective
in its tone yet knowing quite well the impact this would have on the current discussion of
diminishing resources, especially potable water. Corporate agricultural conglomerates like
Monsanto can read the McGuire report and know that they will have the backing of
governmental policies against the Indians. This current system threatens the Lakota, and the
indigenous category in general, in two ways. First, the system ideologically has advanced the
idea of indigenous peoples as noble savages and exotic others. Whether deliberately or
unintentionally, this ideology has turned the traditions, especially traditions of thought and
religion, into a cultural resource for the First World consumers with little to no attention paid to
the suffering of indigenous peoples. In a way, New Age ideology has opiated the masses to the
second prong of the attack in which the policies of governments in various parts of the world
(including the US) and hegemonic corporate entities economically exploit indigenous groups for
their resources. In some circumstances the indigenous groups are pushed to the farthest
peripheral zones of the world economy, whereas other indigenous groups have been incorporated
into the semi-periphery as laborers of the lowest class in the emerging industrial quarters of the
world system.
In light of the recent events of the controversial Dakota Access Pipeline which began in
the spring of 2016, indigenous groups of North America have begun to band together in cultural
resistance to yet another example of consumer-industrialism exploitation of indigenous
resources. The pipeline, proposed to bisect a tract of the headwaters of the Missouri watershed at
Lake Oahe in North Dakota, risks damaging traditional Lakota Sioux burial grounds as well as
the wakan, or sacred, water of the Missouri River. In light of the discussion of Native Water
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Rights above, the predictions I made concerning indigenous reactions to the fight over water
have the potential to come true. The protests at Standing Rock have drawn together diverse tribes
in indigenous unity as well as a few New Age supporters. As of yet, little violence has occurred
in the faceoff between protestors and “the Man.” If it does, will there be an “Indigenous Spring”
worldwide? As anthropologists, we should also pay very close attention to the rhetoric of both
sides of the debate and what sort of political narratives emerge. Will the Rousseau/Hobbes
debate manifest in this historical occurrence? Will shamanism feature in the discussion? If
Standing Rock amounts to nothing else, which it has not as of the writing of this thesis, it at least
contributes to indigenous self-awareness on a global stage. There will likely be another Standing
Rock elsewhere on this planet eventually. (As of the completion of this thesis, the Standing Rock
protests ended with a few arrests, no major opposition, and little more than media hype and
convenient “hashtags” for college students. The Dakota Access Pipeline is fully operational)
Conclusion
All of anthropology is the study of human history, including history up to the present. We
should tread carefully, however, as we contribute to the discussion of our distant past, so that we
do not perpetuate the ideology of the barbarian other in our discourse, that we do not project the
problems of the present into the past. I agree with David Lowenthal’s assertion that the “past is
the foreign country,” that the politics of the present affect, and at times outright concoct, the
narrative of the past (Lowenthal 1985). Rather than produce any substantial theory on prehistoric
human cultures, scholarship which recapitulates the Rousseau/Hobbes dialectic does an injustice
to both the past and the present. Anthropology may never know what the religious traditions of
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truly primitive man were. Nonetheless, some scholarship on indigenous religions today, as
discussed in this thesis, have opened a Pandora’s box in that it has projected Enlightenment
views about the “savage,” born out of colonialism ancient and modern, into the discussion of the
past and in turn used those interpretations to further discuss the present.
There may very well have been elements of past cultures which resembled aspects of
Rousseau’s and Hobbes’s envisioned human pasts, but this does not mean that prehistoric
humans were either essentially noble or brutish. Likewise, prehistoric religions, in all their
unknown variations, may have contained elements which Mircea Eliade or R. G. Wasson would
consider shamanic, but the elements of non-shamanic world religions may have been there as
well. We simply cannot know for sure based upon archaeology, ethnology, or history. The point
is, rather, that such scholars use present cultures as static others to explain human history and
then use human history to explain those present cultures. This circular reasoning is a major part
of the problem inherent in the categories of shamanism and indigenous. They are inescapably
other in the present understanding of them.
