UGA Hugh Hodgson School of Music Public Relations Campaign Plan
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Public Relations Campaign Plan
Public Relations Campaigns Team
Erin Regal, Kelly Williams, Taylor Hensley, Nisha Katti, Darby Quillin, Emma West,
Megan Duncan, Gracie Shelton, Connor Siegel, Kari Gibbons, Elise Walker
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Table of Contents
Situational Analysis | 3
Description of Client | 4
Research | 8
Public Relations Activity | 12
SWOT | 16
Conclusion | 19
Goals, Objectives and Tactics Master List | 20
Master Tactic | 24
Goal 1, Objective 1 | 31
Goal 1, Objective 2 | 35
Goal 1, Objective 3 | 43
Goal 2, Objective 1 | 66
Goal 2, Objective 2 | 82
Evaluation | 112
GANTT Chart | 115
Budget | 117
Research Appendix | 119
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Situational Analysis
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Description of Client
History
Hugh Hodgson, the founder of the School of Music, was a Georgia native who
graduated from the University of Georgia in 1915. After his graduation from UGA,
he studied at other Schools in Berlin and New York. Around 1929, he was hired as
the first music professor at UGA, and proceeded to hire other professionals to
create and strengthen the university’s arts programs. Hodgson campaigned for the
arts in general-- not just for music. He hosted monthly music appreciation lectures
in the UGA Chapel. The whole community gathered for these lectures to hear him
talk and perform. The School of Music was renamed for Hugh Hodgson in 2005.
The UGA Hugh Hodgson School of Music was only beginning to take shape in the
1950s and 1960s, at which point almost all other major music programs in the
country were well established, so the UGA Hugh Hodgson School of Music is
considered a newcomer into the music school scene. In the 1970s and 1980s, the
UGA Hugh Hodgson School of Music increased its funding, giving it an opportunity
to expand and develop its programs. During the 1990s, the UGA Hugh Hodgson
School of Music delved into a variety of major building projects, such as the
creation of the music building and performance hall. Within the past 10 years, the
UGA Hugh Hodgson School of Music has taken the stage as a nationally
recognized institution.
The UGA Hugh Hodgson School of Music is perceived by those who know it as one
of the “best kept secrets” in the country. Although its programs, facilities, faculty
and students can compete with the best-known music schools in the nation, the
Hugh Hodgson School of Music falls short in popularity, since it is so new in
comparison to other Schools. In the 1980s and 1990s, when the economy was
booming, and people were giving money to the arts, established institutions
dedicated to the arts grew. However, since the UGA Hugh Hodgson School of
Music was a late bloomer, it did not benefit in the same way as those other Schools.
Still, the strengths of the School are obvious. Many graduate students have been
attracted to the Hugh Hodgson School of Music because of the quality of its faculty,
facilities and programs. Hence over 40 percent of the student body is comprised of
graduate students.
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UGA Hugh Hodgson School of Music Today
The UGA Hugh Hodgson School of Music has 73 faculty members and 600
students, of which 40 percent are graduate students and 60 percent are
undergraduate students.
Departments and Programs
Band Conducting
Brass
Choral Conducting
Conducting Studies
Jazz Studies
Keyboard
Music Composition and Theory
Music Education
Music Therapy
Musicology/Ethnomusicology
Orchestral Conducting
Percussion
Resident Accompanists
Strings
Voice
Woodwinds
Outreach
Community School Of Music
The UGA Hugh Hodgson School of Music hires UGA professors and students to teach
private music lessons to anyone in the community who is interested. This provides
students with a strong teaching experience and members of the community with
opportunities to learn. The program offers instruction in the Suzuki Method, which
teaches music to children similar to the way they are taught a language. The Suzuki
Method is rare and could be an advantage for the School.
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Redcoat Band
Membership to the Redcoat Band is highly sought after and competitive. It accepts
members from all majors and has around a 99 percent retention rate. Many people
come to UGA to participate in the Redcoat Band alone, and it is often the only aspect
of the UGA Hugh Hodgson School of Music that is known to external audiences.
Middle School Outreach
The UGA Hugh Hodgson School of Music hosts two festivals for high school students,
JanFest and MidFest. These are events in which almost 1,000 high school students
from over 100 high schools are selected to form ensembles and perform music over a
four-day period. It also hosts an event called Choral Day every fall, in which high
school singers from around Georgia join ranks with the UGA Men’s Glee Club,
Women’s Glee Club and UGA Hodgson Singers to sing and perform, as well as see
guest performances.
Faculty Activities
The faculty at the UGA Hugh Hodgson School of Music wear multiple hats. They
provide lectures, and breakout sessions for aspiring musicians. The faculty also
provides private sessions to improve students’ repertoires. Many faculty members
perform in world-renowned symphonies, quartets and ensembles. The faculty also
plays an instrumental role in recruiting prospective students through festivals and
programs that they participate in during their vacation months from teaching, as well as
through community outreach programs.
Study Abroad Information
The UGA Hugh Hodgson School of Music offers a music study abroad program that
takes place in the cities of Alessandria, Parma and Torino in Italy. It is directed by the
strings area chair and professor of double bass Dr. Milton Masciadri and his two
assistants. This study abroad program takes place for three weeks in the month of May
and gives students the opportunity to perform with Italian musicians in chamber and
orchestral ensembles. The student musicians who are eligible to participate in this
event study the bassoon, double bass, flute, jazz, percussion, piano, saxophone,
trombone, trumpet, tuba, violin, violoncello, voice and conducting.
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Events Information
The UGA Hugh Hodgson School of Music hosts a multitude of different types of events
open to the public for free or a very low price. The price is generally discounted to 50
percent off for students. Event types include symphony orchestra performances,
ensemble performances, 2nd Thursday concert series, faculty recital series, recitals of
different music groups, guest performances, and performances by student groups
such as the UGA Hodgson Singers and the UGA Glee Club.
Facilities
The UGA Hugh Hodgson Music has three performance halls. The Hodgson Concert
Hall is for very large performances, while the Edge Recital Hall and Ramsey Concert
Hall are used for chamber ensembles and solo recitals. It also has the Dancz Hall
which is an innovative black-box, multimedia, new-music performance space.
Within the music building, the School has soundproof practice rooms, chamber and
large-ensemble rehearsal areas, technology classrooms, computer labs, a music
library, a percussion suite, three electronic music studios and two state-of-the-art
digital piano labs with individual digital/MIDI workstations.
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Research
Two surveys were conducted to learn about awareness and opinion of the Hugh
Hodgson School of Music among the UGA student body, and current UGA Hugh
Hodgson School of Music students. We analyzed the results of an exit survey issued
by the Hugh Hodgson School of Music to previous students. Thirteen faculty members
were interviewed in depth about the UGA Hugh Hodgson School of Music. Three focus
groups were conducted, two with eight undergraduate students total, and one with five
graduate students. We completed a communications audit comprising the UGA Hugh
Hodgson School of Music’s social media, website and print communications. We also
researched peer and aspirational institutions’ communications and completed a
competitive analysis. A list of communication-related trends and issues were identified
based on all of this research.
Reputation Issue
Our research efforts led us to discover that the UGA Hugh Hodgson School of Music
has developed a reputation problem in the Southeast. There are two factors that have
contributed to this reputation.
The first is an issue with lack of funding, which results in scholarships at the UGA Hugh
Hodgson School of Music being small in size, and designed for in-state students who
are receiving the HOPE and Zell Miller Scholarship as well. Both smaller Schools in the
state of Georgia and Schools in different states have an advantage in terms of
recruitment because they have the money to offer students scholarships. Lack of
funding and its effect on recruitment and teaching was a common theme among many
of the professors in the Hugh Hodgson School of Music. They felt this was inhibiting the
potential progress of the Hugh Hodgson School of Music.
The other factor going into the reputation issue of the UGA Hugh Hodgson School of
Music is the fact that to be admitted into the music program, potential UGA Hugh
Hodgson School of Music students must perform at the same academic level as all
other UGA students. At other reputable music schools, such as the University of
Michigan, the academic requirements are waived for music students and exceptions
are made for the purpose of music. The UGA Hugh Hodgson School of Music cannot
compete with its aspirational institutions in this respect. This issue is also particularly
relevant for in-state students who have much more rigorous standards for admission
than out-of-state students.