So where do we go from here? Can academia come to any sort of consensus on what
shamanism is? On what it means to be indigenous? Or have we let the proverbial horse out of the
barn with neo-shamanic movements like the New Age? Can anthropology climb out of the
trenches of the politics of culture which the Keesing-Trask debate illustrates so well? Things
remain to be seen, but I think we should continue paying close attention to the forces at play in
the construction of otherness on a global scale. Serious scholars of the so-called shamanic
traditions, in an effort to attain deeper emic contexts may find themselves lost in the semiotic and
esoteric details of rather dark realms. The line between research and praxis will inevitably
become blurred if it has not already. Are we to become Pythagoras of the New Age?
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If we should learn anything from the relationship between the barbarian and Hellenic
mystery religion, I would offer a definition of shamanism similar to my description of the
mystery religions. Shamanism (i.e., the Western construct) is really just a modern, urban delight
in imagined aspects of barbarian-indigenous-other cultures which people popularly believe are
virtuous and necessary to celebrate as part of their post-globalized worldview. Like the
mysteries, shamanism is invented based upon the urban perspective of the primitive other.
However, we should also pay close attention to how those other-communities receive this new
colonialist mystery as globalization finishes its course. The end might not be pretty for the
colonialists.
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Appendix A Maps (List of Figures)
Figure 1: Northern Pontic
Figure 2: Herodotus’s geography (reconstruction)
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Figure 3: Scythian world and associated funerary sites
Figure 4: Ethnological map of modern Siberian cultures
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Figure 5: Hellenic sacred sites and cult centers
Note on Appendix A: All maps with the exception of Figure 4 obtained from public domain,
Wikimedia Commons. Figure 4 comes from M. A. Czaplicka, Aboriginal Siberia: a Study in
Social Anthropology. Oxford: Clarendon Press (1914). Accessed online at
(https://archive.org/details/aboriginalsiberi00czap).
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Appendix B Glossary
Archaic Greece: Between the eighth and fifth centuries BC, Greek culture expanded in maritime
exploration, trade, and colonization, as well as urban planning and literary and artistic
achievements. Due to increased interconnection with the Near East and other parts of the ancient
world, Greek culture went through what some scholars have called a Greek Renaissance due to
the influx of foreign influences. This period comes to a close with Xerxes’s invasion of Greece
in 480
Chthonic: From the Greek khthonios, which refers to the netherworld beneath the surface world.
It is connected with primordial chaos and the Near Eastern mythological concept of the abzu,
rendered in Greek as abyss.
Classical Greece: The period following the Persian Wars of the early fifth century and before
the rise of Alexander the Great at the end of the fourth century BC, a brief epoch of Greek
history but well remembered for the growth in power of the Greek city states, namely Athens and
Sparta, but also for the scholarship, artwork, and plays this period produced.
Cult: A specific type of religious institution which is layered in rigid hierarchies through which
members are initiated through varying degrees of power and obscured knowledge. Cults can take
many forms in different societies which range from official state religions dedicated to a patron
deity, as in Ancient Mesopotamia, to secret societies dedicated to hidden purposes, such as the
Assassins of the Medieval Islamic world. In popular vernacular, “cult” often connotes counter-
culture, strangeness, and controversial charismatic personalities, when in fact most religious
traditions have some aspects of cult-ness.
Cultural Evolution: An anthropological paradigm of human history in which cultures are
supposed to have gone through various stages of development. The standard of measure is
usually the cumulative achievements of the observer’s group, and all other culture groups are
contrasted with that standard. Consequently, the observer supposes that other societies which fall
short of the established standard are living fossils of evolutionary stages which the observer’s
groups already passed through.
Dark Age Greece: A transitional period of Greek history from Bronze Age to Iron Age
technology between the thirteenth and late ninth centuries BC. This period is typified by the
collapse of Mycenaean civilization alongside numerous Near Eastern civilizations, massive
human migrations, and the slow rise of urban centers and reestablishment of maritime trade
networks towards the tenth and ninth centuries.
Enlightenment: a philosophic epistemological theory of the pinnacle of knowledge, Plato’s
ascension out of the Cave. In the period of European history between the seventeenth and
eighteenth centuries AD, the Enlightenment refers to the culmination of humanist philosophies
which viewed rationality as the pinnacle of civilization.
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Entheogen: R. G. Wasson, Carl A. P. Ruck, and others coined this term as a collaborative effort
in the study of mind-altering substances and altered states of consciousness in religious traditions
worldwide and throughout history. It is derived from the Greek phrases, ἔνθεος éntheos, and
γενέσθαι, genésthai, and could be translated to a concept along the lines of “the god coming into
being within,” with clear reference to the religious context for ritual intoxication.
Epistemology: A field of philosophy which seeks to establish a theory of knowledge, that is,
how we know what we know, the process of learning.
Esoteric: Obscured, arcane, or otherwise secret symbolism, the meaning of which can only be
accessed through initiation or revealed knowledge. The esoteric symbols, often hidden in plain
sight, are obscured to the uninitiated public through exoteric symbolism.
Ethnobotany: The study of the folklore and cultural uses of local plants including classification,
what is good and not good to eat, what is medicine and what is poison, other utilitarian uses for
different plants, and stories and songs about certain plants.
Ethnomycology: An anthropological field of study similar to ethnobotany but which focuses on
fungi instead of plants.
Exoteric: The converse of esoteric symbolism where the immediate meaning is available to the
uninitiated public. When multiple layers of meaning are involved, the exoteric masks the
esoteric.
Grave Goods: A technical archaeological term that refers to material culture interred in a
funerary context with the dead. These kinds of artifacts can tell archaeologists much about a
given culture from economic and social systems to mortuary myth-religious beliefs.
Historiography: A technical historian’s term that refers to the method and process of delineating
the genealogy of discussion and theories about a specific historical topic or question in order to
explain how the scholarship has arrived at its current state on said issue, what the strengths and
weaknesses are of the various arguments and paradigms, and the direction the investigator hopes
his or her study will take in the field.
Ionia: The area of the Ancient Greek world in Western Anatolia which was often thought of as
semi-Orientalized due to its close ties to the various Near Eastern cultures, which began the first
major phase of colonization in Greek history, and which produced a wealth of art and scholarship
to rival that of Athens.
Khan, khanate: A Turkic word which referred to the concept of ruling power among various
nomadic kingdoms of the Eurasian Steppe, most famously the Mongols. Although the term itself
is Turkic in origin, this type of ruling power was typical among most of the equestrian nomadic
groups of this vast region well before the ethnogenesis of the Turks, and the Royal Scythians
likely had their own colloquial word to describe the same phenomenon. Khanate refers to the
realm which the Khan rules over.
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Marxism: A widely variant paradigm or group of loosely associated paradigms which theorize
human history as driven not by ideology but by the modes of production and social structure of a
given society. Karl Marx and Friedrich Engels later borrowed much of their presuppositions
about history and civilization from the cultural evolution school of thought and the work of
Lewis Henry Morgan.
Mycenaean Greece: The period of Greek history from roughly the seventeenth to the thirteenth
centuries BC in which Indo-European Greek-speakers from the north settled in Greece. Given
that the later Archaic poets and artists Romanticized the Mycenaean period and used it as the
setting for the epics, some have referred to this as Hesiod’s Heroic Age.
Mystery religion: A specific type of cultic religious tradition typified by a rigid hierarchy and
access to power and hidden knowledge. Mysteries themselves were dedicated to specific cultural
functions in a given society, such as agricultural or pastoral fertility, motherhood, divine oracles,
rites of passage, or the balance of order between civilized and uncivilized. Given the levels of
initiation coupled with their role in public ritual, mystery religions monopolized the allocation of
esoteric and exoteric meanings in ritually prescribed myths and ceremonies. Mysticism, although
given the popular definition of direct spiritual experiences with the divine, refers to the
mysteries, as the initiate receives the spiritual revelation of what was hidden.