Undergraduate students in our focus groups informed us that many high school
students have become discouraged from applying to the University of Georgia in
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general because of its rigid academic requirements and lack of scholarship, signaling
that maybe the University of Georgia is not very dedicated to the arts or music. This
fact that potential students are looking to other Schools due to their perception that
UGA Hugh Hodgson School of Music has an elitist attitude was reiterated in our faculty
interviews. This problem is particularly relevant for in-state students, who are held to
the highest standards for admission to UGA because of the high demand created by
the HOPE and Zell B. Miller Scholarships. Better marketing that hones in on the
positives of the School and counteracts any messages that other music schools are
putting out would be beneficial to the UGA Hugh Hodgson School of Music.
Marketing Issue
One facet of the marketing issue is that, although there is improvement, programs are
poorly marketed. There is a disconnect between the marketing materials of different
departments, which results in inconsistencies in the logos, fonts and messages that
are being conveyed. This disconnect also leads to some events and programs not
being marketed at all since no protocol is in place for marketing them. In our
interviews, faculty members expressed that a plan is lacking in terms of marketing and
advertising. Faculty members think that increasing promotion of current community
outreach programs could help widen the audience for the School.
The general UGA student body is typically unaware of events going on at the UGA
Hugh Hodgson School of Music, and the type of marketing that occurs leads to an
audience of primarily music students and the music lovers of the Athens community,
who tend to be an older group. Seventy-seven percent of respondents from our UGA
student body survey said that lack of knowledge was the reason why they had never
attended an event. In order to increase awareness amongst students, faculty members
have asserted that the value of YouTube as a social media channel cannot be
understated. From our surveys, social media and word of mouth were the most
frequently used methods for how respondents found out about events. Marketing
should really focus on these two methods to get the word out.
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Recruitment Issue
A vital part of gaining awareness for the School is making conscious communication
efforts to recruit students. However, for the UGA Hugh Hodgson School of Music, many
graduate and undergraduate students in our focus groups felt that there is not much of
a recruitment process in place. They suggested more high school tours and inviting
high schools to the UGA Hugh Hodgson School of Music’s performances. In the
communications audit, it became evident that the School lacks specific guidelines for
recruiting students, such as sending posters, brochures and other various print
communications to high schools in order to obtain recognition.
It is important to note that the School would benefit from having recruitment packets to
be sent to high schools. Sending these out could boost the awareness and reputation
of the UGA Hugh Hodgson School of Music by making potential students understand
the programs and resources that the School has to offer. It is imperative that we create
recruitment packets to be sent out to Georgia residents in order to establish and
maintain a positive reputation among Georgia high school students.
Curriculum Issue
While conversing with faculty members, we learned that since the UGA Hugh Hodgson
School of Music was established later than other Schools of music, the curriculum that
it maintains now reflects that of other music schools a few decades ago. While other
Schools are moving to more progressive and entrepreneurial music programs, the
UGA Hugh Hodgson School of Music’s curriculum is becoming outdated and less
practical. For instance, many of the students who go through music school hope to
open up their own businesses to teach music or to sell instruments. The UGA Hugh
Hodgson School of Music students are not learning tax law, marketing or other modern
business methods, which are courses proven to prepare students for a more business
style approach to the music industry.
These same faculty expressed that due to the UGA Hugh Hodgson School of Music’s
focus on classical methods and a traditional curriculum, external interest groups
perceive the School to be “snobby.” The small changes in curriculum occurring within
the School are largely unnoticed by these parties. New initiatives, such as the
exploration into bluegrass occurring at the School and the music business program,
are not marketed or talked about.
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Faculty Division
Many faculty members are frustrated with the lack of communication between each
music department. The departments currently have their own way of operating and
have been allowed to work under their own regulation. One interviewee voiced that,
“There needs to be more transparency between faculty and administration. Everyone
should be aware of what other members of the faculty are doing.” The School needs to
centralize its departments, its mission, and its way of operating in order to better
promote themselves and become a cohesive unit.
There seems to be a tension between certain faculty members who travel to perform
and attend festivals, and those who focus primarily on teaching instead of recruitment
or performance. The faculty members who are touring feel like the teaching-focused
faculty aren’t spreading the name of the School as much as they are, and are letting
their departments slack as a result. However, the professors who focus primarily on
teaching feel like they have an equal level of importance since they are educators first
and foremost, and feel that the performance-focused faculty members are elitist. It is
important while promoting the UGA Hugh Hodgson School of Music through faculty
members to stress the importance of the faculty members who tour, as well as those
who do not.
These departmental issues need to be discussed and objectives need to be unified for
the music school to be more effective and proactive as a whole.
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Public Relations Activity
To find information about the public relations activity of the UGA Hugh Hodgson School
of Music and its effectiveness, research was done into the types of print and online
communications the UGA Hugh Hodgson School of Music possessed, as well as the
online presence of some of the School’s aspirational and peer institutions. The UGA
Hugh Hodgson School of Music’s website, Facebook, Twitter, Instagram, YouTube and
SoundCloud were analyzed, in addition to its print materials, so the same was done for
aspirational and peer institutions. Aspirational institutions audited include the University
of Illinois- Urbana-Champaign, University of Michigan, Ohio State University, University
of Texas- Austin and Florida State University. Peer institutions looked at include the
University of South Carolina, Louisiana State University, Florida State University and
University of Miami. A comprehensive analysis was created due to the information
taken from these audits.
Upon studying and analyzing these peer institutions, the UGA Hugh Hodgson School
of Music appears to be doing better than them in several areas. First, UGA’s website is
simple, making it easy to navigate and eliminating any issues viewers may have when
searching for specific information. Some of their peer institutions have busy and non-
systematic website designs, such as Louisiana State University. Also, the Hugh
Hodgson School of Music has a variety of social media platforms, unlike several of the
Schools. Although most of the peer institutions have at least one platform, the
University of Miami does not have a Twitter account and the University of Florida does
not have a YouTube account. Social media is an essential communication tool
nowadays, which makes it especially significant that UGA is already using social
media as part of their communication strategy.
Key Messages
After closely analyzing the key messages of aspirational and peer institutions, we
recognized some important information that the UGA Hugh Hodgson School of Music
is neglecting. It would benefit the UGA Hugh Hodgson School of Music to add
information of the sort that The University of Michigan has, informing viewers about the
School’s relationship with the university that allows it to provide students with dual-
degrees in music and other areas of study. A statement of diversity such as the one
that Ohio State University and Florida State University possess would also be
advantageous and worth adding. Lastly, the University of Texas highlights its “1:7
Faculty-to-Student Ratio” as one of its key messages. Since the UGA Hugh Hodgson
School of Music also has this advantage, the School should clearly display its class
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ratio for its audience to see on its website. With these small changes implemented, the
UGA Hugh Hodgson School of Music website will better serve its purpose and more
effectively attract potential students.
The UGA Hugh Hodgson School of Music has its mission statement listed online, which
is important for the sake of unifying their many programs and opportunities available to
students. The School strives to provide students a comprehensive program by
encouraging activities other than just performance. The peer institutions value the
same perspective on education; however, some Schools offer a more detailed
explanation for why they believe what they do. For example, the University of Florida
School of Music has a link to the entire College of the Arts mission statement, which is
a statement for all areas of education within the college. Under the statement, the
School explicitly states their goals for the students, faculty, program, facilities, etc. By
having each of these goals and strategies laid out one-by-one, the entire college can
be unified through their joint mission for improvement.
Online Materials
Like many of its aspirational institutions, the UGA Hugh Hodgson School of Music has
a section of its website dedicated to news and events that is updated regularly. One
area that the UGA Hugh Hodgson School of Music can work on is to include PDF
downloads and handouts, much like Ohio State offers to its students and faculty.
Louisiana State University does not have a mission statement and lacks several things
that the Hugh Hodgson School of Music does well, but they do have several
downloadable PDFs and guidebooks available. By making handouts and brochures
available online, people will not only have an easier way to access information but it
eliminates an additional step for people who would normally have to request particular
information from the School. Also, online handouts and brochures could potentially
benefit the recruiting process, which is already very important for the Hugh Hodgson
School of Music. A more organized look for the website is needed, as well, to make
things more appealing.
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Branding
The Hugh Hodgson School of Music’s website’s color scheme is related to UGA’s
colors, which is good for keeping a consistent brand image, unlike the University of
Illinois School of Music’s website, which strays from the overall university colors.
The Hugh Hodgson School of Music does not have a consistent logo throughout their
website, online communications and print materials. Many other institutions have a logo
that includes part of the overall university logo. The home page is also extremely
cluttered with a multitude of information that is overwhelming. Other aspirational
institutions’ websites have a significant amount of color and are more aesthetically
pleasing. Since each department at the UGA Hugh Hodgson School of music is
responsible for creating their own print materials, and no branding standards exist,
there is a lack of consistency in products that are produced.