Mythology and myth: A specific type of story which is entirely enmeshed with the cultural
dimension in that it provides the rational framework for one or more parts of a cultural structure,
schema such as geography, cosmology, kinship and marriage systems, economy, and so forth,
and explains their origin. Myths also occur (or occurred) in conjunction with culturally specific
traditions of ceremony, magic, and ritual, to which they give meaning within the rationale.
Mythopoeic: Descriptive of cultures whose dominant ontology is provided through the
generation of traditions of myth, as described above.
Ontology: Philosophic concept which refers to the human understanding of what exists.
Although this propensity of the human mind is universal, the world-which-exists assumes
culturally-specific shapes, often radically different from tradition to tradition.
Orientalism: A particular flavor of Romanticism which forms a narrow, essentialist view of the
vaguely-defined “Orient” or “East” in which the ancient civilizations are glorified and the
modern inhabitants cast as living artifacts or fossils of the once great cultures.
Other: The binary opposite of Self. In the field of anthropology, the Other is typically the
inhabitant of any kind of marginal space (geographic, social, or otherwise), and is phenomenally
constructed as such from the perspective of the “civilized” Self. Consequently, the Other is often
the subject of ethnographic investigation where the anthropologist is Self.
Pontic-Caspian: A geographic region of the Eurasian Steppe and outlying woodland, coastal,
and mountain zones between the Black and Caspian Seas to the south and the Ural Mountains to
the North which roughly covers modern Ukraine, parts of Southern Russia, and Western
Kazakhstan.
180
Prelapsarian: A romantic term which refers to “before the fall,” the supposed era of grace
before the rise of civilization, often coupled with the concept of the noble savage.
Primitivism: A Romantic school of thought which places the utmost value on the noble savage
as the primordial state of humankind.
Religion: A general cultural phenomenon which encompasses the belief in the spiritual and the
specific tradition(s) a particular group attaches to a shared spiritual experience.
Romanticism: A nineteenth century reactionary school of thought which emphasized the
essence of something, such as national identity, as in its origin with the emphasis of any inquiry
or meditation placed in the deepest of antiquity, real or imagined.
181
Appendix C: List of Classical Literary References with Associated Abbreviations
Archilochus
Fragments (Arch. Fr.).
Aristophanes
Acharnians (Aristoph. Ach.).
Birds (Aristoph. Birds).
Ecclesiazusae (Aristoph. Eccl.).
Knights (Aristoph. Kn.).
Thesmophoriazusae (Aristoph. Thes.).
Aristotle
Politics (Aristot. Pol.).
Athenaeus
(Ath.).
Callimachus
Hymn 3 to Artemis (Call. H. 3).
Diogenes Laertius
Lives of Eminent Philosophers (D. L.).
Euripides
Baccahai (Eur. Ba.).
Herodotus
Histories (Hdt.).
Hesiod
Catalogues of Women (Hes. CW.).
Works and Days (Hes. WD.).
Homer.
Homeric Hymn 7 to Dionysos (HH 7).
Illiad (Hom. Il.).
Odyssey (Hom. Od.).
Inscriptiones Gracae I3 421, col. I (Inscr. Gr. I3 421.1).
Mnaseas
Fragment 24 (Mn. Fr.)
Ovid
Metamorphoses (Ov. Met.).
Pausanias
Description of Greece (Paus.).
Philostratus
Imagines (Philostr. Maj. Im.).
Pindar
Olympian Ode (Pind. O.).
182
Pythian Ode (Pind. P.).
Plato
Charmides (Plat. Charm.).
Cratylus (Plat. Crat.).
Laws (Plat. Laws).
Phaedo (Plat. Phaedo).
Republic (Plat. Rep.).
Plutarch
De Defectu Oraculorum (Plut. De Defect.).
Life of Alexander (Plut. Alex.).
Quomodo adolescens poetas audire debeat (Plut. Adolescens).
Pseudo-Apollodorus
Bibliotheca (Apollod.).
Strabo
Geography (Strab.).
Suidas
(Suidas)
Tacitus
Acricola (Tac. Ag.)
Germania (Tac. Ger.).
183
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