The UGA Hugh Hodgson School of Music could greatly benefit from a more creative
website, such as the University of Florida School of Music’s website, which uses
photos to showcase the School. The University of South Carolina School of Music
website homepage includes a large video that introduces viewers to their School. The
Hugh Hodgson School of Music should find creative ways to engage viewers on their
website, instead of simply posting links to articles. In its current state, the Hugh
Hodgson School of Music website does not compel the viewer to explore. There are
too many words and not enough photos and videos, which are two important things to
have when trying to showcase the fine arts.
Another area in which the UGA Hugh Hodgson School of Music could improve upon is
keeping its viewers informed by posting news releases that discuss upcoming
performances and events, but also news about facility renovations or faculty changes.
The University of Miami School of Music has a “Media” tab on its website page, which
is a good way to organize and list updates and news articles about the School.
Social Media Presence
Some of the institutions that have more Facebook engagement than UGA Hugh
Hodgson School of Music, such as the music schools of Florida State University and
the University of South Carolina, post more regularly on Facebook. Most of these
aspirational institutions also post more frequently on Twitter, which shows in their
follower base, especially at Schools like the University of Illinois- Urbana Champaign,
University of Texas- Austin and Ohio State University. These Schools not only post
consistently, but they also vary their posts by changing the topics and making them
more interesting to the viewers. They also frequently post about their marching band,
which could be something the Hugh Hodgson School of Music needs to consider to
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attract more followers. Another very innovative feature is Florida State University’s
usage of a branded hashtag #musicFSU.
None of the aspirational institutions are making better use of YouTube than the UGA
Hugh Hodgson School of Music, so there is an opportunity for the UGA Hugh Hodgson
School of Music to use YouTube in a more organized and consistent manner, giving it
an advantage on its competitors. This is the same situation with SoundCloud, where if
the UGA Hugh Hodgson School of Music can keep all of its sub-groups under one
umbrella SoundCloud, and post consistent tracks, this could vastly strengthen its
social media presence.
Print Media
Since access to the print media of the UGA Hugh Hodgson School of Music’s peer and
aspirational institutions was not achievable, we conducted unilateral analysis of the
School’s print media to see what the strengths and weaknesses are.
Currently, print communications exist in brochure, posters and folder format for every
department, for performances and events. Different subjects such as jazz studies,
orchestra, voice, opera and Outreach Teaching Opportunities have their own
informational brochures. While there are pamphlets for visiting potential new students,
there is currently no form of print media sent to high schools for recruiting purposes.
Many of the students interviewed said they received no form of print communication
through the mail, which is a common mode of contact for other music schools. This
puts the UGA Hugh Hodgson School of Music at a recruiting disadvantage. Another
student mentioned that many other music schools place ads in popular music bulletins,
geared towards high school students. The UGA Hugh Hodgson School of Music has
yet to take advantage of any of these media outlets. Improvements in these aspects,
along with refining the School’s logo and formatting will better serve their future public
relations activity.
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SWOT Analysis
NOTE: The UGA Hugh Hodgson School of Music will be referred to as HHSOM.
STRENGTHS
The HHSOM has premier concert halls, at which it hosts renowned groups for
performances. These concert halls are open for public reservation, which attracts the
local community.
The faculty and staff are world-renowned.
Students have the option to receive private one-on-one instruction by faculty, making
instruction more qualitative and effective.
There are a wide variety of academic programs offered, giving students ample
choices on what they want to study.
Courses are available to students outside of the HHSOM, who are, which allows non-
music major students to be able to pursue music, even if they cannot dedicate their
entire course of study to it.
The Redcoat Band is highly rated and brings awareness to the HHSOM.
The credibility of the newly hired and returning faculty increase the reputation of
the School.
Opportunities available to students are based on their skill levels, not their year
of study.
Many social media channels exist and have a strong following already, showing that
social media has been a focus in the communications plan of the HHSOM.
Events are photographed and recorded, so a multimedia library does not have to be
built from scratch for future promotional materials and social media campaigns.
The Community Music School gives students the opportunity to spread goodwill in
the community, and increases the community’s awareness of the HHSOM.
Discounted admission to concerts are available to students, which can boost student
attendance and incentivizes attendance at these events.
There is an Italy study abroad program that gives HHSOM international status and
students the opportunity to become versed in another culture.
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WEAKNESS
There is a lack of communication between the HHSOM and the rest of the university,
which leads to a low level of awareness of the HHSOM’s programs at the university.
There is a lack of organization within the HHSOM in terms of communication,
responsibilities and curriculum. This miscommunication can lead to a collapse in
consistency and structure.
Many students do not consider applying for HHSOM because they feel they do not
match the academic standards set by UGA. This limits the possibility of attracting the
top musical talent.
Not every faculty member represents and recruits for the HHSOM as strongly as the
others do, resulting in “pockets of weakness” in certain programs.
The growing size of the HHSOM’s students, but lack of funding has resulted in
outgrowth of facilities.
Those outside HHSOM are generally unaware of the strength of the School and the
diversity of its programs and opportunities.
The curriculum is seen as outdated since it focuses mainly on classical music and
methods.
Lack of funding and limited scholarships available for potential students limits
promotion and recruitment.
There are many disconnected promotional print materials, all of which are
inconsistent in their messaging, use of logos, and layouts. This can illustrate the
inconsistencies found between the departments to the public and weaken the brand
of the HHSOM.
There is no regular recruitment material sent out to high schools or handed out at
events. This decreases the likelihood of students applying to UGA and limits the
potential of word-of-mouth marketing among high school students.
The use of mailed promotional materials by the HHSOM is an outdated method of
recruitment, and focusing more on digital platforms would help reach the target
market in a better way.
The Redcoat Band, Redcoat Clarinets, Wind Ensemble and other groups have
separate social media accounts, taking away audience members and consistency
from the HHSOM.
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OPPORTUNITIES
A curriculum integrating more relevant genres of music to the current times, such as
the existing jazz, bluegrass and music business programs that the HHSOM has
already, will attract more students.
All students are welcome to participate in bands and music groups regardless of
major, giving non-students the opportunity to still be involved in the School.
HOPE and Zell Miller scholarships cut costs for in-state students, making the
HHSOM more attractive to in-state residents.
Dual enrollment programs allow high school students to begin taking classes within
the HHSOM, sparking early interest in high school students.
HHSOM is part of a tier-one research university. Students have the ability to
simultaneously pursue interests outside of the School of music and achieve a more
well-rounded education.
Athens is well-known for being a music destination in the Southeast, giving the
HHSOM a platform from which to attract interested parties to the School.
Development of new digital technologies give the HHSOM an enhanced ability to
share its performances and concerts on multimedia online platforms.
THREATS
Other institutions treat their music departments as separate conservatories that value
music talent as much as academics and therefore waive strict academic
requirements for student admissions in favor of musical talent. Since the HHSOM
doesn’t do this, it makes the School look like it does not value music as much as
these other institutions.
Other music schools have more of a cohesive brand identity, which makes them
more memorable and well-marketed.
The HHSOM is misperceived as elitist in the Southeast.
Peer and aspirational Schools of music are able to provide better funding for
students which renders the HHSOM less competitive in this regard.
When compared to comprehensive education programs such as HHSOM,
conservatories’ sole focus on music education gives them an advantage regarding
public attention and awareness.
There is a current national perception that music graduates will be entering into an
unstable and unprofitable job market after they achieve their degrees.
There is a national shift in education focusing more on STEM subjects and less on
music and the arts. This shift in education can be seen in grades as early as
elementary School, which can have long term negative effects on not just the
HHSOM, but music and art Schools across the country.
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Conclusion
Key Publics
Primary Publics
: Potential music students, which include high school students across
the nation and their music teachers, as well as music students with their undergraduate
degree looking to pursue a graduate degree. This could include UGA Hugh Hodgson
School of Music undergraduates. Another primary public is the general UGA student
body. An internal primary public would be the faculty of the UGA Hugh Hodgson
School of Music, who need to believe collectively in the strength of their school.
Secondary Publics:
Parents of high school music students are a secondary public,
since they hold influence over high school music students’ School decisions. The
Athens community is also a secondary public.
Client’s Public Relations Needs
Consistency across all communications materials:
Some departments don’t know when
other departments are promoting events or recruitment, leading to confusion within the
UGA Hugh Hodgson School of Music. There is also inconsistency within brand
representation in digital media and print materials.
Low awareness of the UGA Hugh Hodgson School of Music among all primary and
secondary publics:
Key publics need to be targeted through creative communications
materials. Awareness to all key publics needs to be increased.